Genre

Revenge of the Nerds is an 80's cult classic making its way to Blu-ray. Basically you get a standard catalog release and a handful of features thrown at you. I remember seeing this movie about ten years back. I found it amusing then, so I was looking forward to being able to watch it again; maybe this time I'd get more of the jokes.

The movie takes place where two nerds played by Robert Carradine and Anthony Edwards are off to attend the fictional Adams College. They have both enrolled in the acclaimed computer studies department. The two dress like typical nerds with tucked-in shirts, thick black-rimmed glasses, buck teeth, and pens in their shirt pockets. This is of course noticed by some of the frat members the minute they set foot into the quad and are already labeled as nerds. The Alpha Beta frat house are the apparent bullies of the school and also happen to all be star players on the football team, coached by the arrogant John Goodman. While partying the group accidentally burn down their frat house and take over the freshman dorm, forcing them all to sleep in the gymnasium. Of course while some of the freshman are recruited for frats and sororities a group of them are left out, the nerds. Sick of living in the gym they set out to find a house, which they turn, into a frat house, Lambda Lambda Lambda. Gaining some respect around the school the jocks of Alpha Beta set out to make their lives hell, while the nerds get a little revenge for themselves.

Anyone who is a parent of a teenage boy is very familiar with the film Napoleon Dynamite. Released in theaters in 2004, this film rapidly developed a cult following and continues to be popular among the high school and middle school crowd. Napoleon Dynamite is a very charming and witty film about a tall and lanky teenage nerd (played by Jon Herder) who lives with his older brother and grandmother in Preston, Idaho. His brother Kip (Aaron Ruell) is 32 and unemployed and how spends most of the day at home on the internet on chat rooms trolling for women. Napoleon, on the other hand, is a bit more industrious, as he at least does attend high school. However, he spends most of his time daydreaming. When he is not daydreaming, he is being bullied at school.

To say that Napoleon is quirky would be an understatement. He has a very deadpan and monotone delivery except when he is asked a question, which more often than not results in a loud, short and abrupt answer which is a trait my kids seem to have adopted! Napoleon also has a very tough time being able to communicate with the other kids in the school, being somewhat of an outcast. However, he meets two students who share some of the same personality quirks as he does, Pedro and Deb, and decides to try to help Pedro, a recent immigrant from Mexico, in his bid to get elected as class president. (Remember those Vote for Pedro t-shirts?)

A week from this Saturday, I turn in my amateur standing and go pro.”

Tom Hanks has been starring in movies for exactly 30 years. He burst onto the big screen with 1984's Splash, the romantic-comedy hit that also marked the start of a fruitful creative relationship with Ron Howard. A few months later, Hanks headlined Bachelor Party, which probably just seemed like the latest in a long line of silly, raunchy, sex comedies that were extremely popular at the box office. Of course, that was before anyone could possibly realize the movie would eventually serve as the spiritual godfather to comedic blockbusters like Wedding Crashers and The Hangover.

"In our findings on Gamera, we've ascertained that: Firstly, it is attracted to and consumes fire. Secondly, it also seems to possess an internal power plant, of sorts. This emits a signal frequency that can jam radio communications. In order to store up energy reserves, Gamera consumes inorganic resources. Not only does it consume petroleum as well as other mineral and fossil fuels, but Gamera may also seek out atomic bombs."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds. Godzilla would likely dominate the conversation, and for most of the last 60 years the folks at Toho have been synonymous with large monsters. But they didn't exactly hold a monopoly on the big beasts. Kadokawa Pictures had their own little monster franchise going on. It all started in 1954 with Gamera: The Giant Monster. From 1965 through the 1970's the studio would produce eight Gamera films in all. Now Mill Creek has gathered all eight films into two four-movie Blu-ray collections.

It was 2007 when Veronica Mars concluded its three-season run on the CW.  The door was left open for more seasons, and the season three set came with a bonus that showed us the direction things could have gone.  But after one of the most successful Kickstarter campaigns and seven years later, fans of the show will finally get to see their favorite little marshmallow, Veronica Mars, on one last investigation.  I’m going to come out and say it; I was a big fan of the show. The high school noir series was more than just your standard teen melodrama.  Veronica Mars seemed to always evoke the hard-boiled spirit of Raymond Chandler detective yarns, only it boasted a good-looking cast that spit witty dialog and pop culture references.

The film introduces us to a  more mature and refined Veronica (Kristen Bell) who has moved on from being the teenage private eye and is now applying to law firms.  She’s come a long way, (literally across country) and has tried to make a life for herself in New York with her boyfriend Piz (Chris Lowell).  Everything was going as planned until Veronica sees on the news that her old flame, Logan Echolls (Jason Dohring) is under investigation for murdering his girlfriend.  The heart strings are tugged for Veronica, and she hops a plane to travel back home to Neptune and help him out.

Craig Morrison was in his late 80’s the first time he got in trouble with the law. Still Mine tells the real-life story of the Canadian octogenarian who found himself in court facing the prospect of jail time. In case you’re wondering, Morrison didn’t rob a bank or cheat on his taxes. He merely wanted to build a modest house on his own property that could better accommodate his ailing wife. And he insisted on doing it himself.

The film opens with a tired-looking Craig (James Cromwell) preparing himself to make a statement in court. The action flashes back two years, and we see Craig on the expansive 2,000-acre New Brunswick property he shares with his wife Irene (Genevieve Bujold). We eventually learn the couple has been married for 61 years, but the playful, tender rapport between Cromwell and Bujold conveys that connection within minutes. Just as surely as we get glimpses into their loving relationship, we also get hints at some of the problems beneath the surface. Craig’s cattle and strawberry businesses begin to falter, while Irene absentmindedly leaves an oven mitt laying across a hot stove and forgets that some misplaced actually belongs to her.

Following the live performance of Madea’s Neighbors From Hell captured on this DVD, Tyler Perry joins his fellow cast members on stage after they’ve all taken their bows. Perry has ditched his Madea drag and takes to the microphone to thank his fervent, loyal fans for their support. You probably know Perry because of the phenomenal success he has enjoyed in TV and movies. (And because he puts his name on practically everything he does.) However, Perry is quick to remind his audience that it all started on the stage.

Madea’s Neighbors From Hell premiered in Atlanta last year. As you probably guessed from the title, the play features Perry’s most famous creation: the towering, tough-talking Mabel “Madea” Simmons. I realize the character is Perry’s bread-and-butter, but it’s still a little jarring to see the uber-rich multi-hyphenate treading the boards in a direct-to-DVD movie.

When it comes to the feud between Marvel and DC film adaptions, I think we can all agree Marvel at this point may be winning the battles on the big screen, but when it comes to the animated films DC has been delivering hit after hit. Perhaps it’s because the landscape in animation is virtually unlimited and comes with a significantly smaller price tag to deliver.  With the new animated release from Warner Brothers we get a new Batman film that goes where we haven’t seen the caped crusader go, and that is into the shoes of fatherhood.  Before you get to thrown by the idea, this isn’t a costume hero version of Three Men and a Baby, but instead something much darker and well deserving of its PG-13 rating.

The League of Assassins are in the middle of training when we first meet Damien (voiced by Stuart Allen); he’s the grandchild of the leader of the league as well as a long standing foe to Batman Ra’s al Ghul.  Damien hasn’t simply lived the life of luxury, but instead has lived a life training to be a deadly assassin.  I’d love to see this kid in public school dealing with school yard bullies, but this isn’t that story.  His mother, Talia al Ghul (voiced by Morena Baccarin) is firm but loving, and her true nature comes through as the temple is attacked by an army of armed ninjas.  The battle is intense, and despite all the training by the League of Assassins, they are simply no match for the firepower that is unleashed.  Damien isn’t one to run and hide; he doesn’t hesitate to pick up a weapon and fight.  Leading this hostile takeover is Deathstroke (voiced by Thomas Gibson); he’s filled with rage and wants to rule the league and kills Ra’s al Ghul in the process.

I do wish I could be content, but...”

You cannot.”

It’s been a while since a movie has been released that broke the rules on how we expected a film to be made.  Avatar was the last game changer, I would say, considering it gave audiences a new way to see films in 3D.  Sure, hundreds of millions of dollars were invested in that film, and the reward for bringing audiences something different is it being the highest box office grosser ever.  Escape From Tomorrow goes in the opposite direction, and to be matter of fact about it, the film shouldn’t even exist.  But writer/director Randy Moore pulled off something that is an achievement that deserves praise for filming his sci-fi satire on location at Disney, without their permission.

I’ll be the first to admit, the gimmick of filming a movie without permission on the grounds of any amusement park intrigues me.  It’s the film student in me that curses Moore for pulling this off, but I have so much respect for this guerilla filmmaking spectacle.  And that is what this film is about, the spectacle of Disney and the pedestal we put it on in our society.  As kids we all had these hopes and dreams of just what it would be like to experience the Magic Kingdom, and as many people get older we wish to share this experience with our own kids and hope to recapture that experience when we were younger.  But age has a funny way on changing our perspectives, and though certain things may never change, our understanding of things seems to evolve.