Posted in: Disc Reviews by Brent Lorentson on May 21st, 2014
Ever since Elijah Wood completed filming Lord of the Rings, it would seem that he has done everything in his power to not be locked down with the label of simply being Frodo. From playing a mute psychopath in Sin City, to voice work in Happy Feet, a suicidal pot-head that is best friends with a talking dog in Wilfred, and even the killer role in Maniac, it’s clear that he’s an actor that likes to challenge himself. With Grand Piano Wood delivers his most dynamic performance as the brilliant concert pianist Tom Selznick who suffers from stage fright. It’s a film that didn’t see much of a theatrical release but shone in the film festivals it did play at, most notably Fantastic Fest in Austin, Texas. But it’s not just the performance that sells me on this film; instead, it’s the beautifully shot and constructed thriller that seizes its grip from the opening moments of the film and doesn’t release until the end of its 90-minute-plus running time.
It’s been five years since Tom has performed for the public, ever since his meltdown while trying to perform a piece written by his mentor Patrick Godureaux. The piece titled, “La Cinquette” is believed to be an unplayable piece and is considered to be Godureaux’s master work. But it’s on this one night, an event organized by Tom’s wife Emma (Kerry Bishe), a Hollywood socialite who has bloomed into superstardom during Toms retirement; the event has been put together to help Tom recover from his disastrous performance.
Posted in: Disc Reviews by Archive Authors on May 21st, 2014
Most action pictures have an aura of super-seriousness, or they are filmed as comedies and everything is meant to be ridiculous. It definitely is a difficult task to mix the two effectively. On some level most action pictures are ridiculous, since most of us will never experience the close proximity to death and danger that is depicted on the screen. Also, life and death are often cheapened with high body counts but little consequence for our hero. In 3 Days To Kill, all sorts of elements are brought to bear in order to reinforce the average everyday family experience and not the lone killer. Early on, a different sort of danger affects our hero. It's not bullets and bombs but a rare disease that is likely to kill him in the very near future. As a spy, he has always neglected family to the extent that his teenage daughter barely knows him. Ethan Renner (Kevin Costner) is intent on changing that.
The film is directed by McG and written by Luc Besson, both filmmakers with impressive credentials, but I'll get back to that later. The real focus is Kevin Costner as an aging and battle-weary veteran CIA agent who is always counted on to take out whatever targets are assigned him. During a particularly explosive encounter in a Serbian hotel, he begins to get dizzy after chasing one surviving member of a gang. He is subsequently hospitalized and told he has maybe six months to live, and thanks for his service. He leaves the hospital determined to reconnect to his wife, Christine (Connie Neilsen), and daughter Zoey (Hailee Steinfeld).
Posted in: No Huddle Reviews by J C on May 21st, 2014
“You just never know who’s gonna be at the door.”
A virginal babysitter with bad cell phone reception is terrorized by a masked killer in Mischief Night. You don’t have to be a gorehound to know this is basically the plot of every slasher movie ever made. So it’s natural for viewers to expect some sort of swerve to differentiate this horror flick from all those that came before it. With the flawed, micro-budgeted Mischief Night, that swerve comes courtesy of the film’s intriguing assertion that a “boogeyman” can come from anywhere.
Posted in: Disc Reviews by J C on May 20th, 2014
The line between romance and stalking is much blurrier at the movies. Behavior that routinely leads to restraining orders or arrests in real life tends to elicit “awws” from moviegoers and earns the romantic hero a kiss in the end. The Right Kind of Wrong is one of the more egregious examples I can remember, which is a shame because the Canadian romantic comedy has a likable lead and dares to give its characters multiple dimensions.
“Writing and the pursuit of a woman — like any impossible dream — are not about immediate results. They’re about telling the truth.”
Posted in: Disc Reviews by J C on May 19th, 2014
“If we act like we belong, they'll think we belong.”
You never know who could be watching when you post something online. Sophia Grace Brownlee is a perfect example of how to become a “star” in this decade. In 2011, the 8-year-old Brit starred in a video of herself singing Nicki Minaj's “Super Bass” alongside her silent, hype man cousin Rosie McClelland. The clip went viral and caught the eye of Ellen DeGeneres, who has repeatedly featured the diminutive duo on her daytime talk show over the last few years. I suppose it was only a matter of time before Sophia Grace and Rosie jumped to the big screen; well, the straight-to-DVD screen anyway.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2014
"This is the story of a man who won by choosing love over fame, fortune and countless adventures..."
Danny McBride managed in inhabit the role of Kenny Powers to such an extent I do appear to have trouble keeping them separate. Now the countless adventures continue for McBride who is going to have to get us all to see him in a new light as he leaves troubled Powers behind and moves on to other things. For fans it's a bittersweet goodbye to Eastbound & Down. The final episodes have aired and now they are available on this 2-disc Blu-ray swansong.
Posted in: No Huddle Reviews by J C on May 15th, 2014
Bodybuilders present a series of fascinating contradictions. They objectively embody the ideal physical form, but there are also people who can’t even stand looking at them. They’re in tip-top shape, but instead of running, jumping or hitting each other, their competitions involve…posing. Pumping Iron, the 1977 documentary that turned Arnold Schwarzenegger and Lou Ferrigno into stars, was the first film to shine a light on the world of bodybuilding. Generation Iron stylishly and thoughtfully explores how the sport — and its participants — have grown immensely in the ensuing decades despite remaining a somewhat peculiar part of popular culture.
“They are an oddity. Stares...pointed fingers. They are in a freak show with no circus tent to hide in.”
Posted in: No Huddle Reviews by J C on May 15th, 2014
As soon as you saw the title of this review or caught a glimpse of the DVD cover art to the right of this paragraph, chances are you either rolled your eyes or squealed with delight. In less than five years, One Direction has become a worldwide boy band behemoth. The group’s devoted fans call themselves “Directioners” and serve as a helpful reminder that “fan” is short for “fanatic.” This DVD is purportedly aimed at those same fans, but I imagine there’s not much here a true Directioner hasn’t already seen on Twitter or YouTube.
“This is the story of how five ordinary boys from the U.K. & Ireland have taken the world by storm.”
Posted in: Disc Reviews by Gino Sassani on May 14th, 2014
"I was cast into being in the winter of 1795 a living corpse with a soul, stitched, jolted, bludgeoned back to life by a madman. Horrified by his creation, he tried to destroy me..."
We all know the story told by the young teen wife of a poet: Mary Shelley. Told to entertain guests on a stormy night, it has become the stuff of legend. Brought to life by Colin Clive's mad scientist in the shape of Boris Karloff in the Universal Golden Age of horror, the monster has had a face. Since that time studios from Hammer to Paramount have left their own marks and scars on the creature that often mistakenly bears the name of his mythic creator. The name of Frankenstein.
Posted in: Disc Reviews by J C on May 13th, 2014
“Whoever tells the best story wins.”
This bit of lawyerly wisdom is given by John Quincy Adams in Amistad, Steven Spielberg’s account of a real-life 19th century slave revolt. President Adams is offering advice on how to mount the most effective case on the slaves’ behalf, but his words ring true well beyond the courtroom. Spielberg has been telling some of the best stories since the 1970s. Amistad may not be top-tier Spielberg, but the film — making its Blu-ray debut — is an absorbing historical drama in its own right.
