Sci-Fi / Fantasy

"The needs of the many outweigh the needs of the few."

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise.

You can always tell a SyFy television movie right off the bat; they generally involve some type of scientific principle run amuck, they generally take place in a small out-of-the-way town, and they include at least one actor who has had moderate success on television or films. True to form, Super Storm (known as Mega Cyclone on IMDB) is the embodiment of all those things, and it tends to teeter between mediocre and mildly interesting as the story’s events unfold in unexpected ways revealing that no one is safe, especially the cast.

“It’s been a long time getting from there to here.”

Thirty-five years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines.

"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."

ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series

When you read that Eli Roth is part of the production team, the first thing you probably think about is the potential gore that will be associated with the project, and Aftershock is no exception, but there was also an interesting twist with this disaster flick: the involvement of a director who’s most known for his work in the romantic comedy genre, Nicolas Lopez, who’s most notable for his Que Pena Tu (translation: F*** my  (blank)) trilogy. He tries his hand at something new with this dark tale based in reality that highlights that the most frightening part of a natural disaster is not necessarily the disaster itself.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

With the success of Best Of Both Worlds, Star Trek: The Next Generation would make frequent use of the season-ending cliffhanger. Believe it or not, that wasn't so common in those days. The fourth season ended with part one of Redemption.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The fourth Season of Star Trek: The Next Generation erased any doubts that the show could stand on its own. The series had developed its own characters and situations that allowed the show to somewhat separate itself from the confines of the original series

A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the  listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.

“Fee, Fi, Fo, Fum, ask not whence the thunder come. For between heaven and earth it’s a perilous place, home to a fearsome giant race. Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow…”

Jack the Giant Slayer is the mash-up adaptation of two classic fairy tales; Jack and the Beanstalk and Jack the Giant Killer. Now adaptations are big business in today’s industry, but is combining two different source materials wise, or a recipe for disaster?

Hansel and Gretel, everyone has heard of this fairy tale, right? The Brothers Grimm tale about a brother and sister lost in the woods who come across a house made of candy. They go inside and are soon captured by a witch who goes about stuffing them with candy to fatten them up to be slaughtered. Somehow the cunning pair manages to escape their shackles, and while the witch is distracted with the oven, they push her into the oven and destroy her. We have all heard the tale, but what happened afterwards?