Posted in: No Huddle Reviews by Brent Lorentson on December 21st, 2012
This short-lived UK television series from 1995 is something I had never heard of, and after watching it, I consider it one of the best horror anthologies produced. Tales from the Crypt, The Twilight Zone, The Outer Limits all hold their own place in what they brought to the small screen, each with episodes that are given the same reverence we would give a classic film. What Chiller managed in five episodes left me wanting so much more; five episodes simply was not enough.
Prophecy: When a group of friends get together for some drinks and a séance, you just know things are not going to go as planned. During the séance a prophecy is given that seems vague and nothing for the friends to worry about, that is until five years later when the friends begin to die off one by one. Though the story seems familiar, it remains fresh by adding a young boy who has a gift/curse where is able to see how people will die. As the first of the stories, it sets up the tone nicely for the other tales to follow.
Posted in: Disc Reviews by William O'Donnell on December 19th, 2012
The debut season of this Comedy Central program was entitled "Hoodies" on it's DVD and Blu Ray release. Season 2 is called "Deep V's" in honour of the garment Daniel Tosh, the host, wears in each episode. Very little is different as far as format or new segments are concernced since the last time I wrote about this show (https://upcomingdiscs.com/2012/06/05/tosh-o-hoodies-blu-ray/. To avoid redundancy I shall simply add to that review with a couple new relevant points for this season.
YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Posted in: Disc Reviews by Gino Sassani on December 18th, 2012
I'm a Minnesota Vikings football fan. Yes, I accept the condolences. However, I didn't say that to get sympathy, and I'm not yet in need of the services of the suicide hotline. With two games to go, I will keep the number on speed dial, just in case. A thousand years ago we had a star player who made the by now infamous statement that he plays when he wants to play. For a young athlete with an already troubled past, it didn't go over too well. But over the last decade or so Clint Eastwood appears to be in that same mindset. He acts when he wants to. He's only appeared in three films in the last ten years. The difference is that Clint has earned the right to be picky about when he works. He isn't taking a paycheck when he isn't working, and when others depend on him to hit it out of the park, he rarely misses the ball. Trouble With The Curve won't ever rival Eastwood's other roles for action, intensity, or even one-liners, but it's a solid performance in every way. For all of those Eastwood critics in the glory days who said he couldn't pull off a performance without the trappings of Dirty Harry or The Man With No Name, I suspect you're having a hearty meal eating those words after seeing Trouble With The Curve. It's perhaps his simplest role yet. It also happens to be a home run.
Gus (Eastwood) has been a scout for baseball's Atlanta Braves for 40 years. He's responsible for the team's greatest talents going back to Dusty Baker. Now he's in his 80's. New, younger blood has invaded the world of scouting, and they've brought along all of their latest computer toys to do the job. Gus won't adapt to that new technological world. He can tell a hitter's talent by the sound of the ball leaving the bat or the sound of the batter's hands as he gets ready to swing. That's a good thing, because Gus is losing his eyesight. He trips over tables and chairs (enter your own RNC joke here) and isn't the safest person behind the wheel of his car. His old friend and head of scouting for the team is Pete (Goodman). He's still behind Gus, but the pressure is on. There are only three months left on Gus's contract, and the draft is approaching. Gus has one scouting trip to prove he's still got it, or he's going to be put out to pasture by owner Vince (Patrick).
Posted in: No Huddle Reviews by Archive Authors on December 18th, 2012
Ken Follett has written many historical novels from many periods such as World War II and the Hundred Years War. World Without End is part of the latter. It is a sequel to Pillars of the Earth. Both have been made into mini-series. World Without End takes place 157 years after Pillars and features descendants from the first book. It was broadcast in the USA, UK and Canada and is now available on DVD.
Kingsbridge is the fictional town in England which all the events revolve around. It begins in 1327 after King Edward II loses a brutal civil war to his French wife, Queen Isabella. Isabella crowns her son Edward the new king. There are characters from every level of medieval society and over eight episodes dozens of individuals have a major impact on the story. I will say at the outset that much of the mini-series plays as an old-fashioned soap opera. Heroes and heroines are at odds with some of the blackest and most unsavory of villains. Some of the villains are in sheep's clothing, or in this case, cleric’s robes. Nearly every kind of treachery is displayed from husbands kicking wives down stairs, sister poisoning brother, brother sword-fighting brother, father raping daughter, and, of course, the rich and powerful subjugating the poor into lives of endless suffering. There is the Hundred Years War and then the ultimate plague, The Black Death.
Posted in: Disc Reviews by Michael Durr on December 17th, 2012
Most Disney live-action kid’s films do not have a kind memory in my heart. They feel contrived, full of soft characters and contain tons of bad comedy. They also proceed to force upon the audience some kind of weak message about morals and attempt to make us feel better about ourselves. This never works. However, today I have a shining light in the sea of bad Disney live-efforts and that film is the 1995 cult classic, Heavyweights.
The clock counts away the seconds until 3:00pm. The bell rings, it is the last day of school. Gerry Garner (played by Aaron Schwartz) misses his school bus and tries to run after it to no avail. He eventually gets home through some mishaps and his parents (played by Jeffery Tambor and Nancy Ringham) call him into the living room. There Gerry runs into a gentleman named Roger Johnson (played by Tim Blake Nelson).
Posted in: No Huddle Reviews by Brent Lorentson on December 17th, 2012
"Everywhere you’ll go you’ll hear that slavery is a thing of the past. Don’t believe it."
When I got handed this disc to review I didn’t pay it much attention till I noticed it had Michael Caine in it. Then after a search on IMDB well I started to get more and more excited. Filling out the rest of cast there’s Peter Ustinov (Spartacus), Omar Sharif (Lawrence of Arabia), and William Holden (The Wild Bunch) all together in an African adventure film directed by Richard Fleischer (Tora! Tora! Tora! and 20,000 Leagues Under the Sea) I couldn’t believe I had never seen, much less even heard of this film. When we first meet Dr. David Linderby (Caine) and his wife Dr. Anansa Underby (Beverly Johnson) they have just arrived in a tiny African village where they have travelled to inoculate the villagers. With their work done, David takes in a celebration that the tribe is performing; instead of staying to enjoy the ceremony Anansa (who happens to be a former native to an Ashanti tribe) decides to go for a swim. It’s this fateful decision that leads to Anansa’s capture by a group of slave traders lead by Suleiman (Ustinov). The film wastes no time putting Caine in pursuit of the slave traders.
Posted in: No Huddle Reviews by Gino Sassani on December 17th, 2012
"In New York City's war on crime, the worst criminal offenders are pursued by the detectives of the Major Case Squad. These are their stories."
Dick Wolf used to pretty much own NBC and prime-time drama. His flagship series Law & Order lasted 20 years, tying the record held by Gunsmoke for the longest-running scripted drama. It was his wish to break the record, but by season 20 the franchise had lost some steam and was axed by NBC. It wasn't a total loss for Wolf, who had two other Law & Order shows still running at the time. Law & Order: SVU has been the more successful, but Law & Order: Criminal Intent had a pretty good run as well.
Posted in: No Huddle Reviews by Jeremy Butler on December 17th, 2012
“Through the good times and the bad, you were the best I never had.”
Who became successful? Who completely changed? Who stayed the same? For all the questions that are asked at every 10 year high school reunion, 10 Years is dedicated to you. Equipped with a stellar cast of Hollywood’s next generation elite: Channing Tatum, Justin Long, Rosario Dawson, Kate Mara, Brian Geraghty, Ari Graynor, Kate Mara, Oscar Isaac, and the list goes on.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2012
Who doesn’t get a little creeped out any time they see an old van cruising slowly through their neighborhood? Now, I’m not talking about the soccer mom mini-van you see plenty of, but I’m talking about those vans from the 80s and beyond that seemed to be the vehicle of choice in films where kidnapping is involved. Creep Van takes the idea of the sleazy van and uses it to its fullest, transforming this white metal beast into the ultimate death trap on wheels. Unfortunately the van and the gore are pretty much all the film has going for it.
Cambell (Brian Kolodziej) is a little down on his luck; with a new job working at a car wash and having to take the bus, things are far from easy. To make matters worse, his living situation isn’t much better with a roommate with a few fetishes and the roommate’s girlfriend who has an unexplained hatred for Cambell and enjoys kicking him down when she gets the chance. Just about the only good thing going for Cambell is his cute co-worker Amy (Amy Wehrell). Things begin to look all the more promising after Cambell comes across a white van that’s for sale and in his price range.
Posted in: Disc Reviews by J C on December 13th, 2012
At the turn of the millennium, we seemed to collectively decide that we wanted our heroes to be dark and gritty. The X-Men traded in their yellow spandex for black leather in their first big-screen adventure. Batman went from exchanging quips and painful puns with Mr. Freeze to brooding magnificently for director Christopher Nolan. And Hollywood almost completely stopped making candy-colored spectacles like Dick Tracy.
It’s not difficult to understand why this happened. Though I have a soft spot for pulpy ‘90s period pieces like The Rocketeer, The Shadow and even The Phantom, they didn’t exactly set the box office on fire. The star-studded Dick Tracy was actually the most successful film from this group, grossing over $100 million, earning seven(!) Oscar nominations and winning three of those trophies. However, the fact that Dick Tracy’s closest doppelganger is probably the ultra-violent Sin City — another tale with tough-talking cops and crooks that looks like it was ripped directly from the pages of its source material for the big screen — tells you where moviemaking has gone from then to now.