Posted in: Disc Reviews by Brent Lorentson on April 3rd, 2013
This is a review that I’ve been dreading. It’s been a while since a movie has gotten me so worked up over its thoughtless execution that I struggle to find something redeeming out of it. For those unfamiliar with non-linear storytelling, a simple definition would be a story told out of order, for instance Memento or Pulp Fiction. Those two examples are of films that execute non-linear storytelling and use the structural device as a means to further their story. As for the filmmakers involved with The Devil’s in the Details, they took a decent story and then tore it up into shreds, tossed it in the air, and pieced it together however they saw fit.
Posted in: Disc Reviews by J C on March 21st, 2013
Day of the Falcon is a photogenic, lavish reminder that violence and strife in the Middle East existed well before it could be broadcast on CNN. The film — set in the early part of the 20th century — also works as a throwback to the sort of rollicking, epic-scale adventure films David Lean was making at the height of his powers and that no one seems terribly interested in making anymore. Don’t get me wrong: Day of the Falcon is no Lawrence of Arabia or Bridge on the River Kwai, but it’s an accetable 21st century substitute.
Posted in: Disc Reviews by Jeremy Butler on January 30th, 2013
How exactly do you make a superhero movie without the powers? Answer: Have them wake up with their powers being stripped from them. All Superheroes Must Die is a superhero tale that from the title you can tell is fated not to end in the traditional way that superhero films end: with the righteous prospering and the wicked suffering. What the film title doesn’t let you know, however, is how underwhelming the film is. It does have an interesting startup, I’ll give it that.
Posted in: Disc Reviews by Brent Lorentson on January 7th, 2013
When it comes to writer/director Spike Lee, he seems to have a very polarizing effect on the people who watch his films. I’d like to consider myself a fan of most of his work. For me Clockers, Summer of Sam, and The 25 Hour rank at the top of my list of favorites. He’s a director with a very distinct style and voice that sets him apart from most filmmakers. But it’s that voice of his that often times gets him in trouble, whether it is in the message of his films or oftentimes comments he makes (most notably his comments on Tarantino and Django Unchained).
Posted in: Disc Reviews by William O'Donnell on November 17th, 2012
A wealthy mother of three has a secret revealed about her past when her well-meaning son brings a homeless man over for dinner. This production is a play that has been filmed (not adapted) with a laugh-track spliced in, making it resemble a television show. It's meant to be inspirational but it's really just a big mess.
Posted in: Disc Reviews by Brent Lorentson on October 17th, 2012
When I first learned that Adam Green (director of Hatchet and Frozen) would be creating a show to air on Fear Net, this seemed like a slice of heaven to me. I love horror, and with the exception of The Walking Dead and American Horror Story there just hasn’t been much to watch from the genre. So when I discovered that Green was going to be actually developing a sit-com instead, it would be fair to say I was more than a little disappointed by this news. But then I was given a glimmer of hope when I heard it would be about a pair of struggling horror filmmakers. As a film graduate and a lover of horror, this instantly became something relatable to me.
Posted in: No Huddle Reviews by J C on October 1st, 2012
Look, I don’t take pleasure in being the guy who slams a religious movie. It’s not that I’m afraid I’ll go to hell. (If someone can go to hell for writing a scathing movie review, then the system is broken.) I just don’t particularly enjoy tearing down any well-meaning movie with a positive message. However, when a film is as thoroughly inept as The Holy Roller, I’m afraid I have no choice.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2012
"800,000 children are reported missing each year in the USA. Most are found within a few days. 1000 children disappear without leaving a trace."
After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan. It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience. He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project.
Posted in: Disc Reviews by J C on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
Posted in: Disc Reviews by Michael Durr on July 30th, 2012
Most people who read my reviews can realize that me and prison films just do not mix. Far too many of them are incredibly hokey and if I hear one more cliché about dropping the soap, I swear I might just go watch about a 12 hour Golden Girls marathon. However, our film today deals with a psychiatric hospital for criminals. It sounds a lot like a prison to me, but perhaps today’s review will take on a much gentler tone and provide us with something just a little different.
