Lionsgate / Maple Pictures

When it comes to the very worst movies I’ve ever seen, I admit that I grade on a curve. Filmmakers working with extremely limited resources get more of a pass from me. This certainly appears to be the case with Sheriff of Contention, a low-budget Western/serial killer mystery. Unfortunately, there’s only so much amateurish acting and technical mishaps I can overlook. Everyone knows that if you can’t say something nice, you’re not supposed to say anything at all. In a related story, this might end up being one of my shorter reviews.

"The problem is you don't know my pain or emptiness. But now you're going to know how it feels to be me."

Mitch Brockden (Cooper) is an ambitious up and comer in the Chicago prosecutor's office. He has a reputation for being aggressive, and he doesn't lose cases. He's respected and liked by his colleagues. That's the man we first meet. But after a night of some power drinking with his buds, we are introduced to another Mitch Brockden. This Mitch is selfish and a coward.

“So long as my enemies are alive, I will not die.”

During his lifetime, Genghis Khan reigned over one of the biggest empires the world has ever seen. There are literally dozens of action-packed epics that could be made about his various battles as head of the Mongol Empire, which included portions of China, Russia, the Middle East and Eastern Europe. But Kingdom of Conquerors curiously focuses on the one adversary Khan couldn’t vanquish: death.

Paul Walker built his career on playing tarnished golden boys (Varsity Blues, The Skulls) before breaking out with the Fast & Furious franchise. He wasn’t as decorated as fellow recently-departed colleagues like Philip Seymour Hoffman, Peter O’Toole, James Gandolfini and Harold Ramis, but Walker was unequivocally a Hollywood success. Hours is one of the last films the actor completed before his November death in a single-car accident. The film quickly loses its way after a promising start, but Walker is easily the best thing in it. His work here is a bittersweet glimpse at the sort of roles he might’ve taken on as he progressed through his 40’s.

"Don't mess with a man of God."

It has been said that an old vaudevillian was on his deathbed and was asked how he was doing. He replied, "Dying is easy. Comedy is hard". And no, it wasn't Shia LaBeof. The fact is that comedy is easy. Horror comedy is hard...very hard. One needs only to look at the lame attempts each year to make us laugh at the carnage. For every Shaun Of The Dead there are 100 Vampire In Brooklyn's Let's not even talk about the last Scream entry.

“A successful breakout depends on three things: Layout, Routine, and Outside Help.”

You know, there was a time when the public could only dream of an Arnold Schwarzenegger and Sylvester Stallone team-up. Now thanks to a little film called The Expendables, when it comes to the realm of action star team-ups, anything is possible. Case in point: Escape Plan. When this film was first announced, I figure it would be devoid of any real substance and just another attempt to capitalize on the success of  Expendables

Collision is ostensibly about a honeymooning couple who gets stranded in the desert, and how the harsh, unforgiving terrain shines a light on their many secrets. But the coolest thing about this thriller — besides the spectacularly violent car crash that sets the plot in motion and gives the film its title — is how the story could've been told from any of the marooned characters' perspectives. I just wish writer/director David Marconi hadn't taken the most winding, contrived road possible to arrive at his destination.

Location, location, location! The notion that a desirable geographic spot can make a huge difference isn’t exclusive to the world of real estate. Take, for instance, Crossing Lines. At first glance, the show fits comfortably alongside any number of American police procedurals that feature curiously attractive cops and a fresh set of dead bodies each week. It’s a formula that’s worked for decades, so it’s hard to argue for a complete overhaul. The best fans can hope for are clever tweaks to help new shows stand out from the crowded cop show lineup. Crossing Lines accomplishes this by taking all the fake corpses you’ve seen on New York and L.A. streets and scattering them across Europe.

In case you’ve managed to miss the tabloids lately, it would seem that Phil Robertson, the founder of Duck Commander, has found himself in some hot water over some comments he made in GQ magazine.  These comments managed to get him suspended from the show, but not long after, he was brought back.  I’m not here to point fingers or even add fuel to the fire. Instead I simply want to say these kinds of scandals are inevitable when a hit series is involved; this especially becomes the case when the show is reality-based.  The result that usually follows is the fans end up with the short end of the stick. 

Although they were brutally gunned down almost 80 years ago, everyone knows the names “Bonnie & Clyde”, even if they're only familiar with the bank-robbing basics. Don't look now, but Arthur Penn's landmark, definitive Bonnie & Clyde film — with Warren Beatty and Faye Dunaway in the title roles — came out 46 years ago, so I imagine there's a large segment of younger movie fans who haven't seen the story of Bonnie Parker and Clyde Barrow play out on screen. The ultra low-budget Bonnie & Clyde: Justified arrives just in time to capitalize coincide with December's star-studded, multi-network miniseries that will surely raise the notorious duo's pop culture profile once again.