Posted in: Disc Reviews by Gino Sassani on October 15th, 2019
"You know, kids lose their toys every day. Sometimes they get put in the wrong box, and that box gets taken away."
In 1995 Pixar didn't just put themselves on the computer animated feature film map. They completely created a new map. Yes, there were works before Toy Story, but that was the film that changed everything in an entire industry. It also began a push-and-pull relationship between the independent studio and its distribution partner, Walt Disney Studios. It was a disagreement over Toy Story sequels that found Pixar shopping for a new partner for their future output, and before you know it, Disney wrote a check and Pixar was a part of Disney. The small studio's chief, John Lassiter, ended up in charge of the Mouse House animation department, and those disputed Toy Story sequels became box office gold and examples of the right way to continue a film franchise. Now, a lot's changed in that 25 year interval. John Lassiter is gone because of his penchant for "full body hugs", and Disney has perfected the model of writing a check and turning it into a virtual printing press printing out hundred-dollar bills like they were prom flyers. Marvel, Lucasfilm, and now Fox have fallen like dominoes in the Disney march to global domination of the entertainment industry. It's actually amazing how many times they've gotten it right. The Marvel films represent one of the strongest collections of franchise films in movie history. The Star Wars films might have been hit-or-miss, but even the misses printed out money. It's gotten to the point where, in the Disney Empire, a worldwide haul of a half a billion bucks is considered a failure. And now we come to the fourth installment in the beloved Toy Story journey, and I have to say the film packs as much heart as the original did 25 years ago.
Posted in: Disc Reviews by Brent Lorentson on October 15th, 2019
I wonder how this film would have been received if The Road simply didn’t exist. It’s just about impossible to watch this film and not see the striking similarities between the films, though Light of My Life definitely isn’t as grim or as brutal as The Road. Light of My Life is the directorial debut from Casey Affleck, who seems to be following in his brother’s footsteps by taking the step behind the camera. How does he fare behind the camera? He definitely shows that he has a solid eye when setting up his shots and telling a story, though there is certainly room for him to improve. It’s a bold move to make a post-apocalyptic film your first feature and decide to star in the film as well, but for me I was glad to see him take such a risk, and I’m impressed he almost nailed it. The film takes us into a world where most of the world’s female population has been killed off by some sort of a disease. While the world isn’t quite in shambles, we definitely see that society has quickly crumbled as cities struggle to thrive. Rag (Anna Pniowsky) has somehow managed to survive this vicious disease, and with the aid of her Dad (Casey Affleck) he’s kept her alive and has been training her to survive in this hostile environment. This is pretty much a father’s worst nightmare for his daughter to grow up in, and we get to see how her father deals with everything from suspicious travelers to simply educating her on puberty. By keeping the film focused on the relationship between the father and daughter, the film excels at getting us involved and attached to this pair, but we also know in this type of film there are some inevitable bad things to come. Here is the problem: the film manages to pull its punches when it comes to the danger of the world they exist in. Sure, things are hinted at, but for a majority of the film everything feels like it’s building to something that never occurs.
Do things need to be as bleak or as in-your-face as The Road for this to be good? No, but for a film that has an R rating this feels like a very neutered film that just is afraid to go dark. It’s obvious this film wants to be about a father’s love and show the extent a father will go to protect their child, but really I don’t believe this father figure would survive in this world or succeed at protecting his child as well as he has. We don’t get to see Rag as a hunter, or having much if any ability to defend herself if someone were to attack her. You’d think these would be things he’d want to teach her, but instead he’s invested in teaching her to run and hide.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2019
"Did you say Chucky?"
The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Later Chucky would pace the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”. Child’s Play was the brainchild of writer Don Mancini. Mancini’s original story Batteries Not Included was changed because of the impending Spielberg film to Blood Buddies. The title and many aspects of the story would evolve over time. Eventually the title Child’s Play took over, and Chucky was born.
Posted in: Disc Reviews by Brent Lorentson on October 11th, 2019
The Conjuring franchise and its spin-offs have been a success at the box office since 2013. Now with the third Annabelle hitting the big screen, it’s time ask the question: is this the end for the franchise? We already know there is going to be a third Conjuring film coming out next year, but beyond that, I’m guessing the studio heads are watching to see how this film fares with the summer competition. I wasn’t a fan of the first Annabelle. The second one was better, but still it seemed to pale in comparison to The Conjuring films, so to be honest, my expectations were not very high for this new installment. As it turns out, this ended up being my favorite of the spin-off movies, and I have no shame admitting how much fun I had with this one.
First off let me just state that I love The Conjuring films. Personally they are in my top ten for paranormal films. I’m a sucker for the cinematic Warren family, and I’m a fan of their work, Whether you believe in it or not, they make for good stories. I feel this is important to get out there, because while I had a blast with this film, I can’t put it in the same sandbox. Annabelle Comes Home works because it knows what it is: a B-movie carnival ride, and it embraces it. This isn’t a dig by any means; instead, it’s a compliment.
Posted in: 1.78:1 Widescreen, 1080p, AVC MPEG4, Blu Ray, Disc Reviews, DTS HD 5.1 MA (English), Sci-Fi / Fantasy, Warner Bros. by Brent Lorentson on October 6th, 2019
When it comes to the DC universe on television, I feel like Warner Bros. knows exactly what they are doing and truly understands the comics as well as their audience. Ever since they launched their streaming service they’ve been putting out new material that is arguably upping the stakes, knowing that soon Disney will be putting out there new streaming service in a matter of weeks. I was impressed with Season 1 of Titans. I loved how it was a show targeting a more mature audience, but it was Doom Patrol I wasn’t so sure about. All I had known about the Doom Patrol was from their one episode in Titans, and from what I saw, I really enjoyed the possibilities. Well, now that I’ve seen all 15 episodes of Season 1, I can honestly say What the F***?, followed by that was certainly a unique experience.
You think you’ve seen some weird and off-the-beaten-path shows? Well, Doom Patrol is without a doubt the most fun, unique show I’ve seen. This makes Twin Peaks seem normal, and really, calling the show bonkers is putting it lightly. Oh, and for those of you with young kids, you definitely may want to steer them clear of this show until you’ve seen what it offers. From talking cockroaches, town swallowing donkeys, asses with feet that can eat you, and talking streets, that is just a tiny glimpse at the oddball fun this show has in store for its audiences, and seriously, I haven’t even gotten to some of the more absurd aspects of the show. But please don’t let this scare you off, because this motley crew of misfit superheroes are a hell of a good time to watch, and even more surprising is how lovable they all are.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2019
"I mean who knows what kind of creatures are out there wreaking havoc on history?"
DC's Legends of Tomorrow has become somewhat the odd man out when it comes to the DC Television Universe, or the Arrowverse, as it is most commonly known. Last season it was not part of the annual crossover, and it aired later in the year with fewer episodes. And while it will be a part of the huge crossover coming in December, it still doesn't appear to get the same respect as the other shows. I like the series, but it is my least favorite of the franchise. Warner Brothers Home Entertainment isn't as high on the show either. They crammed extra episodes on the discs so that all 16 episodes of the fourth season end up on just two discs. Ouch. It doesn't help that every year sees a huge shake-up of the cast, and this season was no exception. The crew of the Waverider change over faster than teens at a fast food joint. Of course, you might be left asking yourself what is this Waverider of which you speak? It's hard enough to keep track of the players without a program, but it's a near impossible feat if you are trying to join the festivities in the fourth season. You might want to check out our reviews of the previous years and then rejoin me for the breakdown of the Blu-ray release of DC Legends Of Tomorrow Season 4. Just bang it here to catch up: Legends Of Tomorrow Reviews.
Posted in: Disc Reviews by Jeremy Butler on September 28th, 2019
"You don't throw guns out an open window. Kids live up in here."
So, the announcement of this film was of particular interest of me. Of course, I have familiarity with the character of Shaft from childhood. Not to mention the remake that wasn’t really a remake that premiered in 2000 starring Samuel L Jackson. The most interesting thing about the film is that it brings three generations of the character under the umbrella of one film, with Richard Roundtree and Samuel L Jackson reprising their roles as the titular character and introducing Jesse T Usher into the franchise as the latest addition to pick up the mantle. Another interesting thing is that despite it being a sequel, it shares the same name as the 2000 version. Though this does introduce a certain level of confusion, it just proves just how bad a mother-shut-your-mouth Shaft is; he can name his movies whatever he wants.
Posted in: Disc Reviews by Jeremy Butler on September 27th, 2019
"Who are we? Are we simply what others want us to be? Are we destined to a fate beyond our control? Or can we evolve? Become something...more?"
The simple reality is that this franchise should have ended with Days of Future Past. That would have been a good point to call it quits; it had a good resolution and all, but the chasing of additional box office revenue has forced us to have to endure two more mediocre additions to the franchise. Though Dark Phoenix is better than Apocalypse, and it is a better telling of the Dark Phoenix Marvel Storyline, Fox’s second bite at the apple is still not the film that I hoped it would be. Fortunately, with Marvel recovering the property, we are undoubtedly due for another reboot, and perhaps the third time will be the charm. Picking up after the events of Apocalypse, the X-Men have become a national treasure, widely considered to be the world’s first line of defense. It would seem that Charles Xavier’s dream of mutant unification is within reach. However, the realization of his dream comes at a cost of those closest to him. Matters come to a head during a questionable mission to rescue astronauts following a failed space exploration. With a solar flare closing in, the team pushes themselves too far, resulting in Jean Grey taking the full force of the cosmic energy.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2019
The biggest complaint I hear about today's movies is that there's no originality at the box office anymore. While it's true that most of the big earners are comic book heroes, sequels, reboots, monsters, or fantasy book franchises it's simply not accurate at all to say there isn't anything original happening in cinema anymore. If you are willing to take a chance on something different, you'll find it everywhere, and while it might not dominate the media buzz, it's there all the same, and your local multiplex likely dedicates at least a couple of screens to these kinds of films. Yesterday is certainly one of those little gems that go by not completely unnoticed but receiving far less buzz than it deserves. The fact is, there's still room for all species of film. After pulling in a more than respectable $150 million at the box office, Yesterday is now out on home video, including this UHD Blu-ray release in 4K.
Have you ever imagined what the world would be like with (fill in the blank)? For me it's cell phones. For others it might be a particular person. What if it were The Beatles? Better yet, what if you were the only one who remembered them?
Posted in: Disc Reviews by Gino Sassani on September 20th, 2019
"My name is Kara Zor-El. I'm from Krypton. I'm a refugee on this planet. I was sent to Earth to protect my cousin. But my pod got knocked off course, and by the time I got here, my cousin had already grown up and become... Superman. I hid who I really was until one day when an accident forced me to reveal myself to the world. To most people, I'm a reporter at CatCo Worldwide Media. But in secret, I work with my adopted sister for the D.E.O. to protect my city from alien life and anyone else that means to cause it harm. I am Supergirl."
So, you're asking yourself, who the heck is Kara Zor-El, and what is this D.E.O.? I get it. You're just not caught up on the CW series Supergirl. It's not such a good idea to start here, however. You can check out our reviews for the first three seasons here. Catch up on the episodes, and then join the rest of us for Supergirl: The Complete Fourth Season.
