Posted in: Disc Reviews by Gino Sassani on September 11th, 2013
Mystery Science Theatre 3000 is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly riffing on them. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The series started as a public access show in Minnesota and was picked up by Comedy Central, where the access quality remained as part of the show's charm. This is a show you could have produced for the cost of a lunch at McDonald's and remain on the value meal menu. What would happen if they got Hollywood money and a chance to go big?
The idea started actually while the show was quite young and still just a local phenom. It was the early Joel years, and ideas for a feature film were always flying among the writers. One of the early ideas had robot Crowe reproducing Steve McQueen's motorcycle stunt from The Great Escape, except this time it was to get to a sunbathing Kim Cattrall. Apparently Cattrall was into the idea, but costs and other factors killed the idea in the...well...idea stage. Other ideas included a musical. None of these ideas got off the ground, and the show continued to plow its television horizons, cultivating a bit of a cult following.
Posted in: Disc Reviews by Michael Durr on August 19th, 2013
My best work is often done behind a computer or somewhere where my face is not on display. I am not the most handsome guy despite the fact I have been described by those of the female persuasion as otherwise. But I have talent, loads of it and I am always waiting for the next moment to show it off. Perhaps I can take a cue from our movie today, The Idolmaker and use my talent to make others around me stars. Maybe I should just go shave instead.
New York City, 1959. Check out the black leather jacket, red pants, Cuban heels and pantyhose style socks. This is one Vincent Vacarri (played by Ray Sharkey). He passes by Tommy (played by Paul Land) who is running a street con game for some extra money. Tommy catches up with him and tells him about his band which has a new lead singer named Jimmy Ryan. Vinnie complains that the singer does not have the look and that his blond hair is never going to work.
Posted in: Disc Reviews by Michael Durr on May 14th, 2013
Most cartoons these days seem to be carbon copies of cartoons gone past just with different settings and characters. You got the superhero cartoon, adventure cartoon, anime cartoon, the really kiddie cartoon and the adult cartoon. Today, we have a classic I want to be a Pokemon imitator cartoon. It goes by the name Monsuno. Let us take a look inside the second volume and see if this one is more than an attempt to sell action figures and trading cards.
John Ceballos did a fine job on the first volume in this series, go check it out:
Posted in: Disc Reviews by Gino Sassani on April 17th, 2013
The computer-animated feature film has reached the point where you don't have to be one of the big boys to play. While Pixar and to a lesser extent Dreamworks have dominated this feature form pretty much since its inception, there have already been a handful of independent films that have managed to leave their mark on the landscape. Now the foreign market is getting into the act as well. A Monster In Paris, or Un Monstre a' Paris, is the result of that evolution.
The story is a rather weak one, to be sure. It's 1910, and there is a creature running around the streets of Paris. It is the result of a flea's exposure to a scientist's formula to make things grow. Like all of the good monster films of the Universal era, this monster is terribly misunderstood and doesn't want to hurt anyone. He is attracted to a theatre where Lucille (Paradis) is the featured singer and performer. The flea makes himself known to her, and instead of acting in fear, Lucille embraces the flea's musical talents. Together they take the stage by storm.
Posted in: Disc Reviews by J C on January 31st, 2013
No matter how much you hated Prometheus — parts of it were startlingly dumb, but people who seriously talk about it like it’s the worst film of all time need to take a deep breath — Ridley Scott has a pretty strong case to be included on any list of Top 10 Living Directors. His work has helped redefine genres (Alien, Blade Runner, Gladiator) given us indelible images (that final still from Thelma & Louise) and even provided a few smaller-scale delights (Matchstick Men is my favorite of this group). So I’m proposing we take a quick break from trashing his last movie to discuss his very first one.
The Duellists follows a pair of officers in Napoleon’s Army during the early part of the 19th century. The film opens in Strasbourg with the mercurial Lt. Feraud (Harvey Keitel) critically injuring the mayor’s nephew during a duel. An even angrier general orders the dutiful Lt. D’Hubert (Keith Carradine) to place Feraud under arrest. Feraud is an avid duelist and thinks he did nothing wrong, so he feels insulted by D’Hubert's accusation. The fact that Feraud is with a woman when D’Hubert arrives to arrest him only adds to his embarrassment. Naturally, Feraud has no choice but to challenge D’Hubert to a duel.
Posted in: Disc Reviews by Brent Lorentson on January 17th, 2013
Shout Factory this week releases a Jackie Chan double feature that I can actually stand behind and say, “Yes, buy this.” Chan has been churning out movies since the early 60’s, and with a rumored retirement looming, soon we’ll only have his vast catalog of films to gush and cringe over. Though I think it is safe to say his body could use a break; after all, how many broken bones has this man sacrificed all in the name of cinema?
Crime Story The first on this double bill is the Hong Kong action flick Crime Story. It opens up with a gang of thugs going through a test run for a kidnapping they plan to do. The plan is to take their hostage while on the streets, in the open where anything and everything can go wrong. The test run alone, which ends in a collision, shows the risk the gang is willing to take. The target happens to be a billionaire, Wong (Law Hang Kang) who already suspects there are men out to kill him, thus introducing Inspector Eddie Chan (Jackie Chan).
Posted in: Disc Reviews by J C on January 15th, 2013
“The key to immortality is first living a life worth remembering.”
We’re now 40 years removed from Bruce Lee’s shocking death, and the martial arts superstar has unequivocally achieved pop culture immortality. I Am Bruce Lee examines the icon’s cultural and cinematic impact, as well as the many ways he has influenced current sports and music stars. The film already bills itself as “the best Bruce Lee documentary ever,” so I’m not really sure what you need me (or any other critic) for. I decided to go ahead and watch it anyway.
Posted in: No Huddle Reviews by J C on January 3rd, 2013
“For every dark, a light. For every foe, a friend. For every question, an answer. For every key, a lock.”
And for every kid-centric animated program, a lucrative line of tie-in toys. Monsuno borrows liberally — the nicest way I know of saying “rips off” — from previous phenomena like Beyblade, Pokemon and Yu-Gi-Oh! Though it primarily exists to help sell derivative trading cards and action figures, the show establishes a surprisingly intriguing world in its first handful of episodes.
Posted in: Disc Reviews by Michael Durr on December 9th, 2012
One of the traps as a kid I never really got into was the art of the Magic card game. Sure, the cards were pretty to look at but the actual game behind it or the similar pretenders never seemed to interest me. Of course, these card games never quite stay card games, they become toys and often cartoon series. Today, I get one of those so called card games which have spawned a series. Its name is Kaijudo and the review is next on the Hub.
There is a rip in the space-time continuum and a large rhino-like creature jumps out to attack a couple who have decided to take a stroll. Out of nowhere, Hector Chavez, a duel master comes to the scene and calls his creature, Gilaflame the Assaulter. The two creatures start to fight with Gilaflame gaining the upper hand and driving the rhino-like monster back into the rip and sealing it once again. These rips are becoming far too frequent. In the distance, a man with a blue claw watches.
Posted in: Disc Reviews by Michael Durr on December 3rd, 2012
There was some real enjoyment when I took on the reviewing reigns for the first season of Transformers Prime. It was the best thing since the infamous Generation 1 cartoons and showed great sound, dazzling video and fantastic character development. Now, we enter season two and if we watched the teasers, we learned that Optimus Prime was branded with the Decepticon logo possibly meaning the impossible. How could this be? Well tune in true believers, we shall find out all this and more.
In light of Unicron’s awakening, drastic measures needed to be taken (such as Optimus Prime and Megatron uniting as a team). The Matrix of Leadership had kept Earth safe, for now. But when Optimus lost the matrix, he lost himself too and reverted to his form before he assumed life as a Prime. That life he was simply known as Orion Pax, librarian and researcher. Doing what Megatron does best, he deceives Orion into joining him on his ship and branding him under the image of a Decepticon.
