Posted in: Disc Reviews by Gino Sassani on September 20th, 2016
Victor Garber appears to me a man of extremes, at least in his climate preferences. Of course, the actor was aboard James Cameron's ill-fated Titanic when it struck an iceberg before Leonardo DiCaprio dies because he was too stupid to climb aboard a huge floating door. On television recently, Garber jumps to nuclear fire as one half of the superhero Firestorm in the DC television universe. For this release, actually filmed a few years ago he heads back to the ice, and not just any ice. This time Victor Garber narrates an IMAX documentary called Wonders Of The Arctic. Shout Factory has released the documentary as part of their impressive IMAX titles in 4K on UHD Blu-ray. This one is no less impressive and takes us on a journey to the top of the world, a place we refer to as the Arctic Circle.
The documentary isn't so much about the Arctic as a region but really is the story of the ice itself and how it impacts on both human and animal populations. It does sound the warnings of climate change, but I give it a lot of credit for not attributing such change to anything in particular. Instead the documentary does what all good documentaries should do. Present us with some facts. Show us some interesting stories. Leave us educated, thrilled and entertained. Wonders of the Arctic actually accomplishes all three of these goals.
Posted in: Disc Reviews by Gino Sassani on September 16th, 2016
Scuba diving is the closest thing I've ever experienced to being on an alien world. Everything around you looks and feels totally different from what we see on land. Even our relationship to gravity changes. There's nothing like it on this Earth. The ocean is a diverse place and quite resilient. The Last Reef makes this point rather dramatically in the opening minutes of the documentary. It begins with a newsreel that takes us to the nuclear explosion experiments that were conducted off the Bikini Islands in 1946. Yes, that's where the swimsuit got its name. The Islands were making the newsreels because of the tests. Of course, the entire landmass and surrounding sea were saturated with radiation. The Islands reef was destroyed. It was pretty much left to its own devices for over 50 years. And now it is once again a flourishing reef teeming with incredible life.
From the tests the film shifts gears and becomes more of a standard journey into the waters of several reefs around the world. The film begins to make the connection between a reef and a thriving metropolis like New York City. We're treated to time-lapse video of various aspects of New York City, particularly the traffic throughways and outside cafes. Of course, these moments are frantic, particularly in time-lapse form. We're then exposed to the slower, more tranquil versions of some of the same ideas: schools of fish all moving in one direction compared to those highways and feeding stations where rays and sharks can have parasites cleaned from their bodies by waiting fish. The connections are a stretch, yes, but it's a nice effective way to compare and contrast these two distinctly different "cities".
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2016
“Our planet holds a kind of parallel universe. A place of wonder where giants roam free. For thousands of years, we could only wonder about humpback whales. Now, by exploring their world, we’re getting surprising glimpses into their lives.”
In 1986, Leonard Nimoy led Kirk, Spock and their mates back in time to collect a couple of humpback whales and bring them to the 23rd century where they are extinct. If the whales aren’t there to communicate with a deadly probe, Earth is in deep trouble. Fortunately, thanks to conservation and educational programs, there should be plenty of humpbacks in the 23rd century to answer that long-distance telephone call. The animals have made an incredible comeback, and while the numbers are a long way from pre-whaling populations, they can be found all over the world. Most of us can’t afford the tickets to Alaska, Hawaii, or the Tonga Islands to see them firsthand. Shout has bought us a couple of roundtrip tickets to see these amazing marine mammals. The magic of 4K brings them right into your living room or home theatre. It’s so lifelike that you might just get wet. Enter the splash zone of Humpback Whales.
Posted in: Disc Reviews by Gino Sassani on July 12th, 2016
"They once roamed the earth by the tens of thousands. Their whistles spoke of distant places, of adventure and romance."
No, we're not talking about dinosaurs or some other extinct animal. Of course, we're talking about the steam-engine train. I'm old enough to have ridden them myself. I had a grandfather who realized in the early 1970's that these steam trains were about to disappear. He made it a point to explain this to me and made sure I appreciated my rides from Reading, Pennsylvania (literally a train city) to Philadelphia, where my Mom was sure he was a bagman for the mob and was using me as a cover. My grandfather wasn't a bagman; we never visited any Don. We would explore the various wonders of America's birth city. We'd visit the zoo or some historic site. Often we'd take in a Phillies game or hang out at the Italian markets in South Philly. I may not remember the details of everything we did. But I never did forget riding those steam-engine trains. And my grandfather was right. They've disappeared except for amusement parks and tourist attractions. But if you want to take a ride just like I did with my grandfather, all you have to do is pick up your ticket from Shout Factory and hop aboard The Rocky Mountain Express on UHD and in the dynamic color of 4K.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2016
"I don't know if it's a demon or a devil, or just some hungry thing from some dark place in time. I just know it's not going to stop coming after you or anyone else it wants to. 'Cos once it has the scent of something it likes, it can't be stopped."
Just days before the tragic events of 9/11 brought so much real-life horror into our lives, Victor Salva attempted to resurrect some old-school monster movie magic on the movie-going public. The low-budget thriller hit the box office with a bang. Its $13 million opening weekend was a record for Labor Day and is partly responsible for studios taking a closer look at the traditionally slow release weekend. It was the #1 film, beating out sequels to both Rush Hour and American Pie. Unfortunately for all of us, 9/11 fell upon us, and box office numbers tanked. We had other things on our minds. The last thing the American public wanted suddenly was to be scared... we already were. Still, that strong opening weekend was a signal that monster movies might be back, and Jeepers Creepers might be the film to lead the genre into the 21st century.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2016
Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop. These exist in only small scenes that do stand out as quite fake. It was intended to use the stand-ins more frequently, but if you watch the film you'll understand why that decision was eventually abandoned for the trained performing bears.
The story takes place in 1885 in British Columbia. A bear cub has just lost his mother to an avalanche trying to dig up honey from a nest. He's scared and not likely to survive on his own. His survival is made that much less likely with the presence of a pair of hunters in the area. They already have an impressive collection of bearskins and are on the trail of a huge bear who has, so far, managed to elude them. Once shot, the giant bear goes a bit crazy and rips into the hunters' belongings and their horses. It's time to bring in the hunting dogs as this hunt starts to get personal.
Posted in: Disc Reviews by Brent Lorentson on February 1st, 2016
The 100-year anniversary of the Jack the Ripper murders is quickly approaching, and a copycat serial killer is looking to make his mark in Los Angeles. With only one murder left, the LAPD is in a rush to prevent this madman from completing his across-the-pond murder masterpiece, and the prostitutes of LA are shaking in their heels and miniskirts. It’s a great way to start off a film, and I’ll admit I was hooked early on with this film, but if you were hoping for a true modern tale of Jack the Ripper, I’m sorry to say you’ll feel more than a little hoodwinked by this film.
John Wesford (James Spader) is a young doctor who is struggling to make a difference with his patients while working in a low income area. He’s the humanitarian type, seeing all his patients as equals as he deals with the homeless, the elderly, and prostitutes. It’s the type of hospital where he can cut his teeth while honing his skills and make a name for himself. Everything is looking up for him until he manages to get himself killed by a man who may or may not be the modern Jack the Ripper.
Posted in: Disc Reviews by Gino Sassani on January 30th, 2016
Shout Factory is churning out the 1980's horror films to provide us with a steady diet of schlock-o-rama. Through their Scream Factory series we've been getting many double-header collections along with the occasional horror film that stands alone, if not standing out. The films are the kind of thing you gather a bunch of friends together and have yourself a marathon of films that make you laugh as much as make you scream. The latest in this series is the 1987 Zombie High. Of course, the film doesn't have a single zombie, at least not in the classic Romero style, and it appears to take place at a college instead of a high school. But let's not let plot points get in the way of a good title. In fact, Zombie High is remembered more for how it was made than for the final product.
The filmmakers literally invaded the campus of USC in L.A. In what many describe as a pretty cool con, they were able to convince the school's staff and students that a major film was being shot there, and the crew was given a ton of cooperation from the school. USC has the oldest film school in the nation, and you might understand why everyone would be eager to help out a big film that wanted to use its locations and resources. Those resources included everything from camera equipment to providing the labor both behind and in front of the camera. The movie was made for very little money, because so much of the cost was picked up by USC in their attempt to "cooperate". Zombie High just might be the only completely stolen film to be released to any kind of a wide audience.
Posted in: Disc Reviews by Gino Sassani on January 21st, 2016
"Did you ever have a dream but didn't know where it started?"
Some dreams did indeed start with the box office flop Nomads. It was the first starring role in a feature film for future James Bond Pierce Brosnan. It was also the first film directed by John McTiernan and his only screenwriting credit to date. Both would go on to have quite flourishing careers, and I suspect neither spends much time looking back at Nomads, and with good enough reason. And those careers did not take long. For McTiernan his next three films would be, in order: Predator, Die Hard, and The Hunt For Red October. The film also sports a score by legendary Bill Conti, the man who started his feature film career with Rocky and ended up with a Best Music Oscar for The Right Stuff. Conti teamed up with Ted Nugent, and they improvised most of the Nomads score with Nugent making coffee runs packing his trademark extra protection. With a dream team like this you might expect Nomads to be a pretty solid film. You'd be wrong.
Posted in: Disc Reviews by J C on September 16th, 2015
If something seems too good to be true, then it probably is. It’s a lesson that’s hardwired into our brains, yet often proves impossible to resist. That idea is also what jumpstarts the action in The Legacy, which is equal parts stylish, campy, and compulsively watchable. The 1978 thriller, directed by future Return of the Jedi helmer Richard Marquand, now makes its Blu-ray debut courtesy of Shout! Factory.
Margaret Walsh (Katharine Ross) can hardly believe her luck when she receives a $50,000 check from an anonymous client in England to take on a mysterious interior design gig. Meanwhile, her strapping boyfriend Pete Danner (Sam Elliott) flat-out can’t believe it, but Margaret insists they check it out since her family has blood ties to England. The Los Angeles couple is enjoying a motorcycle ride on the picturesque English countryside when they’re accidentally run off the road by a car. The man in the car is Jason Mountolive (John Standing), and he invites Margaret and Pete to hang out at Ravenhurst — his lavish estate — while Pete’s bike is being repaired. As soon as the couple arrives, they sense something is not quite right. Mountolive is nowhere to be found and creepy Nurse Adams (Margaret Tyzack) isn’t exactly forthcoming with answers. (And what’s up with the creepy cat that always seems to be hanging around?)
