Posted in: Disc Reviews by J C on May 1st, 2014
It’s easy to envision the elevator pitch for Devil’s Due. You only need five words: “Rosemary’s Baby meets Paranormal Activity.” The upside is obvious. The idea of a demonic pregnancy has terrified and unsettled expectant mothers since Ira Levin published Rosemary’s Baby in 1967 and Roman Polanski adapted it for the big screen the following year. Meanwhile, the Paranormal Activity films made low-budget/found-footage domestic horror hugely profitable. The downside? You’re probably not topping Rosemary’s Baby, and horror audiences seem to be suffering from an acute case of found-footage fatigue.
“Children, it is the last hour. And as you have heard that the antichrist is coming, so now many antichrists will come. Therefore we know is the last hour.”
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
You know exactly what's going on here. It's Rocky Balboa vs. Jake La Motta, and they're not exactly in their prime. For reasons of property rights, of course, this really isn't Rocky or La Motta, but you and I know it is. The film takes great pains to remind us of each of these iconic characters. Sly's character tries to take a shot at some hanging meat after drinking a glass of raw eggs. De Niro's character is found telling boxing jokes in his own club, just as the real-life La Motta did after his fighting days were over. Both of these actors played iconic fighters in their day. It's safe to say that both the characters and the actors themselves are beyond their physical prime. Sly is just three years shy of 70, while De Niro reached that milestone back in August. And that's what makes Grudge Match a better film as a comedy.
It's been 30 years since Pittsburg's greatest fighters Henry "Razor" Sharp (Stallone) and Billy "The Kid" McDonnen (De Niro) left the fight game. They faced each other twice in their careers, splitting the victories. For each, the other was their only loss. A rubber match was going to happen, but Rocky Razor decided to retire before the fight. Since then, La Motta The Kid has not been able to let it go. He wanted to show the world he was best. It doesn't help that they had an issue out of the ring.
Posted in: Disc Reviews by J C on March 5th, 2014
There’s a pretty good, southern gothic tale buried somewhere in Wicked Blood. Unfortunately, writer/director Mark Young isn’t quite able to extract it. Instead, we get a somewhat overqualified cast acting out Young’s down-and-dirty story of meth, chess and bikers that is exactly as messy, baffling and oddly intriguing as that description makes it sound. The film opens with a literal bang: we see the explosion of a shabby trailer. We don’t know who is inside, but we see a young girl stoically watching the flames from the outside.
Hannah (Abigail Breslin) is a teenage chess enthusiast and an orphan living with her older sister Amber (Alexa Vega) and her meth-addicted Uncle Donny (Lew Temple). The three of them live under the thumb of Uncle Frank (Sean Bean), a powerful local crime boss. (You can tell Uncle Frank is powerful because he barely gets out of his seat before the film’s final act; Bean projects menace by simply sitting behind a desk or a dining room table.) There’s also Uncle Frank’s unstable brother Bobby (Jake Busey), who seems to have an uncomfortable fondness for his niece, Amber.
Posted in: Disc Reviews by J C on February 13th, 2014
Paula Patton has managed to stand out on the big screen alongside Hollywood heavyweights like Denzel Washington (Déjà Vu, 2 Guns) and Tom Cruise (Mission Impossible: Ghost Protocol), but she’s still probably best known for being married to Beetle-douche. That’s why I was hoping Baggage Claim, her first big solo starring vehicle, would be so much better than it turned out to be. It’s tempting to dismiss it as just another corny, clichéd romantic comedy, and forget about it until it pops up on TBS two years from now. But the film squanders too much appealing talent — and insults the audience’s intelligence too often — to let it off the hook quite so easily.
"My relationships have never been cleared for takeoff."
Posted in: Disc Reviews by J C on February 3rd, 2014
“How did the stripper get in the maid's room?”
That question sounds like the set up for some juvenile, profane joke, but it also tidily encapsulates the plot of Afternoon Delight. The film is about the plight of an affluent, quietly desperate housewife who takes it upon herself to “rescue” a young, down-on-her-luck stripper. What the quote doesn't quite capture is how this funny and frank outing from first-time feature filmmaker Jill Soloway is really about the universal quest for intimacy.
Posted in: Disc Reviews by William O'Donnell on November 25th, 2013
This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.
By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.
Posted in: Disc Reviews by Jeremy Butler on November 8th, 2013
Twenty-five years in any business is a feat to be recognized, especially when it is in the field of entertainment. It requires constant dedication, devotion, and a loyal fan base that sticks by you; Morrissey seems to have all three. In his latest concert series, Morrissey 25 Live, the English singer celebrates his latest career milestone at Hollywood High School in Los Angeles. From the very beginning, it is obvious that the singer has a loving and dedicated fan base, which was the most surprising detail for me given that before this disc, I had never heard of the singer.
The concert begins with testimony from two admitted Morrissey fans, who speak about how his music speaks to them. He appears to have the crowd from the very beginning as they go wild as he comes to the stage. He grabs the microphone, utters “Viva Mexico, I never forget my alma mater,” and the band launches right into the first song, “Alma Matters.” It took me a second to realize what his comment meant given that according to the cover art, the concert took place in Los Angeles (His words are equally confusing given that according to his bio, the singer is English.)
Posted in: Disc Reviews by Jeremy Butler on October 29th, 2013
Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.
Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.
Posted in: Disc Reviews by Brent Lorentson on October 25th, 2013
Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time. With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence. It was the film Drive, though, that most people know him for. I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits. I know the film has its viewers who find it dull; it’s a film that doesn’t attempt to please anyone but simply tells a brilliant tale of love and violence for those looking for more than a brainless romp.
I mention all this because from the moment I first saw the trailer for Only God Forgives, it wasn’t just a film I wanted to see; it was a film that I HAD to see. The trailer teased more of the same that I loved about Drive, and the images in the promotional materials of Ryan Gosling beaten to a pulp struck a nerve. But then it had its premiere at Cannes, and the reaction surprised me; people actually seemed to be hating this new film. This didn’t make any sense to me, but it caused me to rein in my expectations, and I believe that is what saved my experience with viewing this film. This film is nothing like Drive, but feels much closer to Valhalla Rising, not just for its lack of dialog but for its tone and its spiritual nature.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2013
In the wake of Captain Phillips being released in theaters, another tale of a ship being held hostage by Somali pirates is released on Blu-Ray and DVD. This true story comes out of Denmark and has made a successful run through the festival circuit, but how does it fare up against the mighty Tom Hanks and his tense, nail-biting thriller? Well, to be fair, though the two films deal with the same subject matter, the execution is vastly different, but A Hijacking manages to deliver an equally stunning film filled with great performances and filmed in such a way we feel as though we are one of the hostages on the ship, or in the negotiation room where numbers are crunched to ensure survival of the crew but also preserve the company’s bottom line.
On board cargo ship,The Rozen, the ship and its crew is getting ready to head into Mumbai where the ship’s cook Mikkel (Pilou Asbaek) is excited about returning home to his wife and daughter. Unfortunately those plans are indefinitely delayed once the ship is taken over by a group of pirates. In Denmark, the CEO of the shipping company, Peter (Soren Malling) is notified about the ship’s capture, and the motions quickly roll into place to return the ship and the crew safely.
