Posted in: Disc Reviews by Gino Sassani on May 1st, 2019
“In space no one can hear you scream.”
That was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future, companies are quasi-government agencies, and these astronauts are not explorers out for glory and heroism. They are strictly blue-collar workers trying to make a buck. It’s hard to imagine that most of the cast, including Sigourney Weaver, were relative unknowns at the time. Weaver would create a new model for female leads that would later pave the way for actors like Linda Hamilton.
Posted in: Disc Reviews by Michael Durr on April 2nd, 2019
As one might guess from my film reviewing resume, I watch a lot of Asian movies. Unfortunately, judging by the same resume, it would appear that most of that is anime and drama. But in my spare time, I do watch a lot of popular Asian cinema, especially with the likes of Donnie Yen or Jing Wu. In addition to contemporary favorites, I certainly have not forgotten the roots of martial art cinema in the likes of Bruce Lee and others. Well, today I received a box set featuring one of the legends of Asian cinema: Shin'ichi Chiba, better known to most American audiences as the one and only Sonny Chiba. That set of films would be of course, The Street Fighter Collection. Let us take a look.
The Street Fighter begins with Tateki Shikenbaru (played by Masashi Ishibashi) in a jail cell, a murderer about to be executed for his crimes. He is visited by a Buddhist monk who is presumably there to give him his last rites. That's no monk, but he might be there to give him his last rites. His name is Takuma Tsurugi (played by Sonny Chiba), karate man for hire, and he takes out Shikenbaru with a special punch that throws him into a coma. As the convict is rushed to the hospital, Tsurugi and his faithful sidekick Rakuda (played by Goichi Yamada) free him and send him off to Hong Kong.
Posted in: Disc Reviews by Brent Lorentson on January 17th, 2019
John Travolta is one of those guys I like, but it seems like it has been ages since he’s done a great film. Sure, he was great in The People vs. OJ Simpson where he played attorney Robert Shapiro, but apart from that role, it’s been a while since we’ve seen Travolta really make a splash at the box office. Personally I love seeing the guy on screen. Blow Out, Get Shorty and Pulp Fiction are just a few of my favorite films that he has been in, and I keep hoping his career will bounce back, but unfortunately it doesn’t look like it’ll be happening any time soon. Speed Kills is a film that has a story that is oozing with so much potential that if it were put in the hands of Brian De Palma or Michael Mann you could almost guarantee this film would be destined for greatness. Unfortunately the result is a frustrating mess that manages to make boat racing and drug smuggling in the age of the “cocaine cowboys” seem boring.
One of the film’s biggest faults is to open where the story ends, where we see Ben Aronoff (Travolta) being the target of a hit. The film then wants to take us back in time, where we have Aronoff narrating his story of how he had his rise and fall in Miami that reeks of a bad imitation of Henry Hill from Goodfellas. Seriously, in less than 10 minutes this film manages to sabotage itself, and it doesn’t get much better from here. This isn’t Casino where by some miracle our narrator manages to escape an exploding car. Having this given away so early on in the film is simply a giant mistake. If you eliminate this opening sequence, instantly you have a better film, but apparently even with over 40 named producers connected to the film, no one seemed to have realized this.
Posted in: Disc Reviews by Jeremy Butler on December 6th, 2018
“Sometimes when you trust your impulses, incredible things can happen.”
I doubt this is what Jesse Usher’s character had in mind when he used it as a pickup line for Bella Thorne’s character. However, Ride does feature what turns out to be an extraordinary night for these two characters as they find themselves at the mercy of a demented individual with a .44 Magnum. This movie has been on my radar for a while, and it was a movie that I jumped at the chance to review. I’m fortunate to say that I was not disappointed, although I did find the ending to be a bit anticlimactic. When I saw the runtime for this film, a mere 77 minutes, I anticipated that the thrills would be over fairly quickly, but the story managed to pack quite a bit into this brief period.
Posted in: Disc Reviews by Michael Durr on December 3rd, 2018
This year, I have gravitated more towards watching movie courtroom dramas. I watched Anatomy of a Murder for the first time. The same could be said for the Verdict with Paul Newman. I re-visited A Few Good Men in glorious 4k with pleasing results. Then I got an opportunity to review The Third Murder, a courtroom drama that takes a look at the Japanese court system when one lawyer decides to seek the truth. Even though I was about to go on review hiatus for the holiday season, I eagerly wanted to take a look, and I am glad I did.
In the dead of the night, Misumi (played by Koji Yakusho), a fired factory worker hits the back of his former boss's head repeatedly with a hammer. After this continues for a few brief minutes, Misumi then douses him with gasoline and then sets him on fire to watch him burn. Misumi stares into the night with death on his cheek. We fade to black.
Posted in: Disc Reviews by J C on October 17th, 2018
“I’m sorry…I’m a really good person.”
I absolutely loved The Big Short, which managed to extract smart, insightful comedy from one of the gloomiest chapters in recent American history. But if there’s one minor critique I had, it’s that the 2015 Adam McKay film sort of glossed over the human cost of the nationwide financial collapse. On the other hand, Arizona — a violent, over-the-top black comedy that’s billed as being “from the producers of Eastbound & Down and Brooklyn Nine-Nine” — is set in 2009 and focuses almost exclusively on a handful of hard-luck losers trying to survive the housing crisis.
Posted in: Disc Reviews by J C on October 10th, 2018
“Why would anybody create a Nazi puppet?!”
There are two types of people in this world: A) the sort of person who reads the question above and says, “That’s offensive! I have absolutely no idea” and B) the joyful weirdo who replies, “Why would anybody stop at creating just *one* Nazi puppet?” If you’re in Group B, you’re in luck…the people behind Puppet Master: The Littlest Reich didn’t stop at one Nazi puppet. (Not even close!) More importantly, this bloody reboot of the 1989 cult horror classic features some of the craziest and most disgusting kills I’ve seen in a while. (I promise that’s a compliment.)
Posted in: Disc Reviews by Michael Durr on October 5th, 2018
As some of you might know, I have a son, a three-year-old toddler. Since we live in the suburbs, we unfortunately don't get out as often as we like to places like the beach or any other places where we might be able to explore the animals and creatures that inhabit the wondrous ocean. As a result, we have a tendency to watch plenty of underwater nature documentaries or whichever Pixar animated Nemo or Dory show we can find. Today, we have for review an animated tale about creatures who can turn into beautiful red dolphins so they can be a part of the human world. Is the movie as beautiful as it seems, or much like the dolphins, is it something else in disguise?
"Some fish aren't meant to be caged. Because they belong to the sky." In the northern ocean, fish go by the name of Kun, because they are too large to measure. We listen to a narrator who is 117 years old explain the philosophy of life. We apparently are all just fish of the sea. Four and a half billion years ago, fish were the souls of human beings. At the end of the sea is a sky into the human world.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2018
"Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward."
Fox is taking full advantage of their version of the X-Men Universe these days. By this time next year, the group of mutants will once again be back with Marvel at Disney, and I suspect they will quickly join that studio's MCU. I can't blame Fox for getting as much out of it now as they can. With the pending release of Dark Phoenix and two television shows running, this was the perfect time to release the original film trilogy on UHD in ultra-high-definition. While the films feel just a little dated today, it's quite a nice little treat to have them in 4K. These kinds of films are what 4K was built for. And now you can add the original films to your 4K collection with X-Men Trilogy 3 Film Collection out now from Fox.
Posted in: Disc Reviews by Gino Sassani on July 8th, 2018
"You can tell a lot about a person's character by how they treat people they don't have to treat well."
It had been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise, and added ‘action hero’ to Tom Cruise’s resume, and six years since John Woo’s highly stylized follow-up raised the franchise to new box office heights. In 2006 the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics. It was feared that the happenings of Cruise’s personal life would somehow bring down this movie; the previous two films did set the bar pretty high. Mission: Impossible 3's U.S. box office take did appear to suffer from the public backlash to its headliner’s wacky rants and questionable actions. J. J. Abrams’ top-notch action flick likely deserved better. But the third film could have put a halt to any future missions by posting the worst box office of the franchise to date. The $134 million box office was down considerably from the expected $200 million that was reached by all of the other films. As it was there would be another nearly six-year gap before the next outing.
