A New York city homicide detective is haunted by the night when her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night, she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other. The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.

The “Beast” of this series is one of the most troubling elements. Instead of a monster (or anything remotely beastly) we have a man who was transformed by a super soldier serum that makes him have super strength and super senses when made mad. As you can already tell, this show is really trying to be a combination of Captain America and The Incredible Hulk. When the Beast goes into mad mode, the only physical change is he gets just slightly uglier…just…slightly. For anyone who recalls the vampire transformations in the Buffy and Angel series….it’s less than that.

For our first Round Up of June, we are inviting a certain beloved romance to be our guest here at UpcomingDiscs HQ. Disney's live-action adaptation of Beauty and the Beast is the highest-grossing movie of the year (so far), and the blockbuster arrives on Blu-ray this week! On top of that, CBS/Paramount has released Beauty and the Beast: The Complete Series, along with complete series DVD sets for CBS hits of yesteryear Numb3rs and Becker. Elsewhere, HBO anoints The Young Pope, RLJ Entertainment locks us in a room with Prisoner X, and Shout! Factory shows us Where The Buffalo Roam. Finally, Disney revisits another animated classic that is near and dear deer to fans' hearts with a 75th anniversary edition of Bambi.

The end of the week also brings a trio of theatrical releases: Bleeker Street introduces us to Megan Leavey, Fox Searchlight gets familial with My Cousin Rachel, and Universal unleashes monster mayhem with The Mummy. Even though it's a brand new month, the customary reminder still applies here: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Voodoo Black Exorcist (Vudú sangriento), is a bizarre choice to distribute once more in high definition. Some of the imagery in the film is most certainly impressive; however, it doesn’t quite make up for the poor dubbing, editing, and nonsensical story. The film is about ninety minutes long, and realistically, it only demanded my attention for about ten of those minutes before I sank into boredom. Perhaps my greatest disappointment was that it wasn’t really a movie I could have fun with: it was not laughably bad. So where I would normally put some effort into poking fun, I ended up remaining abnormally critical of this old horror film.

Voodoo Priest Guedé Nibo (Aldo Sambrell), is revived accidentally on a cruise ship. As he wanders the ship in the shadows, he is haunted by images of his past: the killers of his lover, the ritual that got him mummified in the first place. Soon he becomes enthralled with the beautiful Sylvia (Eva León) who is the spitting image of his deceased lover, Kenya (Eva León in black face). Nibo continues his path of destruction and, oddly enough, persuasion, to finally reunite with his late lover.

You have been my greatest love. Be careful, Diana...they do not deserve you.”

Ever since Richard Donner made us believe that a man can fly with 1978's Superman — considered by many to be the first modern superhero film — we've gotten three different Men of Steel, along with five different versions of Batman (if you don't count Will Arnett's voiceover work). Heck, in the last 15 years alone we've had three Spider-Men and (incredibly) gone through three Hulks! Yet in all that time, a movie starring Wonder Woman — a superhero just as iconic as all the ones I just mentioned — could never get off the ground...until now. I'm happy to report it was worth the wait.

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short. But it's Jackman who has come to personify the wirily Cannuck. He's appeared, if only briefly, in each of the X-Men films except for one and two less-than-stellar Wolverine films. It all comes to a rather fitting close with one of the best Marvel-character films to date. Logan is pure comic book film noir and an emotional ride from start to finish.

I'm not sure what we did, but it must have been serious. We UpcomingDiscers are generally a law-abiding bunch, so I’m a little surprised that we’ve apparently landed in such hot water. How else to explain this week’s arrival of the Major Crimes division at our door? Naturally, I’m yanking your chain…no one here would hurt a fly. The good news is Warner Bros. was still nice enough to send us Major Crimes: Season 5, and we'll have a review of the hit TNT cop drama soon. Elsewhere, Film Chest Media goes undercover with Decoy: The Complete Series. Finally, DC's Wonder Woman hopes to lasso moviegoers into theaters very soon, so be sure to check back for our review later this week.

Here's your weekly reminder before signing off for the week (and for May): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

This may seem a peculiar request...but could someone explain why I'm here?”

That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.

In the vein established by 21 Jump Street of taking a serious television series and transforming it into a comedy comes Baywatch. I’m sure everyone remembers Baywatch, possibly one of the most watched television series of all time that featured buxom ladies like Pamela Anderson and Yasmine Bleeth in tight swimsuits, running in slow motion.  Transplanted for a moderate time period, this film adaptation features this generation’s hard bodies such as Zac Efron, Dwayne Johnson, and Alexandria Daddario (those eyes are hypnotic) taking on the established and iconic roles of Matt Brody, Mitch Buchannon, and Summer Quinn.

In Emerald Bay, an elite squad of lifeguards patrols the beach, going above and beyond to protect the people of the community. Led by Mitch Buchannon, this group finds themselves investigating murder and the increase in drug activity, which leads to businesswoman Victoria Leeds, who has a plan to privatize the beach, and surrounding businesses.

While I’m not usually a fan of gimmicks involved in trying to get my attention to see a movie, I’ll happily take an anthology of a found-footage film, simply because the odds of me finding something I like in the anthology are greater. VHS 2 is personally my favorite anthology film out there; even though it suffers from having to be a found-footage anthology, it at least delivers several unique perspectives and stories. I find it hard to believe a horror fan out there can’t enjoy the film. With XX the anthology presents us with a unique proposition when it comes to horror, four tales that are all crafted and presented by women.  A rather unintentional taboo notion when you consider horror has been a boys’ club for many years, but we are in a new era, and with this anthology this is the business card that is here to show us what they got.

I’m a little sad to see that the Soska sisters (American Mary) didn’t have a part in this, simply because they seem to be on the front lines of the women-in-horror movement, but nevertheless the entrants in XX are respectable heavy-hitters.

It’s not often that a show can come along that impresses me with its talent in front of and behind the camera; then when the show premieres, it is just bad for a couple of episodes and then manages to bounce back.  There are just so many options that if you don’t come out swinging, your show is going to be passed up for something else. I still feel like we’re in the Golden Age of television despite some of the best series in the past decade having already been retired from the airwaves (Breaking Bad is sorely missed despite Better Call Saul).  There is still so much out there that sometimes good stuff gets overlooked, and it’s not till DVD rolls around that you can discover a show, and that is the case for the new series Ice.

I love a good crime series, and when Ice became available as a title to check out at Upcomingdiscs, well, I felt the need to jump on it. When you have heavy hitters like Donald Sutherland and Ray Winstone headlining the cover and then throw in the vastly underrated Jeremy Sisto, I got even more excited for the possibilities. Then throw in director  Antoine Fuqua (Training Day) directing the pilot, and seriously, what can go wrong?