After five seasons I don't really think of Major Crimes as a spin-off from The Closer. It has gone on to establish itself as a much better show than its former version ever was. We have become very comfortable with most of these characters, and the series isn't really looking over its shoulder anymore, if it ever did. This is one of those shows that's just easy to watch. There might not be anything groundbreaking going on here, but it feels like that old worn shirt that you love to wear because it just feels good having it on. That's the kind of thing that can go on for many years, and Major Crimes doesn't appear at all to be slowing down. It's become an anchor for TNT, and I don't see that changing any time soon.

The focus of the show remains exactly the same. Each week the Major Crimes Unit solves particularly high-profile crimes. Commander Taylor (Gossett) is the Deputy Chief and serves mostly in the role of budget bean counter and skeptic. Captain Sharon Raydor, played by Independence Day's Mary McDonnell, is the leader of the team. The character had appeared several times in The Closer as head of the Internal Affairs Unit. Once considered the enemy, she's now in charge of the unit.

Who says no one likes a guy who’s negative all he time? Becker has got to be one of the most cynical, grumpy, and negative characters to grace our sit-com screens. He’s a guy you probably love to hate, and he’s also hilarious. Ted Danson spent over a decade behind the bar at Cheers and could have easily called it a career. You know, stop while you’re ahead. Instead he climbed right back into the television saddle and reemerged as Dr. Becker. This time he played a medical doctor who hates everything and everyone around him. Refusing to display that little bit of a heart we all know he has, Becker spends most of his life complaining about everything. Never before has it been so much fun to watch a guy moan and groan for twenty minutes at a time. Fortunately for him, Becker is truly a dedicated doctor, and while he’s likely to complain about it the whole time, he’ll go to any extreme to help a patient.

The secret to Becker’s genius is characters. Like Cheers before it, Becker is populated with wonderfully distinctive characters played by actors carefully cast for the roles. To start with there’s his office nurse, Margaret, played skillfully by Hattie Winston. Margaret runs things for Becker in his doctor’s office. She’s pretty much his mother and the brains behind the outfit. She’s one of those straight-talking ladies who don’t take any guff, and that means not even from Becker. The office assistant is Linda, played by Saw star Shawnee Smith. Linda’s used to getting by on her looks, which is fortunate because she naive and a little short on the intelligence front. How she got the job and holds it is anyone’s guess, but her blundering makes for some classic comedy. Becker spends much of his off time at a Café owned by Reggie. Reggie is portrayed by Star Trek: Deep Space Nine’s resident Trill, Terry Farrell. There’s a hint of a romantic interest here. Reggie is more interested talking about her own pitiful social life than serving her customers. Jake, played by Alex Desert, is blind, and interestingly enough runs a newsstand out of Reggie’s Café. He’s pretty much Becker’s best friend and often foil. A frequent patron of the Café is sleaze Bob, played by Saverio Guerra. He’s got the hots for Reggie and just about any other woman who meets his criteria (breathing) even though he’s married to an unseen wife. Bob always refers to himself in the third person and is clearly the most entertaining support character on the show. He was a recurring character up to year three where he was finally upgraded to regular. I can’t imagine the Becker universe without him.

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo; apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math, and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers…

Don Eppes (Morrow) is a decorated officer in charge of a unit of the local field office of the FBI. His brother Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough, these guys call on Charlie. The FBI office is also manned, or womaned as the case may, be by Agent Megan Reeves (Farr), who is the profiler of the group, Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has Professor Larry Feinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.

A New York city homicide detective is haunted by the night when her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night, she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other. The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.

The “Beast” of this series is one of the most troubling elements. Instead of a monster (or anything remotely beastly) we have a man who was transformed by a super soldier serum that makes him have super strength and super senses when made mad. As you can already tell, this show is really trying to be a combination of Captain America and The Incredible Hulk. When the Beast goes into mad mode, the only physical change is he gets just slightly uglier…just…slightly. For anyone who recalls the vampire transformations in the Buffy and Angel series….it’s less than that.

Voodoo Black Exorcist (Vudú sangriento), is a bizarre choice to distribute once more in high definition. Some of the imagery in the film is most certainly impressive; however, it doesn’t quite make up for the poor dubbing, editing, and nonsensical story. The film is about ninety minutes long, and realistically, it only demanded my attention for about ten of those minutes before I sank into boredom. Perhaps my greatest disappointment was that it wasn’t really a movie I could have fun with: it was not laughably bad. So where I would normally put some effort into poking fun, I ended up remaining abnormally critical of this old horror film.

Voodoo Priest Guedé Nibo (Aldo Sambrell), is revived accidentally on a cruise ship. As he wanders the ship in the shadows, he is haunted by images of his past: the killers of his lover, the ritual that got him mummified in the first place. Soon he becomes enthralled with the beautiful Sylvia (Eva León) who is the spitting image of his deceased lover, Kenya (Eva León in black face). Nibo continues his path of destruction and, oddly enough, persuasion, to finally reunite with his late lover.