Posted in: No Huddle Reviews by Dan Holland on October 24th, 2016
Yet another indie horror flick has come through the Upcoming Discs hub. Although, I wouldn’t necessarily categorize The Midnight Swim into the horror genre: it’s more of a dramatic mystery. That is not to say that the film did not have any unnerving moments, but the priority of the storytelling was to study the three main characters. In an effort to capture three very different personalities while simultaneously providing a lingering suspense, The Midnight Swim created a tension that resolved to my satisfaction. Ultimately, the film favored its character study more than it did its mystery, which hurt my enjoyment as a result.
Posted in: No Huddle Reviews by Dan Holland on October 23rd, 2016
Frank Sinatra is a man of many talents, although I had never really paid much attention to his acting, as I had never actually seen him outside a musical. Anchors Aweigh and On the Town are among my favorite musicals. That being said, I have never watched a film where I have been fully attentive to Sinatra’s talents as an actor. While Suddenly has other big names like James Gleason and Sterling Hayden, I was surprised that the entire film had an incredibly rocky start without Sinatra’s presence in the first twenty minutes.
Posted in: Disc Reviews by J C on October 23rd, 2016
“Everyone is afraid of the dark…and that’s what she feeds on.”
Despite rumors to the contrary, I am a full-grown adult. That means I can’t in good conscience admit to being afraid of the dark. The most I’ll concede is a sense of uneasiness if I’m in a dark space because I might bump into something. And if I hear a strange noise in the middle of the night, my mind might start creating sinister shapes out of shadows. (Hold on…am I afraid of the dark?!) Either way, that primal and unshakable fear of what could be hiding just out of sight is what powers Lights Out, one of the leaner, nimbler, and flat-out most enjoyable low-budget horror flicks in recent years.
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2016
The third release of the Vestron Video Collector’s Series that Lionsgate has decided to put out isn’t just one film but two, Waxwork and its sequel Waxwork 2: Lost in Time. If you think just because it’s a two-for-one release that they may have taken the lazy route on handling the transfers and features, well, I can happily say that you’d be wrong. If you like campy horror, especially the kind that existed during the late 80’s on into the early 90’s, then this is the kind of double-feature set you’ll have a blast with. It doesn’t hurt, either, that it’s being released just in time to be enjoyed for those of you looking to put together some horror movie marathons during the Halloween season
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
You know, I miss James Gandolfini. I know that HBO misses him as well. When The Sopranos finished, Gandolfini signed a development deal with HBO. He would not only work in front of the camera but help find and produce material for the network. We all know what happened next. Gandolfini passed suddenly, just when it seems he was breaking out of his Tony Soprano typecast, and one gets the feeling that he was going to do great things. One solid indication of that promise comes in the HBO series The Night Of... which was one of those passion projects that the man never got to see through.
Posted in: No Huddle Reviews by Jeremy Butler on October 21st, 2016
Most villains on earth are those who believe that they are the good guys. She Who Must Burn proves that in spades when a local preacher wages war against a woman’s counselor for Planned Parenthood (not called that during the film, but that is the best way to describe it). This is another welcomed addition to the 31 Nights of Terror, again featuring human evil rather than supernatural evil, which in my opinion makes it even more terrifying, because it could easily go from a fiction to reality.
Posted in: The Reel World by Archive Authors on October 21st, 2016
Forbes magazine called Jack Reacher and author Lee Childs as the strongest brand in publishing as much for his over 100,000,000 in sales and billion dollar imprint as for the strong loyalty of fans and favorable ratings of the readers. The 21st Jack Reacher novel, Night School, is coming out in a couple of weeks (which I’m sure Simon & Shuster would thank me for mentioning, but they don’t need my help), and Reacher fans will buying in droves. The second Reacher movie will be out on November 21.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
"The universe, a vast expanse of space and matter. It includes all that we see and all that we know. Since the beginning of time, we have wondered how it all came to be. A gloriously orchestrated plan? A chance series of events? Or something much, much dumber?"
Space really is the final frontier. It's where they send tired franchises to die. They sent Jason and Pinhead to space. They sent the Three Stooges into orbit. Abbott & Costello ended up in space. They even sent Machete into space. It's the filmatic version of jumping the shark. In Ice Age: Collision Course they send lovable Scrat into space.
Posted in: Contests, Expired Contests by Gino Sassani on October 20th, 2016
Do you know what scares me about this Halloween? It's all these prizes I'm going to be sending out in about a month. You could say The Devil made them do it. Our friends at Allied Vaughn have given us a copy of Lucifer: The Complete First Season on Blu-ray to give away. Now you can catch it all in high definition.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I can’t be the only one who misses seeing Mel Gibson in a tent pole movie for the studio every year. Sure, he said some rotten things, but does it matter what he does in his personal life? The man still is a great actor and an even better director. Hollywood has always been forgiving of its talent; it’s a system that seems to enjoy seeing talent make a comeback and do some amazing work. What it seems is that sometimes we forget that these icons on the screen are human, and they make mistakes and do stupid things and they have to own these experiences for the rest of their lives in the spotlight.








