Posted in: Tuesday Round Up by J C on May 3rd, 2016
Decisions, decisions. Life’s full of tough choices, isn’t it? Star Trek or Star Wars? The Beatles or The Stones? Cake or Death? Best-selling author Nicholas Sparks has made a pretty lucrative career out of romantic push and pulls. Thanks to Lionsgate, the latest big-screen adaptation of Sparks’ work — The Choice — arrives this week. (I’ll be sure to have an extra hankie handy when I review it...just in case.) Liongate was also kind enough to Remember Christopher Plummer’s latest drama. Finally, the studio also scopes out Sniper: Special Ops.
One last thing before we wrap up this Round Up: if you’re shopping for anything on Amazon and you *choose* to do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: No Huddle Reviews by Brent Lorentson on May 2nd, 2016
I feel I should start this off with a little disclaimer; if you are the least bit squeamish and can’t handle the sight of blood and gore, click out of this review as fast as you can, because things are about to get a little bit messy as I delve into the American Guinea Pig series. For those of you who hung around, I’m guessing you’re either a gore hound or simply have a morbid curiosity as to what this film is all about. Some of you may already know about the Guinea Pig series, but for those who don’t, here is a little crash course for you.
The Guinea Pig series isn’t just a part of horror cinema, but instead it fits into a more obscure niche of extreme-horror. It belongs in the section of reserved for some of the most over-the-top gore cinema has to offer and simply just isn’t for everyone. The original series came out in Japan and had its run through the 80s-90s that depicted some horrific acts of violence and was graphic enough to not only get banned in numerous countries but was even investigated for possibly being a real snuff film after a copy came into Charlie Sheen’s possession.
Posted in: No Huddle Reviews by Dan Holland on May 2nd, 2016
Anthony Perkins is arguably most well known as Norman Bates, the hotel owner with mommy issues from Psycho. While Hitchcock’s film was groundbreaking for the horror genre (and Hollywood in general), I find it strange that Perkins’s career did not improve with such a commercial hit. He had certainly acted in other projects prior to Psycho, but his name is not one that I see very often. In other words, I have never “happened upon” an Anthony Perkins film, I seek out films in which he has acted. As a matter of fact, I can count those films on one hand: The Trial, and the three schlocky sequels to Psycho. This Blu ray double feature contains two films produced in the late 80s between Psycho III and Psycho IV, towards the end of his career.
I must admit that the first film in the pack, Destroyer, was a little disappointing. It started with an amazing concept: A famous director rents the space of an abandoned prison to film his “women in prison” sexploitation film. The film’s writer (Clayton Rohner) and stuntwoman girlfriend occupy the lead roles, and as the night full of production continues the crew is murdered by an ominous presence kept secret by the ex-prisoners living in the town. The film was competently crafted and well written, but the cover of the disc made promises that it could not keep. For example, when I see a picture of a gigantic, muscular man with a skull-like visage on the cover, I kind of want to see that in the film as well. To be fair, I most certainly got a muscular antagonist: Lyle Alzado, Former NFL defensive linesman of the Cleveland Browns, has a very large and intimidating presence. Now, the film did provide pretty creative ways to dispose of expendable characters, but after watching the “final showdown” between protagonist and antagonist, I felt let down because there was no amazing 80s special effects makeup grafted to the football star’s face.
Posted in: The Reel World by Gino Sassani on April 30th, 2016
"Let's go find you a fish."
I've been told enough times that it is often not a good idea to meet your heroes. It's too often impossible for anyone to live up to expectations, particularly when they are already up on a pedestal in our minds. All humans have their flaws, and Ernest Hemingway was no exception. I never met him. He killed himself around the time I was busy being born. I often joked to my writing professors that he feared my arrival. The truth is that he had so many demons. It isn't a secret today, and it wasn't then, at least not for anyone familiar with his work. But Denne Bart Petitclerc did meet Hemingway after writing him a bit of a fan letter in 1957. The result was that Petitclerc was invited into Hemingway's inner circle at a time in Hemingway's life where his demons were beginning to catch up with him. Place that encounter in the larger environment of Castro's rebel uprising in Cuba at the time, and you might have an interesting story. Petitclerc certainly thought that he did. He wrote a screenplay and shopped it around for decades even up to his own death in 2006. Unlike the many fish on Hemingway's line and tackle, no one bit. It's possible that Papa Hemingway In Cuba is the reason.
Posted in: The Reel World by Brent Lorentson on April 28th, 2016
Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next. If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must-see and is one of the few films that lives up to the hype that surrounds it. The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy. As a fan first and critic second, I know I’ve been guilty of doing this in the past. It’s almost impossible to not get excited, and at the screening for this film I know I was not the only one with high expectations.
On top of the high expectations, the group I viewed the film with was restless after having the film delayed as well, so this only seems to be another strike against the film before it’s even had a chance to play. I mention all this for the simple reason that this film reminded me of the importance of shutting out all expectations and simply letting the film stand on its own merit. This is important because I feel Saulnier knew the expectations he had, and instead of playing it safe he did something that very few filmmakers are willing to do any;ore, he simply made a movie that is not just gripping and intense, but most importantly, it was fun.
Posted in: Disc Reviews by J C on April 28th, 2016
The setup is actually quite elegant in its simplicity: a man protects his house — and the terrified little girl who bursts into it one day — from a cold-blooded killer. Despite becoming a bit tedious in its middle section and a little improbable during the finale, Standoff absolutely lives up to its title. The movie is carried by a pair of strong lead performances and subtly effective stylistic touches from its first-time director.
“What's more important: the life of a stranger or the future of your family?”
Posted in: No Huddle Reviews by Archive Authors on April 28th, 2016
“To all things, there is a purpose. It was the time of judges. The Lord had punished the children of Israel for their sins against him. He had delivered them into the hands of the Philistines.”
The timeframe of Samson and Delilah is around 1075 B.C. Samson, like many characters in the Bible, is chosen by God but is far from perfect. The stories of many characters in the Bible are ones of sinners, and they must always try to overcome their flaws with God’s help and intervention. Samson was given the strength of 100 men and was chosen to deliver the Jewish people from their oppressors, the Philistines. Samson grows up knowing that he was chosen, but he is not ambitious and is somewhat vain and lustful. His general nature is good, and he is often pulled in different directions. Samson’s parents, Mara (Diana Rigg, The Game of Thrones) and Manoach (Paul Freeman, Raiders of the Lost Ark) want to protect their son from the war that is to come. A village girl, Noemi (Jane Arikan) represents those who want to spur Samson to fulfill his destiny. Samson is portrayed by two actors, Jonathan Rhys Meyers (The Tudors) as the young Samson and, in greater detail, Eric Thal (The Puppet Masters) as the older Samson.
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2016
Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town. Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter. Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan? Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.
With no escape from Haven and half the town infected with “troubles”, the town goes under the command of the Order with Dwight (Adam Copeland) stepping up to take charge. As you would imagine with the Order taking control, this is the equivalent of martial law going into effect, but with so much chaos going on, the town is practically a war zone. These are the darkest days Haven has experienced, and in the second episode of the season, “Power”, we see Audrey Parker (Emily Rose) and Nathan (Lucas Bryant) take on a trouble that kills whoever is caught in the darkness. If that wasn’t bad enough, the power plant is shutting down, and the generators at the school where everyone is huddled around the light, well, the generators are not going to hold up long unless someone comes up with a plan.
Posted in: Tuesday Round Up by J C on April 26th, 2016
Who’s the baddest pimp in town? (Other than yours truly, of course.) Well if you’re a fan of blaxploitation cinema, you probably know the answer to that question is Dolemite! The film makes its Blu-ray debut this week, so be sure to keep checking our site for the review. Meanwhile, Lionsgate retraces its steps with Backtrack, and Comedy Central bids a warm farewell to Hot in Cleveland: Season 6.
Before you go, here's the customary reminder/PSA before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by J C on April 25th, 2016
“We're making history with the first woman president.”
That statement may or may not become a reality in a matter of months, but HBO has real-life politics beat either way. Season 3 of Veep, the caustic, constantly-cussing comedy series, concluded with U.S. Vice President Selina Meyer ascending to the highest office in the land. But lest you think the show jumped the shark by having VP Meyer outgrow the show's title, there's more than enough sharp-tongued mayhem to go around once Selina and her staff — referred to as “an infection of mediocrity” in season 4 — have their finger on the button.
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