Anthony Perkins is arguably most well known as Norman Bates, the hotel owner with mommy issues from Psycho. While Hitchcock’s film was groundbreaking for the horror genre (and Hollywood in general), I find it strange that Perkins’s career did not improve with such a commercial hit. He had certainly acted in other projects prior to Psycho, but his name is not one that I see very often. In other words, I have never “happened upon” an Anthony Perkins film, I seek out films in which he has acted. As a matter of fact, I can count those films on one hand: The Trial, and the three schlocky sequels to Psycho. This Blu ray double feature contains two films produced in the late 80s between Psycho III and Psycho IV, towards the end of his career.

"Let's go find you a fish."

I've been told enough times that it is often not a good idea to meet your heroes. It's too often impossible for anyone to live up to expectations, particularly when they are already up on a pedestal in our minds. All humans have their flaws, and Ernest Hemingway was no exception. I never met him. He killed himself around the time I was busy being born. I often joked to my writing professors that he feared my arrival. The truth is that he had so many demons. It isn't a secret today, and it wasn't then, at least not for anyone familiar with his work.

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must-see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past. It’s almost impossible to not get excited, and at the screening for this film I know I was not the only one with high expectations.

The setup is actually quite elegant in its simplicity: a man protects his house — and the terrified little girl who bursts into it one day — from a cold-blooded killer. Despite becoming a bit tedious in its middle section and a little improbable during the finale, Standoff absolutely lives up to its title. The movie is carried by a pair of strong lead performances and subtly effective stylistic touches from its first-time director.

“To all things, there is a purpose. It was the time of judges. The Lord had punished the children of Israel for their sins against him. He had delivered them into the hands of the Philistines.”

The timeframe of Samson and Delilah is around 1075 B.C. Samson, like many characters in the Bible, is chosen by God but is far from perfect. The stories of many characters in the Bible are ones of sinners, and they must always try to overcome their flaws with God’s help and intervention.

Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town.  Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter.  Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan?  Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.

Who’s the baddest pimp in town? (Other than yours truly, of course.) Well if you’re a fan of blaxploitation cinema, you probably know the answer to that question is Dolemite! The film makes its Blu-ray debut this week, so be sure to keep checking our site for the review. Meanwhile, Lionsgate retraces its steps with Backtrack, and Comedy Central bids a warm farewell to Hot in Cleveland: Season 6.

Before you go, here's the customary reminder/PSA before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

We're making history with the first woman president.”

That statement may or may not become a reality in a matter of months, but HBO has real-life politics beat either way. Season 3 of Veep, the caustic, constantly-cussing comedy series, concluded with U.S. Vice President Selina Meyer ascending to the highest office in the land. But lest you think the show jumped the shark by having VP Meyer outgrow the show's title, there's more than enough sharp-tongued mayhem to go around once Selina and her staff — referred to as “an infection of mediocrity” in season 4 — have their finger on the button.

Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well.  Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot.  I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations.  Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.

"You must be kidding."

It is the most requested photograph from the White House archives. I'm talking about a photograph of Richard Nixon with The King. This particular King's kingdom wasn't a nation or political group. Of course, I'm talking about Elvis Presley, the King of Rock and Roll. The meeting occurred in the days before Nixon installed his infamous recording equipment and long before that fateful break-in at Watergate. So no one really knows what was said in the meeting. Now director Liza Johnson attempts to take us behind the closed doors of the Oval Office on that fateful day in December of 1970 when the leader of the free world met with the leader of a generation