Posted in: No Huddle Reviews by Brent Lorentson on January 18th, 2016
Have you ever had a dream that you wake up from and as your head spins from the snippets of the dream you can remember it takes you a few moments to clear your head and remember where you are? Usually this is a result from a hard night of drinking, but for Major John Cafferty (Tahmoh Penikett) it is a battle he is waking up from, and it is not a dream. With no memory of what happened, Major Cafferty wakes up in a special military hospital with several members from his platoon, only some of his soldiers are dead, and no one has a clue as to how they found themselves in the medical facility.
Posted in: Disc Reviews by J C on January 18th, 2016
“In our experience, almost everything ends in death.”
Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.
Posted in: The Reel World by Gino Sassani on January 16th, 2016
"Welcome to Benghazi."
It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.
Posted in: Tribute by J C on January 14th, 2016
- “After all your posturing, all your little speeches, you're nothing but a common thief.”
- “I am an exceptional thief…”
The above exchange occurs in Die Hard, which (in addition to being the gold standard for modern action movies) marked the film debut of Alan Rickman. The beloved, commanding actor — who died of cancer Thursday at age 69 — had already distinguished himself as a superstar of the British theatre world. But it was with his iconic performance as Bill Clay Hans Gruber that Rickman stole his way into the hearts of moviegoers worldwide.
It would’ve been all too easy for Rickman to settle into a career playing haughty villains, thanks to his velvety baritone (the Voice of God!) and clipped diction. (And he did portray his share of baddies in films like Robin Hood: Prince of Thieves and Sweeney Todd.) Fortunately for us, his immense charisma and magnetism simply made that impossible. As a result, Rickman also excelled at comedy (Dogma, Galaxy Quest), romance (Truly Madly Deeply, Sense and Sensibility), and everything in between (Love Actually). It’s no accident that the actor’s best-known, big-screen work — playing the enigmatic Professor Severus Snape in eight Harry Potter movies — contains dashes of humor, villainy and pathos. You often hear about characters that audiences “love to hate.” In Rickman’s case, he made it practically impossible to hate him…no matter how “bad” he was.
We’ve actually had the pleasure of reviewing some of Rickman’s work here at UpcomingDiscs. Join us for a quick trip through our archives.
Posted in: Disc Reviews by Brent Lorentson on January 13th, 2016
In 2012 Sinister had its release and horror fans seemed to be divided on the film. For me, I dug the mythology of Bughuul, an evil spirit who appears in 8mm family films that seem to always end in some new gruesome way. He’s a character the horror genre needs, as I see him as a silent hybrid of Jigsaw (from the Saw franchise) and Freddy Krueger (from the Nightmare on Elm Street franchise), where he’s a killer who gives us unique kills in some unsettling locations. Now with the release of Sinister 2, do the filmmakers step up their game and deliver us more from the possible new icon of horror? Sort of; just not how I would have expected it.
Posted in: No Huddle Reviews by Dan Holland on January 13th, 2016
The tale of Little Red Riding Hood, like many other children’s stories, is so well known and influential that it has been reimagined time and time again. In fact, one of my favorite short stories, The Company of Wolves, is a loose adaptation of the aforementioned tale. While I can’t call Little Dead Rotting Hood a favorite, I really appreciate how they were able to create a unique story while implicitly maintaining key elements of the original tale. More often than not the important visuals and motifs are present. Unfortunately, the pacing of the events is a little slow and really makes the film feel empty.
Posted in: No Huddle Reviews by Jeremy Butler on January 13th, 2016
Any time I get a double feature, the first thing that comes to mind is that these two movies don't know it, but they are now in competition with one another in my eyes. It was that way for Grindhouse as well as originals subsequent sequels. This time was no different in my eyes, and after screening both features there is a clear victor. Which one, you ask? Well, I'm not telling at this moment. (Don't worry, I will, but I can't just give it up that easy, because if I do, what assurance do I have that you will watch both films?) However, I'm sure my preference will become quite clear once you start reading.
Posted in: No Huddle Reviews by J C on January 13th, 2016
Yak: The Giant King is a 2012 animated offering from Thailand. It is based on Ramakien, the country’s version of a famous Hindu epic poem. Neither of those facts is readily apparent in the packaging and presentation of The Giant King, an American adaptation that was recently released on DVD. On the one hand, it helps explain why the dialogue here hardly ever matches the characters’ lip movements. But knowing that this crude, chintzy offering is actually based on something rather substantial makes it even more of a letdown.
Posted in: Contests, Tuesday Round Up by J C on January 12th, 2016
Rosencrantz and Guildenstern are dead. In 2016, that last sentence sounds like a spoiler-phobe’s worst nightmare. Fortunately, Rosencrantz and Guildenstern Are Dead is actually the title of Tom Stoppard’s existential, “sideways Shakespeare” comedy, which gets a 25th anniversary Blu-ray release this week courtesy of RLJ Entertainment. Speaking of RLJ, they’ll also be administering our Painkillers. (You can already check out our chat with star Colm Feore.) Hallmark pledges All of My Heart and nods to So You Said Yes. Finally, Shout! Factory scores a 10 with the Bo Derek double feature Bolero/Ghosts Can’t Do It.
We still want to give you more free stuff. Once a month we’re going to give away a surprise DVD title from our archives to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most curious to read about. (Quick reminder: You're not telling us which title you'd like to win; your free DVD will be a surprise.)
Posted in: No Huddle Reviews by Gino Sassani on January 12th, 2016
"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"
Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations.
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