“Jane’s life was now the stuff of telenovelas.”

As someone who grew up in a Spanish-speaking household, I have a love-hate relationship with telenovelas. Most of the time, I can appreciate — and heartily laugh at — their inspired, over-the-top campiness. But sometimes I honestly feel a little embarrassed that this broad, ridiculous junk easily represents the most visible outlet for stories featuring Hispanic actors/characters. I’m also insulted by the implication that Hispanic audiences don’t want more nuanced TV options. The great thing about The CW’s Jane the Virgin is that it works both as an outrageous nighttime soap and a sharp, good-hearted satire.

I don’t know about you, but whenever the Twin Towers pop up in any movie made or set before 2001 — usually it's a quick cameo during an establishing shot of NYC’s iconic skyline — I feel a pleasing flash of recognition…immediately followed by a queasy bit of dismay. The best thing about The Walk — arguably even better than the extended high-wire spectacle that gives the movie its title — is that the World Trade Center is lovingly granted a starring role alongside Joseph Gordon-Levitt. Unfortunately, director Robert Zemeckis’ film visibly wobbles on the way there and makes a truly extraordinary real-life story feel like a little too familiar.

“If it works, it will be the artistic coup of the century.”

Dennis Hopper was probably a friend of James Dean, since he appeared in two of Dean's three films, Giant and Rebel Without a Cause. It's hard to tell about Hopper, because he went through so many changes over the years. In the fifties and early sixties, he was clean-cut and quiet. After Dean's death he started to acquire a rebellious streak, famously confronting director Henry Hathaway on the interpretation of a scene requiring 80 takes. It nearly destroyed Hopper's career early on, but John Wayne got Hopper on two other Hathaway westerns, and fences were mended in the Old West. Around the time one of those westerns (True Grit) came out, another film came out starring Hopper. It was Easy Rider, which Hopper also directed and co-wrote. Easy Rider basically changed all the rules in Hollywood due to its enormous success. It is in the wake of Easy Rider's success that The American Dreamer was made.

Hopper was an accomplished photographer in the sixties, having been published in Vogue and other magazines as well as doing extensive portrait work of people like Martin Luther King, Jane Fonda, Tina Turner, and Andy Warhol. Hopper was also an accomplished painter and a very successful art collector. All of this figures into the portrait of the man that comes out in The American Dreamer. Hopper was clearly being pulled in many directions by his impulses, including increasing abuse of drugs and alcohol. He was nothing if not multidimensional and was probably frequently lost in one of those other dimensions.

This week brings with it a lighter load than we’ve become accustomed to here at the UpcomingDiscs ranch. I’m thinking Liv, the undead heroine of iZombie, must’ve gobbled up some of our offerings. (Or at least the UPS guy who was supposed to deliver them.) Nevertheless, iZombie: Season 1 from Warner Bros. — which also introduces us to Jane the Virgin: Season 1 — highlights this week’s slate of releases. Also on deck: Shout! Factory wrestles with The Bear, IndiePix casts a White Shadow, and Wild Eye Releasing crowns Queen Crab and unleashes A Plague So Pleasant.

And now for our weekly appeal to give you free stuff. Remember that once a month we’re going to give away a free DVD title from among the comments in our weekly Round-Up posts. All you have to do is comment on a Round-Up post — like this one! — and tell us which of these titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment.

"To understand what I'm about to tell you, you need to do something first. You need to believe in the impossible. Can you do that? Good. Because all of us, we have forgotten what miracles look like. Maybe because they haven't made much of an appearance lately. Our lives have become ordinary. But there is someone out there who is truly extraordinary." 

It's become so much easier to believe in the impossible in recent years. The guys over at Marvel have created an amazing theatrical universe where we escape into the comic book world of heroes at least a couple times a week. DC hasn't managed to wow us in our theater seats so much recently. What they have been able to do is deliver hours of wonderful escapism television every week. That's where the DC miracles are happening, first on Arrow and now Gotham and... The Flash. This is the decade when comic book pages truly come to life before our very eyes.

Fair warning, this comedy is much shorter than I was originally led to believe. The cover of this disc gives the deceitful impression that you audience will be treated to at least three performances and one host; however, as it turns out you must read the fine print, as this disc is merely Part 1. I am usually an advocate of the saying leave the people wanting more; however, that saying only applies when you have sufficiently hooked the audience, which this stand-up special fails to do, making the possibility of engaging in Part 2 very unlikely.

The first downfall for this special comes from the format, as the performances of the host as well as the comedian (the host is also a comedian; however, evidence of that remains unseen) are intercut between a recurring skit as well as what appears to be a tutorial in slang. The skit does prove to be entertaining in the first and last incarnation; however, its placement between comedy sets at first make it more of a nuisance than anything else. It would have likely been better received as a preshow or an aftershow addition rather than chopped up and injected throughout the runtime.

I just realized that having other people around is what makes life worth living.”

This lesson doesn’t come easily — or quickly — for Phil Miller, the Last Man on Earth. On the other hand, having other people around doesn’t do a heck of a lot for The Last Man on Earth, the dementedly inventive Fox comedy that becomes considerably less interesting the more people start to show up. That being said there’s plenty to like and admire here, starting with the show’s comedic, refreshingly non-bleak look at post-apocalyptic life.

by Dustin P. Anderson

In case you are unfamiliar with the over all Transformers mythos, allow me to regale you for a spell. The Transformers are an alien race of sentient, transforming robots that have crash-landed on earth. After a long war with their bitter enemies the Decepticons on their home world of Cybertron, they find a new home here with human companions. Unfortunately, the Decepticons follow our intrepid heroes and bring the war from their home planet here to Earth as they search for the fuel of their race called Energon. In this collection of episodes, we are treated to the biggest, meanest enemies the Decepticons have ever created, and they prove to be some of the toughest battles for our heroes.

Season 2 of The Red Road, SundanceTV’s tense drama about warring communities, opens with a foreboding shot of blood being spilled on the ground. It’s a conspicuously symbolic image when you consider that the show follows the lives of the (seemingly all-white) residents of fictional Walpole, N.J. and their strained relationship with the Lenape tribe that resides in the neighboring Ramapo Mountains. (You don’t even have to squint to see several centuries’ worth of wounded feelings in this scenario.) It’s also no major spoiler to say that opening shot isn’t the last instance of bloodshed in this batch of episodes.

In case you never hopped on The Red Road, here’s a quick catchup. Lenape ex-con Phillip Kopus (Jason Momoa) and Walpole police officer Harold Jensen (Martin Henderson) find their fates (and their families) inextricably linked. An accident involving Harold’s wife/Phillip’s high school sweetheart Jean (Julianne Nicholson) and a young Lenape boy left Harold indebted to Phillip. And the fact that the Jensens’ oldest daughter Rachel (Allie Gonino) and Phillip’s younger half-brother Junior (Kiowa Gordon) were in love only added to the tension. The end of season 1 once again left Phillip and Harold in each other’s debt after helping one another survive a violent shootout with a nasty group of gangsters.

"My name is Oliver Queen; after five years in hell, I have come home with only one goal, to save my city. Now others have joined my crusade. To them, I'm Oliver Queen. To the rest of Starling City, I'm someone else. I am something else."

That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally shed the name and reputation of the Hood or Vigilante. He vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City. In season 3 that job will get a lot harder to do while still keeping his vow. You can say that things get a lot more personal and that season 3 of The Arrow is all about family. And, you can bet that not everyone is getting out alive. Those who remain will be forever changed. That much is certain.