Fair warning, this comedy is much shorter than I was originally led to believe. The cover of this disc gives the deceitful impression that you audience will be treated to at least three performances and one host; however, as it turns out you must read the fine print, as this disc is merely Part 1. I am usually an advocate of the saying leave the people wanting more; however, that saying only applies when you have sufficiently hooked the audience, which this stand-up special fails to do, making the possibility of engaging in Part 2 very unlikely.

The first downfall for this special comes from the format, as the performances of the host as well as the comedian (the host is also a comedian; however, evidence of that remains unseen) are intercut between a recurring skit as well as what appears to be a tutorial in slang. The skit does prove to be entertaining in the first and last incarnation; however, its placement between comedy sets at first make it more of a nuisance than anything else. It would have likely been better received as a preshow or an aftershow addition rather than chopped up and injected throughout the runtime.

I just realized that having other people around is what makes life worth living.”

This lesson doesn’t come easily — or quickly — for Phil Miller, the Last Man on Earth. On the other hand, having other people around doesn’t do a heck of a lot for The Last Man on Earth, the dementedly inventive Fox comedy that becomes considerably less interesting the more people start to show up. That being said there’s plenty to like and admire here, starting with the show’s comedic, refreshingly non-bleak look at post-apocalyptic life.

by Dustin P. Anderson

In case you are unfamiliar with the over all Transformers mythos, allow me to regale you for a spell. The Transformers are an alien race of sentient, transforming robots that have crash-landed on earth. After a long war with their bitter enemies the Decepticons on their home world of Cybertron, they find a new home here with human companions. Unfortunately, the Decepticons follow our intrepid heroes and bring the war from their home planet here to Earth as they search for the fuel of their race called Energon. In this collection of episodes, we are treated to the biggest, meanest enemies the Decepticons have ever created, and they prove to be some of the toughest battles for our heroes.

Season 2 of The Red Road, SundanceTV’s tense drama about warring communities, opens with a foreboding shot of blood being spilled on the ground. It’s a conspicuously symbolic image when you consider that the show follows the lives of the (seemingly all-white) residents of fictional Walpole, N.J. and their strained relationship with the Lenape tribe that resides in the neighboring Ramapo Mountains. (You don’t even have to squint to see several centuries’ worth of wounded feelings in this scenario.) It’s also no major spoiler to say that opening shot isn’t the last instance of bloodshed in this batch of episodes.

In case you never hopped on The Red Road, here’s a quick catchup. Lenape ex-con Phillip Kopus (Jason Momoa) and Walpole police officer Harold Jensen (Martin Henderson) find their fates (and their families) inextricably linked. An accident involving Harold’s wife/Phillip’s high school sweetheart Jean (Julianne Nicholson) and a young Lenape boy left Harold indebted to Phillip. And the fact that the Jensens’ oldest daughter Rachel (Allie Gonino) and Phillip’s younger half-brother Junior (Kiowa Gordon) were in love only added to the tension. The end of season 1 once again left Phillip and Harold in each other’s debt after helping one another survive a violent shootout with a nasty group of gangsters.

"My name is Oliver Queen; after five years in hell, I have come home with only one goal, to save my city. Now others have joined my crusade. To them, I'm Oliver Queen. To the rest of Starling City, I'm someone else. I am something else."

That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally shed the name and reputation of the Hood or Vigilante. He vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City. In season 3 that job will get a lot harder to do while still keeping his vow. You can say that things get a lot more personal and that season 3 of The Arrow is all about family. And, you can bet that not everyone is getting out alive. Those who remain will be forever changed. That much is certain.

The Nanny ran for six seasons from 1993 to 1999, originally aired on CBS. It is just issuing season 4, which is kind of odd, but what can you do. The first three seasons were released from 2005 to 2009, and it looks like the entire series will soon be available. I'm not sure why they did it in such a staggered manner, but those people who are not satisfied until their collections are complete will finally be able to rest easy. The Nanny was known for celebrity stunt casting, so in Season 4 you can look for the likes of Donald Trump (circa 1996), Celine Dion, Jason Alexander, Hugh Grant, Elizabeth Taylor, Rosie O'Donnell (at the height of her talk show fame), Donald O'Connor, Robert Vaughn, Joan Collins, Rich Little, Monty Hall, John Astin, Sally Kirkland, Eartha Kitt, Nora Dunn, Jay Leno, Jon Stewart (as a boyfriend), Peter Scolari, Bette Midler, Ed Begley, Jr., Pamela Anderson (at the height of her infamy), Lainie Kazan, the cast of The Young and the Restless, Ivana Millicevic, and in multiple episodes as a therapist, the late Spalding Gray.

In case you are not familiar with show, it is best known for Fran Drescher, her raspy voice and adenoidal honk of a laugh as the the titular nanny. The theme song probably tells the story best. “She was working in a bridal shop in Flushing Queens / Till her boyfriend kicked her out in one of those crushing scenes. / What was she to do? Where was she to go? She was out on her fanny. / So over the bridge from Flushing, to the Sheffields' door. / She was there to sell makeup, but the father saw more. / She had style, she had flair, she was there. / That's how she became the Nanny!”

by Dustin P. Anderson

We join the residents of a small mountain town four years after they are stunned by the deaths of an entire class of children. One of these children has returned from the dead and shocks her family with a sudden appearance. She has no memory of the events that led to her death, nor does she remember anything about the afterlife. To her it’s just another day, and she is just waking up after a prolonged blackout. The family soon realizes that their daughter is not the only person to have returned from an alleged death, and questions soon arise as to how these people are suddenly coming back to life. Why is this happening? Why them? What are they here for?

Pop Life is a documentary concerning the role that drugs play in the world of Electronic Dance Music (EDM). Clocking in at about 55 minutes, the documentary really doesn’t take up that much time, and it does have quite a bit of information it sifts through. The documentary is a great introduction to the idea that drugs are, and really always have been, something that closely intertwines with popular music culture (not just EDM).

The most intriguing thing about this documentary is the talking heads it uses. There are a lot of DJ’s, T-pain, concertgoers who use and don’t use, celebrity liaisons, as well as a string of doctors and a former DEA agent. This really brings out a lot of really great information from all sides of the drug use surrounding EDM, but as a result, it begins to lack direction. It is really hard to pin down exactly what the overarching message behind the documentary is, unless it is purely informational. If the only point of the documentary is to provide information about how closely drug and music culture can be intertwined, then it is really nothing new being said. However, the venue of EDM will aid in bringing the rather neutral awareness to a younger audience.

If ever a show were more aptly named, it would have to be HBO's The Jinx. It's a documentary on Robert Durst, who had been charged with three murders and never convicted. The title comes from his own description of why he never had any children. He believed he would be a jinx to any child as a father. It turns out that this HBO series would be a jinx for Durst himself, because he couldn't quite keep his mouth shut and ends up making potentially incriminating statements. The suspect was arrested just hours before the last episode of the show aired on HBO. We might have to get into the whole art-imitating-life-imitating-art conversation. One thing is certain. This show had an impact on the real world like few shows ever had. But that's not the only reason I'm going to tell you that you simply must see The Jinx out on Blu-ray from HBO.

It begins like something out of Dexter. In Galveston, Texas, a grisly discovery is made. There are body parts washing in from the bay in garbage bags. Eventually an entire body is discovered except for the head. The evidence leads to the victim's next-door neighbor Robert Durst, who had been staying there disguised as a woman. An arrest is quickly made, and it looks like a slam-dunk conviction. But this seemingly poor man posts a $250,000 bond the very next morning and takes flight.

Finally a situation comedy for geeks. Ever since Urkel went from being a one-off character on Family Matters to the star of the show, the geeks have been looking for their own series. With The Big Bang Theory you get plenty of geek factor with a healthy dose of laughter. I honestly haven’t laughed this much at a situation comedy in decades. Meet Sheldon Cooper (Parsons). He’s a brilliant young scientist working at a Pasadena university. His field was string theory but now he's shifted to dark matter. He’s one of those young prodigy guys who likely graduated from college and then went home to get his diapers changed. Sheldon insists on tight structure and is uncomfortable outside of a highly structured environment. He’s insecure and can’t stand confrontation. He also, of course, believes he’s the smartest guy on the planet. He’s a huge comic and science fiction fan who envisions himself a young Lex Luthor. His girlfriend Amy (Bialik) is a behavior scientist. The two have a relationship based on a contract and have to negotiate even when they can kiss.

His roommate Leonard (Galecki) is also a gifted member of the school’s staff. Leonard is about the most normal one of the group and actually has a steady girl in next-door neighbor Penny (Cuoco). Penny now works as a sales rep for a pharmaceutical company and finds she's doing well. Unfortunately, they cut her hair off this year, and it isn't a good look at all. She’s not the sharpest tool in the box, but she can often teach the boys a thing or two about the real world.