Posted in: Disc Reviews by Brent Lorentson on May 14th, 2013
Posted in: No Huddle Reviews by Jeremy Butler on May 14th, 2013
“An affair born in betrayal will end in ashes.”
And a movie starring Lindsay Lohan and Grant Bowler depicting Hollywood’s most controversial and scandalous couple will share the same fate. Liz & Dick tells the love story of two-time Academy Award winning actress Elizabeth Taylor and respected theater actor turned leading man Richard Burton, documenting from their first meeting to Burton’s death in 1984. The key element to love stories, especially biographical love stories, is casting two people that will have chemistry that not only emanates on screen but resembles that of the two actors you are portraying, and Lohan and Bowler failed to deliver.
Posted in: Disc Reviews by Michael Durr on May 14th, 2013
Most cartoons these days seem to be carbon copies of cartoons gone past just with different settings and characters. You got the superhero cartoon, adventure cartoon, anime cartoon, the really kiddie cartoon and the adult cartoon. Today, we have a classic I want to be a Pokemon imitator cartoon. It goes by the name Monsuno. Let us take a look inside the second volume and see if this one is more than an attempt to sell action figures and trading cards.
John Ceballos did a fine job on the first volume in this series, go check it out:
Posted in: Disc Reviews by J C on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
The plot of Tomorrow You’re Gone — based on the novel “Boot Tracks” by Matthew F. Jones, who also wrote the screenplay — is straightforward enough. We meet Charlie Rankin (Stephen Dorff) just as he’s about to be released from prison. He receives an encoded letter from Billy “The Buddha” Pettigrew (Willem Dafoe), Charlie’s former jail-house mentor. The hidden message orders Charlie to carry out a hit, and Charlie agrees because he feels indebted to The Buddha. On his way to do the job, Charlie meets Florence (Michelle Monaghan) a flirty oddball/former porn star, and the two form an uneasy bond. After the hit doesn’t go as planned, Charlie has to dodge an unhappy Buddha. (He also spends an inordinate amount of time dodging Florence’s sexual advances because...actually, it’s not really clear why he keeps rejecting this woman who is throwing herself at him. It flies in the face of everything we know about movie ex-cons.)
Posted in: The Reel World by J C on May 10th, 2013
I still remember reading “The Great Gatsby” in my high school English class and dissecting its many themes, including the corruption of the American Dream. “One day, someone should make this into a big-budget 3D movie,” said Absolutely No One. When this project was first announced, it seemed more like a commercial parody on Saturday Night Live than a real movie. I mean, what other high school English staple was Hollywood going to co-opt next? Maybe next summer will bring To Kill a Mockingbird: Die Mockingbird Die! (in IMAX 3D, of course). It’s not that I believe 3D should be confined to cartoons, cheesy horror flicks or anytime James Cameron decides he actually wants to make a movie. The absurdity of the 3D tag for The Great Gatsby had less to do with the film’s literary origins — the extra dimension was used to stellar effect in the adventurous Life of Pi — and more to do with feeling totally unnecessary when applied to such rich source material.
My fears that the book’s substance was going to get buried under a mountain of excessive style were heightened when I found out Baz Luhrmann — most famous for the audacious, gaudy “Red Curtain Trilogy” comprised of Strictly Ballroom, Romeo + Juliet and Moulin Rouge! — would be adapting the novel. But as the film’s release date grew closer, got pushed back, and then grew closer again, something strange happened. Something even more unlikely than Jay Gatsby cranking a Jay-Z track from his iconic yellow roadster; I actually started to warm up to the idea of The Great Gatsby 3D.
Posted in: No Huddle Reviews by Jeremy Butler on May 9th, 2013
“Season of the equinox, the witch besets her kill; one last soul, the town to know taken against their will.”
I’m not the type that scares easy, and I’m not overly superstitious. But when it comes to urban legends, I know there are a few things I never intend to do: I never intend to say “Bloody Mary” three times in the bathroom mirror, I never intend to mix Pop Rocks and Coke, and, if there is a legend about a witch that will come after you if you break one of windows of her house, guess what? I won’t be picking up a rock. Mind you, this is less about fear and more about having no desire to deal with the consequences if I’m wrong. If only the teens of The Wicked shared my views.
Posted in: No Huddle Reviews by Jonathan Foster on May 9th, 2013
“Texas Territory. In 1821 it was known as ‘Téxas’, and its inhabitants were known as ‘Texicans’. This is the story of their fight for freedom. This is the story of Texas.”
Texas. Just the name of our nation’s second-largest state evokes images of cowboys, gunfights, scenic vistas, and much more. Few states have the combination of history, natural beauty and colorful characters that Texas does. These factors have provided a wealth of stories, and James A. Michener’s Texas (based off Michener’s best-selling novel) recounts one of the most tumultuous times in the state’s history.
Posted in: Disc Reviews by Michael Durr on May 8th, 2013
After a four-month hiatus, I have been called to assignment, a very special assignment indeed. Thankfully, the message did not self-destruct after five seconds. However, the message did have demands and required negotiation tactics. That is when I called in the SRU Unit from the show Flashpoint and they burst onto the scene. While they are handling a memo that has a notebook at gunpoint, they left me with a copy of Season Five of Flashpoint to review. Let’s take a look.
Season Five of Flashpoint in U.S. terms are the first eleven episodes under the ION Television banner (though the dvd package is still put out by Paramount/CBS). In Canada, these are the last eleven episodes of season four. The last thirteen episodes of the series will hopefully be in a Season Six package later this year (and Canada will have it as Season Five). Got it? Good.
Posted in: The Reel World by Archive Authors on May 8th, 2013
The first question you have to ask: “Was Stanley Kubrick a genius?" There are those who assert his IQ was ridiculously high (200+). Kubrick himself replied that he was below average. I tend to agree with the former rather than Kubrick himself. Kubrick is a monumental legend in film history. I personally think he is the single greatest director of all time, but I say that with a little reservation. There are hundreds of directors who I admire and think are deserving of high praise, but Kubrick's incredible mystique is what raises him above the rest. You can question his shifting subjects and styles as well as his sporadic output, but he is ultimately a source of endless discussion. That is the ultimate test of greatness. How long can you talk about someone? If you take the example of Room 237, you can talk about Kubrick endlessly.
Room 237 is the in-depth examination of Kubrick's 30-year-old film The Shining that has received rave reviews. Why would a documentary of a 30-year-old film get so much attention? Because it's fascinating, fun, mystifying and a clear example of the mystique of Kubrick. Room 237 is basically six well-educated but somewhat obsessive commentators outlining and diagramming minute details to reveal hidden messages.
Posted in: No Huddle Reviews by Brent Lorentson on May 8th, 2013
“If you have a tender soul, brace yourself.”
Sometimes I’ll get a stand-up comedy DVD and wonder how to write the review differently from other stand-up routines because there was simply little-to-no difference between the acts. Everyone just about knows — or should know — the basic formula. A guy walks out on stage and, for 45 minutes to an hour, delivers self-deprecating humor with the goal of receiving a few laughs. But then there are the comedians like Bo Burnham and Jeff Dunham, who at least try to bring something new to the stage by using music or puppets. In the case of Kristen Schaal, the mold continues to break as she delivers a stand-up performance unlike any other. This isn’t to say she delivers a perfectly amazing set, but it was refreshing to see something outside the formula of the standard routine.
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