Posts by J C

Why are people trying to stab you?”

People in action movies aren't usually inclined to stop and ask that question out loud. In American Ultra, a small army of CIA operatives repeatedly try to stab, shoot, gas, and blow up an underachieving slacker and his girlfriend. Seems like a lot of trouble for a panic attack-prone convenience store clerk who sketches a goofy graphic novel about an adventurous ape on his downtime. American Ultra is funny, violent, and tonally-jarring at times. However, it's also a fun subversion of the action genre and (more specifically) “supersoldier” movies.

You've gotta earn your mark by doing something big...bigger than yourself.”

It was actually 20 years ago this month that a certain animation studio made an indelible mark on cinema. When Pixar released Toy Story in November 1995, it was the very first computer-generated animated feature, and it made us believe that movies really could go to infinity...and beyond! In the ensuing years, the studio has produced an unprecedented and unparalleled run of films that mix breathtaking technical wizardry with inventive stories that touch moviegoers' hearts along with their funny bones. The Good Dinosaur, Pixar's latest effort, gets about half of that equation right.

We are smack dab in the middle of the most wonderful time of the year. Thanksgiving week falls right in that sweet spot between Halloween and Christmas...and so does A Christmas Horror Story, courtesy of RLJ Entertainment. Comedy Central goes Inside Amy Schumer: Season 3, Lionsgate blazes through American Ultra, Wild Eye Releasing stops at the The Last House, and Sony jams out with Ricki and the Flash. Finally, Ol' Blue Eyes does it his way with Eagle Rock's Sinatra: All or Nothing At All.

This week is also your last chance to enter and win November's Tuesday Round Up contest. Once a month we’re going to give away a free DVD title to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment. Contest is open to residents of the U.S. and Canada.

There's the legal system...procedure...the almost-theatrical aspect of the law. And behind all that...”

Those words are wearily spoken (in voiceover) by Germain Cazeneuve before we even realize the character is a social worker/passionate prisoner advocate. They also hang in the air until the conclusion of Two Men in Town/Deux Hommes dans la Ville, a blistering takedown of the French judicial system and capital punishment. (France used the guillotine to execute prisoners up until 1981, which is the year the country abolished the death penalty.)

UpcomingDiscs headquarters looks suspiciously like Middle Earth this week. Join us as we bid farewell to the Hobbit saga...again. Warner Bros. brings us the R-rated, Extended Edition of The Hobbit: The Battle of the Five Armies. Speaking of Warner, I spy The Man From U.N.C.L.E finagling its way into our midst as well. Finally, IndiePix jumps in the deep end with Swim Little Fish Swim.

There may not be as many options to choose from this week, but you still have a chance to win a free DVD by telling us how you feel about this latest crop of releases. (Not to mention all our other November titles.) Once a month we’re going to give away a free DVD title to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment. Contest is open to residents of the U.S. and Canada.

The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. That's partly the reason it took me a while to warm up to the first season of HBO's Getting On, an adaptation of the British series of the same name. The biggest drawback, however, was that those initial episodes didn't seem very interested in shaking the grim specter of the original show. But what a difference a year makes!

Before I get into all the ways Getting On improved during its second season, let's do a quick summary. The show is exclusively set within the Billy Barnes Extended Care Unit at Mount Palms Hospital in Long Beach, California. The staff includes Dr. Jenna James (Laurie Metcalf), the unit's spectacularly off-putting and self-centered director of medicine. Dawn Forchette (Alex Borstein) is the eager-to-please head ward nurse who is a professional doormat for Dr. James and a romantic doormat for on-again/off-again flame Patsy de la Serda (Mel Rodriguez), the unit's supervising nurse/resident stickler. Finally, there's overwhelmed, underpaid DiDi Ortley (Niecy Nash), who remains the most openly compassionate staff member.

Their channels have millions of subscribers. Their videos have billions of views. They are the future of dance.”

The definition of “making it” as a dancer has shifted over the years. Movies have dramatized this struggle by having its hoofing heroes struggle to earn street cred, gain admission into some prestigious dance academy, or make noise on Broadway. But thanks to social media and websites like YouTube, wannabe dance sensations can take a more DIY approach to stardom. The best parts of Breaking Through brush up against that notion, but too much of the film gets drowned out by groan-worthy dance flick cliches.

Arnold Schwarzenegger is a man of his word. As promised, the Terminator is back…and he’s busting into UpcomingDiscs headquarters! Paramount’s Terminator: Genisys highlights this week’s slate of new releases. Meanwhile, Shout! Factory tunes into WKRP in Cincinnati: The Final Season and catches up with Maude: Season 3. Cinedigm sticks its neck out for Zarafa, and Cohen Media Group introduces us to Two Men in Town. Finally, Lionsgate punches a ticket to The End of the Tour and reminisces with Mr. Holmes (which comes *very* highly recommended).

This post is also your latest chance to enter our Tuesday Round Up contest for November. Once a month we’re going to give away a free DVD title to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment. Contest is open to residents of the U.S. and Canada.

Why, this is getting more farcical by the moment!”

It's easy to point at the 1960s Batman TV series and laugh. For Dark Knight loyalists who insist their hero be gritty and tortured, the show is (at best) a campy amusement. At worst, it's an embarrassing atrocity. The two most important things to note are 1.) the show is very much a product of the Swinging Sixties time period in which it was made, and 2.) the series is *supposed* to be funny. (Batman picked up an Outstanding Comedy Series Emmy nomination during its run.) Keeping those two factors in mind is crucial to enjoying this entertaining, monumentally bizarre run of episodes.

Argument is sugar, and the rest of us are flies.”

By now, we've grown numb to the fact that there are simply too many TV channels to count. So it's not surprising that many of them have to take increasingly extreme measures to get our attention. Unfortunately, that line of thinking has extended to television news, which began trending toward sensationalism — and away from reasonable discourse — a long time ago. However, the idea that noise and conflict attracted eyeballs wasn't the status quo during the late 1960s, when viewers had only three channels to choose from. Best of Enemies tells the story of how two towering intellectuals (and one desperate network) helped alter the TV landscape forever.