Posted in: Contests, Tuesday Round Up by J C on November 3rd, 2015
Avast ye mateys! We’re stepping out of the UpcomingDiscs ranch and testing our sea legs with Anchor Bay’s Black Sails: Season 2. Magnolia Home Entertainment lets us tour Tiger House and debates the Best of Enemies. Paramount is feeling Moody with Californication: The Complete Series, while Cinedigm earns its wings with Paper Angels and samples The Nutcracker Sweet. XLrator is on the verge of Breaking Through, IndiePix gathers up the Crumbs, and HBO nurses Getting On: Season 2 back to full strength. Image Entertainment has Uncanny timing with this week’s releases: we already have an interview with Some Kind of Hate star Ronen Rubinstein available for your listening pleasure. And Holy Happy Ending, loyal readers! Our last title is Batman: Season 3.
Most importantly, we get to crown our first Tuesday Round DVD contest winner. Congratulations to Jim Gardner, who won the 8(!)-disc Dean Martin Celebrity Roasts: Stingers and Zingers set.
Posted in: Disc Reviews by J C on November 3rd, 2015
There are no tigers — or any other large cats — to be found in Tiger House. The closest we get is a rather hefty guard dog whose screen time is tragically cut short. (Figured I’d give the animal lovers out there a fair warning.) Instead, the only prowling we see in this low-budget home invasion thriller comes from the violent gang of thieves who bust into a suburban home and hold the unsuspecting family inside hostage. Unfortunately for the crooks, there’s already an uninvited visitor in the house.
That visitor is Kelly (Kaya Scodelario), who has snuck over to see her grounded boyfriend Mark (Daniel Boyd). The movie opens with a flashback to the crossbow-related accident between the young couple that ruined Kelly’s aspirations of becoming a gymnast. Now Mark’s mom Lynn (Julie Summers) considers down-on-her-luck Kelly to be a bad influence on her straight-arrow son, which explains all the sneaking around. Meanwhile, Mark’s stepdad Doug (Andrew Brent) is some sort of financial bigwig, which makes him an attractive target for the group of crooks looking to rob a bank.
Posted in: Disc Reviews by J C on October 30th, 2015
“She’s quite a common girl, very common indeed.”
Of course, we don’t need 50 years of hindsight — or more than 100 years, if you want to go all the way back to the original 1913 staging of George Bernard Shaw’s “Pygmalion” — to know that there’s nothing common about cockney flower girl Eliza Doolittle. And there's nothing ordinary about 1964's My Fair Lady, the beloved Oscar-winning musical that now gets an uncommonly (but appropriately) lavish 50th anniversary Blu-ray update courtesy of Paramount.
Posted in: Disc Reviews by J C on October 29th, 2015
Un, deux, trois! Cohen Media Group has given us an engrossing triple dose of French director Benoit Jacquot. The films —The Disenchanted, A Single Girl, and Keep It Quiet — span a decade and coincide with the moment when the post-New Wave filmmaker started gaining international acclaim. Each of the titles makes its HD debut with this release, and they all offer an intriguing look at Parisian life. The movies also feature some enchanting performances from their leading ladies.
“I used to believe in all manner of enchantments.”
Posted in: Contests, Tuesday Round Up by J C on October 27th, 2015
We’re nearing the end of “Horrorcane” season here at UpcomingDiscs, so what better time to exorcise some last-minute demons? Strap yourself — or a possessed loved one — to the nearest piece of furniture, and check out our forthcoming review on The Exorcism of Molly Hartley, courtesy of Fox. Wild Eye Releasing tunes into The Horror Network, Warner Bros. fetches the heroic canine tale Max, and Eagle Rock shows us how to enunciate with Lynyrd Skynyrd: Pronounced Leh-Nerd Skin-Nerd & Second Helping Live. And while we're on grammar lessons, a sparkling new 50th anniversary edition of My Fair Lady arrives this week, thanks to Paramount.
This week's Round Up is also your last chance to enter and potentially win October's DVD goody-to-be-named-later. Once a month we’re going to give away a free DVD title to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of these titles you’re most excited to watch or read about. The winners and their prizes will be announced the first week of every month right here in our Tuesday Round-Up post. You can’t win if you don’t comment.
Posted in: Disc Reviews by J C on October 27th, 2015
Between Judgment Day, zombie apocalypses, and various other doomsday scenarios, we've gotten a pretty good look at what the end of the world is supposed to look like. One of the most striking things about Z for Zachariah — an otherwise straightforward and deliberate drama that takes its story from a 1974 novel of the same name by Robert C. O'Brien — is that, for the most part, the end of the world looks an awful lot like paradise.
In fact, the biggest visual clues that this is even a post-apocalyptic story occur within the first 10 minutes or so. That's when we're introduced to a slight, shapeless figure in a makeshift decontamination suit pushing a cart through a barren, abandoned town. We eventually find out her name is Ann Burden (Margot Robbie), and she is presumably the only survivor of an unspecified disaster that has wiped out most of civilization. Ann survives on her family's farmland, which is uniquely (and miraculously) located in a place that shields her from radiation. She also has plenty of fresh water at her disposal. One day, Ann is shocked to find another survivor in a radiation suit.
Posted in: The Reel World by J C on October 24th, 2015
“It's like five minutes before every launch, everyone goes to a bar, gets drunk, and tells me what they really think of me.”
During the final act of Steve Jobs — which is less of a biopic and more of a three-act performance piece inspired by the visionary Apple co-founder — the movie winks at its own gimmicky premise. The cheeky reference to the film's rigid, laser-focused structure is appropriate given that Jobs obsessively measured the design his own products down to the millimeter. The result is a movie that wonderfully mirrors its protagonist: Steve Jobs is enthralling, endlessly imaginative, and kind of exhausting.
Posted in: Disc Reviews by J C on October 22nd, 2015
“If I didn’t have movies, life would be pretty boring.”
That statement obviously applies to those of us who spend an inordinate amount of time watching and thinking about movies. (If you’re reading this, chances are you visit this site with some regularity, so I feel good about including you in that group.) However, the notion that movies serve as a source of escape — in every sense of the word — is remarkably expressed in the captivating, stranger-than-fiction tale of the Angulo family. Unfortunately, it’s pretty apparent that The Wolfpack — a vague, shapeless documentary — doesn’t give us the full story.
Posted in: Disc Reviews by J C on October 21st, 2015
“Whatever happened to good old-fashioned, run-of-the-mill sex?”
On its surface, The Little Death looks and sounds like the glossy, crowd-pleasing romantic comedies Nora Ephron (Sleepless in Seattle, You’ve Got Mail) used to make. But it becomes apparent rather quickly that no one in this funny, insightful, uneven Australian comedy is having “run-of-the-mill sex.” The movie’s jazzy, jukebox-y score also made me occasionally think of Woody Allen films, which is fitting because Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) easily could’ve been an alternate title for The Little Death.
Posted in: Disc Reviews by J C on October 20th, 2015
“This is the beginning of something, not the end.”
There weren’t any Lost-style mysteries to be resolved here. And unlike The Sopranos or Breaking Bad, this particular series never really hinged on whether the lead character lived or died. (Although a moment in Ep. 5/“Lost Horizon” seems to nod toward fan speculation that Don Draper would take a tumble similar to the silhouette from the show’s iconic opening credits.) Instead, the final season of Mad Men — more than any other all-time great show I can remember — is directly about the end of things.
