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The 1970s famously produced many of the most daring, diverse and groundbreaking classics in movie history. All-time greats like Scorsese, Spielberg, Polanski, Altman and Lucas either broke out or did some of their most exciting work during the decade. But, even among these titans, Francis Ford Coppola separated himself from the pack. Four films — The Godfather, The Conversation, The Godfather Part II, Apocalypse Now — four undisputed classics. Batting 1.000 during the greatest moviemaking decade of all time earns you a ton of slack. In Coppola’s case, it has gotten him enough slack to make up for the fact that nothing he’s done in subsequent years can touch his ‘70s output.

Some cult classics you have to just wonder how it is they manage to stand the test of time.  For the life of me I’ll never understand the love for The Rocky Horror Picture Show, but yet when someone mentions the cult classic Frankenhooker, I can’t help but light up with geeky delight.  As film geeks most can admit these cult classics are far from great films, but yet there is a charm about them we can’t resist, and not only do we rewatch these guilty pleasures, but we also have the irresistible urge to thrust these films on our friends.

“There are only two reasons why a boat would go rogue. One is to defect, and the other is to start a war, and I don’t think we’re defecting. ”

Abraham Lincoln once said, “The best way to get rid of an enemy is to make him a friend.” That’s one way; however, Phantom proposes a different tactic: the best way to get rid of an enemy is to get someone else to do it. Which do you agree with more? Ed Harris and David Duchovny square off as two pieces on the opposite sides of the chess board locked in a submarine together with control of a nuclear warhead being the checkmate.

The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.

"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."

If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements

"Welcome to the wonderful world of magic."

They say that the hand is quicker than the eye. Through the art of misdirection and skillful manipulation we have been awed by magicians ever since Glog made Ooof's club disappear somewhere in Mesopotamia circa 20,000 BC. It's not all skill, really. The truth is we've always wanted to be fooled. We're begging for "magicians" to tamper with our sense of reality. I don't know how fast the hand happens to be, but today we're fooled at the speed of 24 frames per second (unless you happen to be Peter Jackson)

"On the evening of April 13th, 1865 John Wilkes Booth initiates his plan not only to kill Abraham Lincoln, but to decapitate the government of The United States."

Whatever you may think of Fox News or Bill O'Reilly, it would be a terrible mistake to discount seeing Killing Lincoln because of purely political leanings. The Department Of The Interior tried it when the book came out and underwent a campaign to keep the book from the public gift shops with claims of inaccuracies. Give O'Reilly credit for not taking the accusations lying down.

Any discussion of the greatest living rock stars has to have Paul McCartney at or near the top of the list. Obviously, “greatest” is a totally subjective descriptor, but even if you’re more of a Stones person you can’t argue with McCartney’s staggering success. He has sold more records than anyone else, wrote the most covered song of all time (“Yesterday”) and owns a handful of other Guinness World Records. The recipe for his singular greatness is a mixture of artistic brilliance, versatility and longevity. It’s what has allowed him to remain relevant more than 40 years after the dissolution of the best-selling band of all time. And a key part of that staying power was Wings.

“Fee, Fi, Fo, Fum, ask not whence the thunder come. For between heaven and earth it’s a perilous place, home to a fearsome giant race. Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow…”

Jack the Giant Slayer is the mash-up adaptation of two classic fairy tales; Jack and the Beanstalk and Jack the Giant Killer. Now adaptations are big business in today’s industry, but is combining two different source materials wise, or a recipe for disaster?

"Now, this game has 12 rounds. You win more than you lose, I turn myself in. You don't, a lot of people die including you. If you refuse to cooperate, people die. If you make any attempt to contact the police, people die."

I'm usually pretty skeptical when it comes to movies that are made by any of the various fighting federations out there. W?? usually stands for "What The F***". I get it. There are a lot of tough guys out there who would like to follow in the footsteps of guys like The Rock. But for every successful transition to acting there are a hundred stories of mindless muttering substituting for actual... I don't know.... words