DTS HD 5.1 MA (English)

Hansel and Gretel, everyone has heard of this fairy tale, right? The Brothers Grimm tale about a brother and sister lost in the woods who come across a house made of candy. They go inside and are soon captured by a witch who goes about stuffing them with candy to fatten them up to be slaughtered. Somehow the cunning pair manages to escape their shackles, and while the witch is distracted with the oven, they push her into the oven and destroy her. We have all heard the tale, but what happened afterwards?  Did they go back home, or did they live out their days in the witch’s house? Clearly I’m not the only one to wonder what happen to this pair of siblings, and now thanks to Jeremy Renner, Gemma Arterton, and the folks at the Paramount and MGM, we have our answer.

Fast forward many years later (as the film doesn’t give a specific number of years that have gone by), Hansel and Gretel have grown up to become famous and equally dangerous witch hunters. When the town of Augsburg is plagued by witches who have been abducting the town’s children; the incompetent Sheriff Berringer (Peter Stormare, Prison Break) and a mob of townspeople are in the process of condemning a local woman to be burned at the stake without any evidence of guilt. The mayor in an attempt to calm the panic of the townspeople has brought in Hansel (Jeremy Renner, The Avengers) and Gretel (Gemma Arterton, Prince of Persia).

“In the old days, we did the news well. You know how? We just decided to.”

Sounds simple enough, so what’s keeping everyone from doing the news well? Well, other than a country that feels more politically polarized than ever and a population that mostly seems interested in cherry picking the “facts” they’d rather hear, I can’t think of a single thing. In fact, HBO’s The Newsroom pointedly compares the idea of putting on a quality news broadcast that educates the electorate and earns great ratings to Don Quixote embarking on one of his foolish quests.

When it comes to martial artists out of Thailand, the big go-to name people seem to know is Tony Jaa (Ong-Bak).  But Thailand has another martial arts star, and after finishing This Girl is Badass I’m convinced Jeeja Yanin is going to be the bigger star.  Most may recognize Jeeja from the 2008 film Chocolate; after the last thirty minutes of that film I was ready to see her in more action.  Though she’s had other titles released since Chocolate, This Girl is Badass gets to be the follow-up film since her 2008 release.

Now, I don’t know how many of you remember the bike messenger flick Premium Rush, but the plot for that runs very closely to the plot for This Girl is Badass.  Jeeja plays a bike messenger, Jukkalan, who also delivers packages for two rivaling crime bosses to make some extra cash. Once she gets found out, she gets caught in the middle of this smuggling war.  What I wasn’t ready for was for this to be a comedy that reminded me of the old Zucker brothers and Mel Brooks’s films (only not nearly as good).  The crime bosses are good and hard to take seriously, one being an obese man with a very effeminate voice, the other an older man with a foot fetish.

With most of my teen years spent during the 90’s it’s no surprise that still many of the bands I grew up with manage to remain on my playlist.  Garbage is a band of the 90’s you couldn’t help but take notice of because though the airwaves were saturated with alternative music, Garbage was doing it with a female vocalist.  Shirley Manson wasn’t just a pretty face; she had the vocals and stage presence that was hard to resist at the time.  “I’m only happy when it rains” as well as “Stupid Girl” have been tracks that any time I catch them on the radio I can’t help but crank the radio a little louder and get a little nostalgic to the way things were in my teens.

Though Manson and the band managed to reach the status of performing the opening theme song for the Bond film The World is Not Enough, the band seemed to gracefully step out of the spotlight.  With the chance to check out this Blu-ray I was more than happy to take this and indulge myself a bit.  Now that I’ve had the chance to see it, well, my only regret is that I didn’t have the chance to see them in their prime.

“Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.”

It’s easy to see why 26 talented filmmakers from across the world leapt at the chance to show audiences 26 different ways to die. Obviously, you can’t exactly be squeamish when you sit down to watch an anthology called The ABCs of Death. But I still wish fewer directors had interpreted “complete artistic freedom” as “make the most ridiculous and disgusting movie you possibly can.” 

When someone tries to break in and take something from the building you’re in, what do you do? Well, according to “The Official Good Guy Handbook”, you must immediately lock down the building, retreat to a secure room, and try to get help from the outside. Of course, you must do all this while repelling the bad guys, ignoring their threats and bribes, and (of course) watching out for the double cross.

This is the problem CIA agent Emerson Kent (John Cusack, 2012) faces in The Numbers Station. After a botched black-ops mission, Kent is given one last chance. His new assignment: guarding Katherine (Malin Akerman, Watchmen), a code operator at a classified “numbers station” in England. It’s her job to receive coded messages and broadcast them to agents in the field. While bored with his assignment, Kent is always on the lookout for danger. This hyper-awareness is what saves their lives when they are attacked as they show up for their shift one day. Barely making it inside, they find the other team has been killed and a heavily-armed squad is waiting outside to take them out as well. Together, Emerson and Katherine must figure out what their enemies want and how to get out alive.

“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”

Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.

Well, it is that time of the year when we must see what the blood suckers, shape shifters, wolves and the faeries are up to. No, I am not talking about the State of the Union address; I’m talking about the latest season of True Blood. Season Five to be exact. In these twelve episodes, we again travel to the land of Bon Temps, Louisiana and see exactly what delicious trouble and dastardly deeds our characters can get themselves tied up in.

We join Bill Compton (played by Stephen Moyer) and Eric Northman (played by Alexander Skarsgard) cleaning up their little mess (actually Eric is doing the majority of the cleaning while Bill talks on the phone) after they gave Nan Flanagan the true death at the end of Season Four. However, once they leave the mansion, they are immediately captured by Authority security.

The conclusion of the wildly popular Twilight saga last fall left a nation of haters high-fiving each other, but it also created a giant, heart-shaped vacuum in Hollywood. Where is the industry’s next big young adult-oriented, human-on-supernatural romance franchise going to come from? This past Valentine’s Day was as good a time as any to find out if Beautiful Creatures — based on Kami Garcia and Margaret Stohl’s “Caster Chronicles” series — was up to the task.

Ethan Wate (Alden Ehrenreich) can’t wait to get out of Gatlin, South Carolina. Thanks to some nimble narration, Ethan explains why he feels trapped in his fictional dead-end town, where virtually every important piece of literature is on the banned list and people enthusiastically re-enact the Civil War as if they’re expecting a different result. Ethan’s spirits brighten when he meets moody outsider Lena Duchannes (Alice Englert), who is literally the girl of his dreams. You see, Ethan has been having the same dream every night about a mysterious dark-haired beauty; unfortunately, he always dies at the end. After a rocky start (is there any other kind?), the two grow closer and Ethan discovers that Lena is a witch.

“Never let the truth spoil a good story.” – Charlie Watts, drummer

Ever since they came on the scene in the ‘60s, The Rolling Stones have done things in their own unique and unapologetic style. Widely regarded as the anti-Beatles, The Stones’ blues-infused rock music spoke to many people and inspired many a future musician. They personified the era of sex, drugs and rock & roll...especially the "drugs and rock & roll” part.