Posted in: Disc Reviews by Gino Sassani on February 21st, 2020
"This is a mental institution, Marshal. For the criminally insane. Usual isn't a big part of our day."
When I first saw Shutter Island ten years ago, I thought it was a good movie. I didn't think it was a great movie. Like many Martin Scorsese fans out there, I have developed certain expectations from his films. It isn't at all fair, but as I've said here many times, expectations are killers. I bathed too often in Scorsese's modern mob mythology that I think it took seeing The Irishman and being royally disappointed and then getting to see Shutter Island again thanks to this wonderful new steelbook 10th anniversary release on UHD Blu-ray in 4K. I also never thought Shutter Island could ever improve with age. It's got a wicked twist that occupies the final 40 minutes of the film, and no matter how good the performances might be, how could it possibly get better when you know what's coming? But again, I recall it being a good movie, so I welcomed the opportunity to revisit it after 10 years in 4K. Why not, right? I'm glad I did, and no matter how good you thought it was the first time, it's better the second time through. And I was absolutely wrong in my first evaluation.
Posted in: Disc Reviews by Jeremy Butler on February 20th, 2020
“We got twenty-one bridges in and out of Manhattan. Shut them down. Three rivers. Close them. Four tunnels. Block them. Stop every train and loop the subways. Then, we flood the island with blue.”
Chadwick Boseman looks to be trying to bring back the days of Dirty Harry in this film as a cop known to kill cop killers. 21 Bridges is an action-packed film where nothing is really what it seems. Also featuring Sienna Miller, Taylor Kitsch, J.K. Simmons, and Keith David, I have to admit that some of these cast members’ appearances were more like cameos, as the action primarily focused on Boseman as he attempted to hunt down his target by any means necessary. Sorry, I just always wanted to say that, but for the context of this movie it rings true, as from the quote above, you can see the extent he was willing to go to.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2020
"It's a beautiful day in this neighborhood. A beautiful day for a neighbor. Would you be mine? Could you be mine?"
Anyone who was a kid from the 1960's to the 1990's and beyond recognizes Mr. Rogers and his neighbor song. The man defined children’s programming for television, and he did so from a small studio tucked away in Pittsburg, Pennsylvania for almost 40 years. There aren't many people living in this country who don't at least know who Fred Rogers was. It would be a complete waste of my space and your time to tell you very much about the man in these lines. Truthfully, you'll make the kinds of discoveries into the nature of who he was by spending a short 90 minutes watching the documentary Won't You Be My Neighbor that appeared last year. It will be time well spent no matter how little or much you think you know about him. But now hot on the heels of that incredible documentary comes a film staring Tom Hanks as the lovable neighbor we all used to wish we had. Recently Ancestry.com confirmed that Tom Hanks and Fred Rogers are related. Of course you have to go back the pre-revolutionary days of 1734 to find this elusive relative. But you won't have to time travel to spend a magical time with Mr. Rogers and Tom Hanks. In 2019, they happen to be the same man.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2020
This is the film that literally started a trend. Within a decade, submarine films would make a huge comeback in the big-budget film industry. Titles like Crimson Tide, U-571, and K-19: The Widowmaker all took a little from Red October. Maybe the Cold War is over, but our fascination with that modern version of cowboys and Indians doesn’t seem to have waned much in the last nearly 20 years. While our relationship with Russia might be up and down over the last two decades, there is still a part of our culture that can’t seem to let go of that classic game of good guys and bad guys. It’s not unique to the former Soviet Union by any means. World War II has been over for more than 60 years, but the occasional Nazi bad guys still make their presence known from time to time. Maybe it’s those accents. Whatever the reason, the seemingly dated subject matter of Red October is never a liability to the film. When Red October came out, the Soviet Union had just fallen a mere two years earlier, and there were some who suggested the film was an inappropriate reminder of those recent bygone days and might even be considered a slap in the face to the new regime in Russia. Fortunately this was not one of those instances where Hollywood let its often hypocritical sense of political correctness get in the way of a great film.
Posted in: Disc Reviews by Michael Durr on February 12th, 2020
A common thread in fairy tales and stories of long ago is for there to be a perfect female that is amazingly romanced by a not-so perfect male. In fact, he is usually average, clueless, and clumsy beyond belief. During the narrative, we realize that the female is only perfect on the outside and is somehow flawed on the inside. In the end, they live happily ever after. The story changes sometimes in details, genders, and other minor pieces of information, but is overall the same in theme. Today, we explore White Snake, which is a prequel to the Chinese fable, Legend of the White Snake. Let's take a look.
Posted in: Disc Reviews by Jeremy Butler on February 7th, 2020
“You'll die right here. On a frozen, blood-soaked battlefield, the moans of a generation of young men in your ears, dying in agony around you, for a lost cause. For a vile and wicked idea! For the sin of slavery! Can you hear them? God don't mean people to own people, Gideon!”
Harriet Tubman, born Araminta Ross, is a staple of black history. Her deeds have been told and retold in history books for generations as one of the most successful conductors of the Underground Railroad, a network of anti-slavery activists and safehouses. Aside from her contributions to history, I knew very little about her individual history; that is a failing of mine. I’m not sure that an autobiographical film is the best avenue to correct this failing, given the propensity for things to be altered and sensationalize in order to draw crowds. However, even a sensationalized film has to have some basis in fact. Therefore, I am glad that this film made it into my queue, as it gave me a better understanding of Tubman’s accomplishment than I had previously. Bad Times at El Royale’s Cynthia Erivo takes on the monumental task of representing the historical figure on the silver screen, joined by Leslie Odom Jr. and Janelle Monae.
Posted in: Disc Reviews by Michael Durr on February 6th, 2020
One of my main pet peeves in my life are the people who seem to hang on a celebrity's every word, or worse, a reluctant celebrity who gets pushed into the limelight because of a heroic deed or misdeed. I have little desire to be famous (except to be published and recognized as a writer), but if I were, I am pretty sure I would labelled as a recluse and shun the public eye constantly. Today, we explore Summer Days with Coo, a tale about a Kappa who is found by a boy after centuries of being fossilized. Then suddenly he gets thrust into the limelight with some unfavorable results. Let us see what this one has to offer.
Posted in: Disc Reviews by Brent Lorentson on February 6th, 2020
I’ve gotten used to the cinematic disasters Bruce Willis has attached himself to over the past few years. I’ll admit, I was surprised to see him in Motherless Brooklyn, and after his impressive performance in Glass, I had hoped he was going to attempt to get himself in to some higher caliber films. Willis has stayed in shape, especially for an action icon who is getting up there in his years, and he still manages to have a presence when he appears on screen. Sure, I get that we can’t expect him to keep throwing himself out of exploding buildings and having elaborate fight scenes. In a perfect world, I’d love to see him be able to revisit the role of Joe Hallenbeck in a The Last Boy Scout sequel. Heck, while staying on the nostalgia train, I’d be on board with a Hudson Hawk sequel over some of these direct-to-video films he’s been doing. Getting back to Trauma Center, we have a new direct-to-video action film that features Willis attempting to save a young girl’s life who happened to be at the wrong place at the wrong time. Is the film worth checking out, or is it one you should simply pull the plug on and avoid?
Posted in: Disc Reviews by John Delia on February 1st, 2020
During the 1950’s, being a private investigator wasn’t always a safe and sure way to make a living. But it was a popular way to make some cash for returning soldiers or ex-police officers. During these times things were beginning to modernize, and the world was becoming more dependent on advancement in the skyline. With these changes, corruption and deceit became more evident, and private investigators became more popular. When Frank Minna’s (Bruce Willis) agency gets a chance to make some real money, things begin to get ugly fast. In his crew there is Lionel Essrog (Edward Norton), an orphan with Tourette's syndrome that Frank took under his wing when Lionel was 13; they have been friends ever since. Then there is Tony Vermonte (Bobby Cannavale), Gilbert Coney (Ethan Suplee), and Danny Fantl (Dallas Roberts). Frank has known these guys for many years and trusts them with helping to investigate the cases for his company.
Posted in: No Huddle Reviews by Michael Durr on January 20th, 2020
As a man, I have watched my fair share of Desperate Housewives, Mistresses, Sex and the City, and even reality shows like Real Housewives of "Insert Name Here" county or city. I'm not sure any of it was by choice. Well, Mistresses did have Alyssa Milano, so there is that. I have learned, however, that while it might be undesirable to watch these types of shows, typically, it can be a good thing to do with your better half. It can broaden the lines of communication, and if nothing else you can sit there with your loved one and collectively wonder how high your tolerance for pain is. Enter Big Little Lies Season Two.
