Drama

"You don't throw guns out an open window. Kids live up in here."

So, the announcement of this film was of particular interest of me. Of course, I have familiarity with the character of Shaft from childhood. Not to mention the remake that wasn’t really a remake that premiered in 2000 starring Samuel L Jackson. The most interesting thing about the film is that it brings three generations of the character under the umbrella of one film, with Richard Roundtree and Samuel L Jackson reprising their roles as the titular character and introducing Jesse T Usher into the franchise as the latest addition to pick up the mantle. Another interesting thing is that despite it being a sequel, it shares the same name as the 2000 version. Though this does introduce a certain level of confusion, it just proves just how bad a mother-shut-your-mouth Shaft is; he can name his movies whatever he wants.

The biggest complaint I hear about today's movies is that there's no originality at the box office anymore. While it's true that most of the big earners are comic book heroes, sequels, reboots, monsters, or fantasy book franchises it's simply not accurate at all to say there isn't anything original happening in cinema anymore. If you are willing to take a chance on something different, you'll find it everywhere, and while it might not dominate the media buzz, it's there all the same, and your local multiplex likely dedicates at least a couple of screens to these kinds of films. Yesterday is certainly one of those little gems that go by not completely unnoticed but receiving far less buzz than it deserves. The fact is, there's still room for all species of film. After pulling in a more than respectable $150 million at the box office, Yesterday is now out on home video, including this UHD Blu-ray release in 4K.

Have you ever imagined what the world would be like with (fill in the blank)? For me it's cell phones. For others it might be a particular person. What if it were The Beatles? Better yet, what if you were the only one who remembered them?

When you have a movie that features Gary Oldman, you’d expect it to be pretty good.  I feel Gary Oldman is one of the best actors who is working in the business, and I’ve been a fan since the Romeo is Bleeding and Leon days.  So when a movie comes along about killers and government assassins and Oldman is playing a character in the middle of all the drama, you’d think this is going to be something great. After all, the man finally got an Academy Award, which was long overdue.  The best way I can describe my experience with this is film is to imagine you’re going to a restaurant, one that is a two star rating in the Michelin Guide. While it may not be the best, it should still be good; yet when you get there, rather than getting a great meal you instead are given a plate of lukewarm Spaghetti-O’s fresh out of the can.  From poorly framed shots to insipid plot twists, I can’t help but wonder, what did Gary Oldman do so wrong to be stuck in this film?

For those curious about what Jessica Alba is doing in the film, well, she’s Jade, an assassin we meet in the opening of the film, and one of her scenes is with Gary Oldman, whose character is cleverly named The Man.  The way the conversation is shot is jarring, going from an oddly framed wide shot with too much negative space to these close-ups where the characters are talking into the camera.  Not even Gary Oldman can save these shots, and when it shifts perspectives it becomes all the more painful.  If this was a more personal scene, or simply a long shot with just one character speaking, maybe this could have worked better.  The scene then jumps to a strip club where Alba’s character is with a blonde character we got a glimpse of from the previous scene.  Apparently no one else is at this strip club where the only dancer is a hologram we can see in the background, but this odd little hook-up scene then turns into the girls fighting for their lives; apparently the blonde was hired to kill Jade. This fight is sloppy and cut with the opening credits that are animated depicting portions of the fight.

It is hard to not like a well done baseball movie.  From Bad News Bears to The Natural to The Pride of the Yankees, there have been a slew of movies on America's favorite pastime.  Today's review of Major League in its thirty years after release is another fine baseball movie which does well with great characters and easy to root for story-line of the plucky underdogs.  Let us take a look at this re-issue of a fine blu-ray with a snazzy new cover and see what it has going for it.

"Tell me a story..."

One of the first people in my life to tell me a story was J.R.R. Tolkien. I was given a colorfully illustrated copy of The Hobbit that I still have to this very day. Sure, it was abridged and was mostly filled with pictures, but I was likely five years old when I got the book. The fact that I've kept it this long should tell you something about the kind of story Tolkien told me. Since that time I've read the Fellowship Of The Ring trilogy at least three times. I've written music inspired by those stories. And then there are the six massive films from Peter Jackson. In all these years I've never quite shaken the words of a man I never did have the opportunity to meet... that is, until now. Watching the biographic drama Tolkien leaves me with a sense of connection that I always wished I might obtain to the man himself. It's still rather early in the film season, and while this might not quite be the season for such things just yet, I must say I've at least seen the best film of 2019 to date.

I think most men as they take on the journey from boys to men usually encounter a fascination with an older woman.  Usually it's nothing more than an infatuation, an impossible ideal that even the woman herself can't live up to.  But the ideal of what we think of her is important to our growth and vital to exploring our feelings.  In our film, Penguin Highway, we meet a boy who becomes fascinated with an older woman named Onee-San.  However, the mysteries surrounding this lady are numerous and turn this common coming-of-age story into something extraordinary.   Let us take a look.

It is June 29th; the temperature outside is a breezy 25 degrees Celsius (77 degrees Fahrenheit).  Aoyama is in the fourth grade.  He is smart, and he studies hard.  The student has a very bright future ahead of him.  Importantly, Aoyama is high on himself, but he is not conceited, and that's what makes him great.  On the way to school, he stops by a bunch of children his age who are looking out into the field.  There appears to be a gathering of something, but nobody can make it out.

When it comes to Body At Brighton Rock, there was an opportunity for this to be something pretty awesome.  After all, when you think about it, only a few years ago The Revenant was showing just how great a film can be about surviving in the wilderness and how intense a bear attack can be.  Well, to be fair, I don’t believe Body At Brighton Rock was aiming to be in the same ballpark of The Revenant, but as I was watching this, it was difficult to not think about what could have been.  Really, the film is a simple little tale about a state park employee who gets lost in the woods and stumbles upon a dead body in the process.  It’s a good start for the film, but sadly this turns into a bit of a snooze-fest despite some spurts of promise.

When we meet Wendy (Karina Fontes), she’s already late for work, something she seems to do quite often.  She works for the State Park Service, which seems to have more people on duty than I would have guessed.  Wendy from the start just doesn’t seem to be right for the job. Even her coworkers can’t help but make jokes at her expense.  But to help a friend out, she decides to swap positions with her, so rather than sticking to the indoors, Wendy sets out on the trails to post signs and do whatever it is a Park Service officer does.  It doesn’t take long before she gets lost, and in the process of trying to find her way she stumbles across a body.  Sure, I can believe anyone can get lost in the woods, but when it comes to Wendy’s abilities in the wild, well, it’s hard to believe she’d ever be hired not knowing simple basic survival skills.  Another frustrating aspect: she’s carrying around a pack just for the specific purpose of helping keep her alive in case of emergency, but it seems nothing you would actually need is in this pack.

Dolph Lundgren is one of those guys that I enjoy watching and can make a bad action movie worth watching.  Even when he starred in Masters of the Universe, it wasn’t the He-Man I was used to, and it was a B-movie mess, but he pulled off playing the character.  Many love the guy from his performance in Rocky IV, and for me I’m a fan of Universal Soldier, but he never quite reached the superstardom I feel he deserved. Thankfully, decades after his heyday on the big screen, he is still starring in films, though unfortunately a good portion of them are B-caliber action flicks that are simply not taking full advantage of the man’s awesomeness. Dead Trigger is the latest and the newest forgettable film to add to the actor’s catalog.  From its opening moments where it seems to be riffing on Starship Troopers but with zombies, I was certainly hopeful that this could be a fun cinematic romp.  While Lundgren does his best to deliver the goods, it’s everything that surrounds him in front of and behind the camera that seems to be working against him.

We’re quickly introduced to these new recruits who are joining a special government team that has developed a special video game to help find recruits.  The game simulates a zombie infestation that decimates the world, and it just so happens a zombie outbreak is now occurring in the real world.  Well, these recruits are taken into a boot camp. It’s here we get an explanation on what a “Dead Trigger” is; basically it’s a soldier with a low life expectancy. Lundrgren is Capt. Walker, who is tasked with making them battle-ready.  Their training is cut short when a lab attempting to make a cure for the zombie virus is attacked and the general orders them to rescue his daughter (one of the doctors) and anything they can that has to do with the cure.

My wife has been a part-time travel agent for roughly the last year or so.  In that time, I have learned much about airlines, cruise ships, and of course hotels.  I have also thanks to her guidance and knowledge been able to stay at a few nice hotels in the past year which were much more comfortable than I could have ever expected.  However, despite my travels with my lovely better half, I seriously doubt I will ever come upon a hotel quite like the one depicted in Okko's Inn anytime soon.  Let us spend the next few minutes looking at an anime where your lodging is the best part of your trip.

We open to a festival of sorts, called a spa by the locals.  Music is playing; it is time for a show.  We see a couple of people perform traditional dance numbers, while Okko, our main character, watches.  Her father and mother are also on hand to explain the traditions to our young heroine and how they wish they could be part of the show.  The show speaks to the theme and the spirit of "Welcoming Everyone".

I think it’s safe to say that television has never been better.  With so many channels and streaming services, everyone is trying to get viewers, and to do so they know the quality has to be at a certain level.  The problem is, with so many options, there is no doubt that occasionally a gem is going to get past us.  Patrick Melrose was almost that gem I could have missed if not for a last-minute switch at Upcomingdiscs headquarters. Despite how much quality entertainment is out there, I can say with full confidence that this is not just one of the best limited series of 2018, but this is easily one of the best in the past decade.  It’s only five episodes long, but in those five episodes, from start to finish, it is exceptional television.

Patrick Melrose is an adaptation from the novels by Edward St Aubyn. Though I’ve never read any of the books, after seeing this I eagerly want to read one of these books.  There are five books that he has written about the title character Patrick Melrose (Benedict Cumberbatch), and each episode of the series is based on one of the books.  This immediately makes this show unique, because each episode tells us a unique story that revolves around Patrick from the 1960’s to the early 2000’s.  The show even bounces around in its timeline to tell us this story of an unlikeable drug addict to a family man attempting to redeem himself. It’s a character arc that is so well fleshed out and performed so well by Cumberbatch that I’m surprised to say he manages to outshine all his previous performances.