Drama

“You need to promise…something goes wrong, you need to drop a bomb on this whole mess.”

The biggest literal bang on Homeland came courtesy of the explosion that wiped out CIA headquarters in the season 2 finale. However, many fans and critics would argue the subsequent third season was an even bigger bomb. (I thought season 3 at least finished strong following that dismal start.) Nevertheless, season 4 of Showtime’s cracked, crackerjack spy drama represents a soft reboot for the show. It’s also a return to its Emmy-winning season 1 form.

"My name is Walter O'Brien. I have the fourth highest IQ ever recorded: 197. Einstein's was 160. When I was 11 the FBI arrested me for hacking into NASA to get their blueprints for my bedroom wall. Now I run a team of geniuses, tackling worldwide threats only we can solve..."

By now you are used to the geeky technical expert that is a requisite part of many television crime-solving teams. It's become such a stereotype that it's more formula than character by this point. So what if you had an entire team of these super-intellects, and there was only one normal person in the line-up. What would that look like? You don't have to ask yourself that question any more. If you're curious about the outcome, you might find this new procedural drama from CBS of interest.

"He is a confused and tortured young man...”

The “he” in this case is Peter Snowden, a chatty, charismatic, and deeply troubled war veteran. “He” also happens to be the only character who appears on screen in Nightingale, a potentially-fascinating HBO Films experiment that doesn’t quite reach its potential. At least, “he” is played by Selma star David Oyelowo in what is a thoroughly mesmerizing performance.

American Heist is an independent action flick that eventually nods to Michael Mann's Heat and Sidney Lumet's Dog Day Afternoon. (Along with Ben Affleck's The Town, if you're interested in a 21st century doppelganger.) However, the movie's action-packed finale can't completely disguise the fact that this is actually a dour family tragedy masquerading as a heist film. But if imitation is the sincerest form of flattery, at least the makers of American Heist know who to rip off flatter.

James Kelly (Hayden Christensen) is an ex-con trying to go legit; his big dream is to open his own auto repair shop. Those dreams get turned upside down when his older brother Frankie (Adrien Brody) is released from prison after 10 years. Frankie took the lion's share of the rap for a crime the brothers committed together. Now Frankie is looking to James — an Iraq war veteran with a useful knowledge of explosives — to help him repay a debt to a pair of shady characters named Sugar and Ray (Akon, Tory Kittles), after they helped protect Frankie in prison. James gets an extra jolt of motivation when his former flame Emily (Jordana Brewster) re-enters the picture long enough to be threatened by Sugar and Ray. It all leads to the titular bank Heist, which is meant to give the brothers a fresh start. I don't think it's a spoiler to say that no one gets away clean.

"1836, Republic of Texas. The Mexican territory is home to thousands of US settlers. Tensions rise as Comanche and Kawakawa fight to keep their lands. Outlaws roam free, and slaves are caught in the crossfire. Mexican General Santa Anna battles to reclaim the land. US President Andrew Jackson is hesitant to intervene, and Texas has no choice but to declare itself an independent nation... The Alamo in ashes, pioneers, Tejanos, Indians and soldiers have no choice: fight or die."

Houston, we have a problem. No, I'm not talking about an ill-fated and ill-numbered Apollo craft hobbled between the Earth and the Moon.
But that was the call that went out to General Sam Houston in 1836 as General Santa Anna massacred the residents of The Alamo and continued his bloody march through the newly-formed Republic of Texas. Only one man could lead an army against him, and he appeared inclined to do nothing at all. But it was all part of a skillful strategy that would turn the course of a war and North American history itself. He's the man the city was named for. This is how he lived up to that name. The story starts here.

The D Train was not what I expected...and thank goodness for that. The film boasts that it's from the “comedic geniuses who brought you Nacho Libre and Wayne's World,” although the only thing those two movies have in common is that they're both comedies with, um, people in them. Meanwhile, the glossy poster makes it look like an inspirational drama, which doesn't exactly mesh with the phallic-sounding title. In other words, there's nothing about The D Train that hints at the intriguing dramedy lurking underneath.

Dan Landsman (Jack Black) is the unpopular self-appointed chairman of his high school's alumni association. The group is struggling to lure former students to their upcoming reunion when Dan spots former cool kid Oliver Lawless (James Marsden) on TV in a Banana Boat sunscreen ad. (Given the comically inflated significance of the commercial, I assume/hope The D Train producers were handsomely compensated by Banana Boat.) The commercial is a light bulb moment for Dan: if he can get a “hot-shot” actor like Oliver to attend the reunion, more people will follow and Dan will be a hero to the committee colleagues who mock and shun him.

You got the St. Louis blues, the Chicago blues, the gin house blues, the “my man done left me” blues...they all the same song, ain't they?”

By now, anyone who's seen a musical biopic realizes these films also whistle a pretty similar-sounding tune. The bad news here is that Bessie is no exception, rushing from one familiar Troubled Artist Beat (hardscrabble childhood, rise to stardom, substance abuse, troubled marriage, etc.) to the next. The really good news is that this HBO biopic of “Empress of Blues” Bessie Smith is elevated by some truly powerhouse performances.

“This film was inspired by a court case, the public stages of which have been filmed, broadcast, reported and commented on throughout the media worldwide. Nonetheless, the characters portrayed in the film and all sequences depicting their private lives remain entirely fictional.”

The disclaimer that appears at the top of Welcome to New York is only the first indication that this flawed, unflinching drama — based on the Dominique Strauss-Kahn affair — seeks to blur the line between fact and fiction.

I guess I could use some of that magical happiness you always seem to have.”

David DeSanctis, the novice performer with Down syndrome making his feature film debut here, is easily the best thing about Where Hope Grows. Both the actor and the character he plays radiate genuine warmth and irrepressible positivity. Those qualities help boost this well-meaning redemption drama, which suffers from one too many storylines and an unintentionally appalling ending.

CBS has finally decided to release the number-one-rated show in the world on high-definition Blu-ray. It's a milestone event for the network and for fans of the show, and it only took 12 years to get it done. To be fair, Blu-ray hasn't quite been around for 12 years, but many networks have gotten us caught up with popular shows in high definition by this time. It's remarkable that it did take this long to get a season of NCIS on Blu-ray. Let's hope the numbers warrant that future seasons be given the same treatment and that we'll then be able to get the previous 11. It's an experiment CBS has tried with both CSI and NCIS: LA. Unfortunately, numbers must not have supported that move. But if ever a series deserved to live a long life in high definition, this is the one.

Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show. Sean Murray plays Tim McGee, who we've seen go from a young man with little self-confidence to a strong agent in the field. That doesn't mean he still doesn't suffer the barbs of Tony's sarcasm. Last season we were introduced to Emily Wickersham as Agent Ellie Bishop. She comes with a little history. She had applied for the job years ago, and something about her stayed with Gibbs. She's not a copy of Ziva by any means. She's a fresh face who also brings a lot of odd quirks. She loves to sit on the floor or often on desks or tabletops. She's a bit bouncy and likely will bond well with Abby. She rubs the old-school guys the wrong way a little at first, but they quickly respect her unique perspective. She's a good fit, and I don't think it will take long for you to warm up to her. She's settled in and already feels like a part of the team dynamic.