Posted in: Disc Reviews by J C on November 7th, 2014
- “We don't have the trust of the public anymore.”
- “Get it back!”
The Newsroom took a pretty decent beating during its first season. Sure, plenty of people praised the show's exceptional acting and ambition, but too much of the conversation seemed to revolve around its flaws and its polarizing creator. In this Blu-ray set's bonus material, Aaron Sorkin cops to being “overly earnest” and “aggressively uncool” in his work.
Posted in: Disc Reviews by J C on November 5th, 2014
“Does it always have to end up in a big giant dance battle?”
If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.
Posted in: Disc Reviews by J C on October 29th, 2014
As the spookiest holiday of the year draws closer, we're all probably a little more sensitive to anything that goes bump in the night. Almost every creature associated with Halloween is meant to terrify us, but what if some of those horrific-looking monsters were actually tasked with watching over us? In the Japanese animated drama A Letter to Momo, a young girl encounters a trio of mischievous spirits that only she can see and hear. The monster shenanigans, however, were merely one aspect in what turned out to be one of the more affecting family films I've seen this year.
Posted in: Disc Reviews by J C on October 28th, 2014
“That man brings hell with him wherever he goes.”
The “man” is supposed to be Paul Brennan (Jason Patric), a retired mob enforcer-turned-unassuming auto mechanic who reluctantly returns to his violent ways after his daughter goes missing. But the real culprit might be director Brian A. Miller. With The Prince and this year’s The Outsider, the director has made two consecutive sub-Taken crime dramas that lack the cohesion, refinement or energy to work even as satisfyingly junky action movies.
Posted in: Disc Reviews by J C on October 21st, 2014
“Kings are made, not born.”
It’s a provocative thesis for any story, especially since the same debate about kings has played out over centuries’ worth of world history. Unfortunately, filmmaker Lu Chuan largely decided to take a “tell, don’t show” approach with The Last Supper, which depicts the last gasp of China’s Qin dynasty and the rise of the Han dynasty and its commoner-turned-emperor.
Posted in: No Huddle Reviews by J C on October 15th, 2014
If you've ever asked someone, “What kind of music do you listen to?”, chances are you've heard the phrase, “I like everything...except country.” By that logic, a significant portion of TV viewers automatically dismissed ABC's Nashville when it premiered two years ago. The flawed, entertaining musical drama has deservedly made it to a third season, which kicked off a few weeks ago. However, I think it's useful to revisit Nashville's sophomore season. This set of episodes significantly re-calibrated the series — not always for the better — and marked the start of a shift toward the version of the show that is currently on the air.
Posted in: No Huddle Reviews by J C on September 29th, 2014
“Politics, backstabbing, murder...just another day at French court.”
The creators of Reign — the CW's campy, compulsively-watchable adaptation of the Mary, Queen of Scots saga — seem to be perfectly aware of their audience. I don't think I'm talking out of school when I say no one turns to the CW — home of DC heroes, vampires, and other Supernatural beings — for gritty realism or historical accuracy. So it really shouldn't be a surprise to find the monarch's life has been turned into a handsome, soapy, frequently ridiculous drama that will nevertheless make European History teachers around the world facepalm in unison.
Posted in: No Huddle Reviews by J C on September 25th, 2014
- "Let's never say the words 'Carrion' or 'Initiative' ever again."
- "Amen to that."
"Carrion" was a tedious MacGuffin of a computer program. "The Initiative" was the shadowy, faceless organization responsible for the terrorist attack pinned on the father of Revenge heroine Emily Thorne. Together, they combined to make the sophomore season of ABC's formerly scorching-hot nighttime soap a tiresome chore.
Posted in: Disc Reviews by Brent Lorentson on September 23rd, 2014
"You should never stop thinking about a life you’ve taken. That’s the price you pay for taking it."
In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild. Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.
Posted in: Disc Reviews by Gino Sassani on September 17th, 2014
"Spartacus' mongrel horde has swelled with each passing victory since Glaber's defeat at Vesuvius. They added thousands to rank liberating the mines of Lucania. Slaves across the Republic, humble and grateful to their masters for so many years, have broken to treachery in the wake of the ever-expanding legend of Spartacus."
Starz has had a pretty good run with their Spartacus series. Coming off the style of blood and violence that was popularized with Zach Snyder's 300, Spartacus brought that comic book/graphic novel intensity to television.
