Posted in: Disc Reviews by Gino Sassani on September 2nd, 2014
"My siblings and I are the first vampires in all of history. The Original Family. Three centuries ago, we helped build a town called New Orleans. Now a plot by witches has lured me back, hoping that I will defeat a tyrant, a vampire I created. My brother hopes I will find redemption through the power of family, a miracle child, part werewolf, part vampire, a hybrid. My sister is doubtful; she thinks I am beyond redemption. Despite my brother's best efforts, I have a plan of my own. I will take back my home and reclaim what was mine. I will be king."
If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.
Posted in: Disc Reviews by Brent Lorentson on September 1st, 2014
The backwoods flesh-eating disease film Cabin Fever was writer/ director Eli Roth’s first dip into horror and helped establish Roth as one of the “it” guys of the industry despite having a limited film catalog. The film’s cringe-worthy deaths, not to mention the memorable bathtub sequence, made the film an overnight sensation, and when talk of a potential sequel came out, I was more than a little excited. Picking up the reins for Roth would be another young rising star of the horror genre, Ti West. The film made a valiant attempt at capitalizing on the fame of the original, but it just never made the connection with audiences. Now we have the third entry in the Cabin Fever saga, Cabin Fever: Patient Zero. This time the film trades in its familiar backwoods local on a tropical paradise in the Caribbean.
When you see the title Patient Zero, you go into this with the hopes that this would be the film to have the big reveal as to how the virus managed to make its way to a lake in the middle of the woods in the outskirts of a small mountain town. Or you would be like me and have your fingers crossed for more fun from the party guy himself, Deputy Winston. Unfortunately, we get no familiar faces, but instead two separate storylines that we know inevitably will cross over.
Posted in: Disc Reviews by Gino Sassani on August 29th, 2014
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
If you need to know more before considering the fourth season, you need to go back to the beginning. It will be well worth the time and money to do so. You can check out our reviews of the previous seasons by banging it here: Walking Dead Reviews. These will quickly get you hungry for the first three seasons and get you caught up with the rest of us and into the breach with Season 4.
Posted in: Disc Reviews by Brent Lorentson on August 28th, 2014
Considering the state the world is in, I’m a little surprised there isn’t more talk about a possible World War 3 scenario being played out. This isn’t something I want, but watching the news, it is certainly something that resonates in the back of my mind and gives a moment of reflection. Aftermath is the film that preys upon that fear of what a possible World War 3 could be. The results are far from promising, and it succeeds in telling the inevitable fate of the world, despite how bleak the outcome may be.
The film opens with Hunter (C.J. Thomason) hiking in the wastelands of Texas. Along the highway he comes across a mother and her son; together they witness what appears to be the beginning of a nuclear war. Hunter is quick to react, using his medical training to do what he can for the young boy who looked directly into the impact light and has now gone blind. The three set off together to find food and shelter, knowing they do not have long before the radiation spreads and begins to have its effects.
Posted in: Disc Reviews by Brent Lorentson on August 27th, 2014
Here is a film that delves into a subject not many people care to openly discuss but poses a question that everyone who’s lost someone they love can relate to. When prayer and faith don’t seem to deliver the answers you want for those that need closure that therapy can’t seem to provide, where does one turn? It’s this hopeless feeling of loss that seems to be what attracts Michael King (Shane Johnson) to investigate the possibility of the supernatural.
The approach to this film is actually something that I’d like to see done in a real documentary form. Here we get to watch Michael, a self-admitted atheist, document himself as he meets with everyone from priests and demonologists to necromancers and psychics. His hope is to either document evidence or prove without a doubt that there truly is nothing that awaits us beyond the grave.
Posted in: Disc Reviews by Brent Lorentson on August 21st, 2014
Horror doesn’t necessarily need to be about the supernatural or have an axe-wielding maniac to be terrifying. Jump scares and gore effects are also some nice devices directors rely on to scare their audiences. But for me, what really gets beneath my skin is the possibility of what I see projected up on the screen can become a reality in my day to day life. The Sacrament attempts to show how quickly faith and love can quickly be turned and used as a weapon that can lead to the demise of the fragile and the faithful.
Eden Parrish stands in as the substitute to commune that many remember as Jonestown in 1978. This may not be a direct remake of the events that took place in Guyana, but it’s impossible to ignore the many similarities. Just as there was a documentary crew that investigated Jonestown, a documentary crew comes to Eden Parish, only the crew is hoping to find Caroline (Amy Seimetz), the sister to photographer Patrick (Kentucker Audley). When Patrick arrives with the Vice magazine team led by Sam (AJ Bowen) and cameraman Jake (Joe Swanberg), the commune turns out to be nothing like they expected.
Posted in: Disc Reviews by Brent Lorentson on August 20th, 2014
Under the revamped Hammer production company, The Quiet Ones is the new release from the legendary UK company that was known throughout the 50-70’s for its Gothic horror. In this new resurgence of Hammer, no longer do we have Peter Cushing or Christopher Lee to look forward to gracing the screen, but what we do seem to be getting is a respect for what horror can be. Horror seems to have bottomed out as of late. Where horror seems to be delving into cheaper budgets and going the direction of found footage, which isn’t so much a bad thing, but as we all know the market is just saturated with this style of filmmaking. We can blame The Blair Witch Project and the Paranormal Activity films for the glut of copycats trying to cash in, but thankfully there are still filmmakers who have the ability to bring something new to the table. And that is just what The Quiet Ones does.
When we meet Professor Joseph Coupland (Jared Harris), he is lecturing a class at the University of Oxford about the supernatural. His theory that he presents to the class is that the notion of ghosts is mistaken for something that exists in our own subconscious. It’s this belief that Coupland has that prompts him to conduct an experiment where he plans to document that supernatural activity is nothing more than something that can be created with our minds and explained away by science. It’s Brian (Sam Claflin) who is hired on to document the experiment and is unfortunately dragged into something that is far worse than he could have imagined.
Posted in: Disc Reviews by J C on August 19th, 2014
It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.
I say "bloody" because NBC's two-part/four-hour modernization of Rosemary's Baby is actually more graphic than Polanski's theatrical chiller. (Then again, I still can't believe the network gets away with showing half the inspired, disturbingly brilliant stuff they do on Hannibal, so maybe this shouldn't come as a big surprise.) Unfortunately, this stylish new version lacks subtlety and — more importantly — a fundamental understanding of what makes the story scary in the first place.
Posted in: Disc Reviews by Gino Sassani on August 14th, 2014
The television landscape has been flooded with shows about the supernatural. Vampires have been particularly hot topics in recent years, but werewolves are starting to get their own sub-genre going. MTV's Teen Wolf manages to pull the theme off quite well. It's no surprise that pretty much every network out there wants to throw their own hats into the supernatural ring. It's getting quite crowded, but the popularity appears to have no end. Of course, with such a crowded field you have to find a way to stand out from the rest. That's what I was hoping to find when I started to dig into the Blu-ray release of Bitten. Unfortunately, the results aren't as impressive as I had hoped.
Bitten tells the story of Elena, played by Smallville's standout actress Laura Vandervoort. Elena is a werewolf who has left her pack behind to try to live a normal life in Toronto. She gets a job as a photojournalist and even manages to find time for a more artistic approach to her photography. She has just moved in with boyfriend Philip (Greene) who is unaware of her supernatural alter-ego. Just as she's trying to build that relationship, she gets a call from her pack alpha Jeremy, played by Greg Bryk. That call is going to throw a bit of a monkey wrench into that normal life she was hoping for.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2014
It happens all the time. It's just as common on large-budget films as it is on the small films. Someone comes up with a great hook. It's a clever idea with all of the potential to be very good. It might even start off that way. Too many times the road traveled is a road to nowhere, and potential was lost somewhere along the path. That's exactly the issue with Open Grave. The opening sequence is one of those scenes that really sticks with you. A guy wakes up in a huge pit filled with dead and rotting human beings. He has no memory of who he is or how he got into this mess. It's a terrifying thought. It's a visceral nightmare that can touch those hidden fears in even the most stoic among us. What a promising start. Soon our character is given a rope and helped out of the pit. It's all downhill from here. It's bad... really bad... when your film peaks at two minutes in.
We eventually find out the guy who woke up in the mass grave is Jonah, and he's played quite well by Sharlto Copley. With not much dialog to work from (he is among dead people, after all) he manages to do a perfect job of portraying the emotions we would expect from this terrifying situation. When he's rescued from the pit, he's led to a house where there are several characters suffering from the same limited amnesia. They maintain knowledge and skills from their lives. ID cards even provide them with their names. The rest is the proverbial blank slate. There are some clues, however. A date circled on a calendar portends some ominous event. There is also an Asian girl, played by Josie Ho, who knows what's going on. Unfortunately, she can't speak and doesn't understand English.
