Posted in: Disc Reviews by Brent Lorentson on July 14th, 2014
"Isn’t it wrong to sing and dance when someone has just died?"
When I first hear a film is going to attempt to be a horror musical, all I can do is simply shake my head at the thought of how bad this may be. But that’s not to say that I couldn’t be very wrong. Repo! The Genetic Opera was a rock opera that I had a blast with, and I’m not ashamed to admit I even purchased the soundtrack after the release. Where my concern usually rests with the idea of horror musicals is that I’m worried it will turn out to be no better and possibly worse than The Rocky Horror Picture Show. I’ve never liked the film, and it’s just something I’ll never be able to understand, how it’s gotten such a ravenous cult following, though I can appreciate that Rocky does have an audience, and week after week fans turn out in costume to sing along and in some locations even perform along with the film. Stage Fright is a film that aims to attract that same audience that embraces Rocky, but goes a step further by delivering a solid slasher film as well.
Posted in: No Huddle Reviews by J C on June 30th, 2014
What happens when you splice together the killer-couple kicks of Bonnie and Clyde and Natural Born Killers with the ritualistic depravity of torture porn offerings like Hostel and Saw? I'm not really sure who — if anyone — was looking for an answer to that particular question, but that didn't stop Scavenger Killers from going to extreme lengths to provide one. Unfortunately, this low-budget slasher flick/wannabe satire is entirely too clumsy and non-committal in its tone to pull it off.
The Killers at the center of this movie are a sanctimonious judge (Robert Bogue) and a buxom defense attorney named Clara Lovering (Rachael Robbins) who doubles as his lover/accomplice. Ordinarily, I wouldn't mention a character's, ahem, physical attributes while relaying the plot of a film, but I mention it here for two reasons. Firstly, Robbins' IMDb page features credits like Bikini Bloodbath Car Wash and Vampire Lesbian Kickboxers (I wish I was making this up); so I have a feeling she knows exactly where her bread is buttered. More importantly, all of Scavenger Killers plays out as if it were written by a particularly immature and debauched 13 year old boy.
Posted in: Disc Reviews by Brent Lorentson on June 25th, 2014
When the first Wolf Creek was released it was one of those films that had a lot of hype around it, and when I got around to watching it, I dug it. It’s one of those films where the more I’ve watched it the more I’ve gotten to appreciate it, not just for its gore, but the film has a solid story, and I appreciated that the film at no time allows you to get too comfortable. At any moment a character could be brutally murdered. It’s the character of Mick Taylor (John Jarratt) who could equally make me smile with his crude outback charm or make me squirm with uneasiness the moment his hands took hold of a weapon. We Americans seem to enjoy the notion of our Australian characters being in the vein of the playful Crocodile Dundee, but Jarratt takes his role of Mick to some dark, terrible places.
Writer and director Greg Mclean unfortunately hasn’t had the success I would have expected considering the strong following for Wolf Creek and his fun follow-up Rogue. Now with the release of Wolf Creek 2, Mclean returns to the familiar territory of the untamed outback, and how does he fare? To put it simply, this movie is insane; it’s unrelenting and pretty damn funny at times.
Posted in: Disc Reviews by Brent Lorentson on June 24th, 2014
It’s hard to believe it was way back in 2001 when Joy Ride was first released. You can lump me in with the crowd that didn’t expect there to be a sequel, much less a third entry into this series. The second Joy Ride I seemed to have missed altogether, so when I was given Joy Ride 3, I have to admit I was a little hesitant about checking this film out. Now that I have checked out the Blu-ray and all its extras, all I can think is that I had a good time with this film.
The film starts out strong, bringing us into a seedy motel room where a couple of meth addicts are up to no good. When the two are tapped out of meth, they decide to use their CB radio to lure in an unsuspecting driver. It’s no surprise that the trucker they end up getting is Rusty Nail, and he seems to be more than happy to oblige these two addicts. How the rest of the opening sequence plays out is better seen than ruined in a review, but I will say this is one of my favorite openings for a horror film in some time. It’s fun, it’s brutal, and it’s bloody. It’s the perfect way to kick off this kind of film.
Posted in: Disc Reviews by Brent Lorentson on June 9th, 2014
For most who have heard about the West Memphis Three, it is because of the HBO documentary Paradise Lost: The Child Murders at Robin Hood Hills. It was a documentary that sparked the interest of many and fueled a movement to free Damien Echols, Jason Baldwin, and Jessie Misskelley for the murder of three young boys in 1993. It was a documentary that attempted to expose the trial as a witch hunt in which the only things the boys were guilty of were listening to heavy metal, wearing black and participating in Wiccan practices. Numerous documentaries later and with the support of Hollywood A-listers such as Johnny Depp and Peter Jackson and musicians like Metallica, Marilyn Manson, and Eddie Vedder, the West Memphis Three finally were freed from prison in 2011. As for the answers to who is responsible for the murders, many will theorize, but it would seem only the child-killers would know what really happened that night. As for Devil’s Knot, just what does this film present to us, the viewers? Unfortunately it doesn’t seem to carry the same emotional punch as the documentaries, despite the impressive cast that it boasts.
Colin Firth plays Ron Lax, an investigator who comes into the case against the West Memphis Three and attempts to help the defense team as best he can, while Reese Witherspoon comes in playing the role of Pam Hobbs, a parent to one of the deceased children. The film balances back and forth between the characters and how they are dealing with their grief and the investigation, yet despite the efforts of these two Oscar winners, both fail at getting the viewer to care at all about them.
Posted in: No Huddle Reviews by J C on May 21st, 2014
“You just never know who’s gonna be at the door.”
A virginal babysitter with bad cell phone reception is terrorized by a masked killer in Mischief Night. You don’t have to be a gorehound to know this is basically the plot of every slasher movie ever made. So it’s natural for viewers to expect some sort of swerve to differentiate this horror flick from all those that came before it. With the flawed, micro-budgeted Mischief Night, that swerve comes courtesy of the film’s intriguing assertion that a “boogeyman” can come from anywhere.
Posted in: Disc Reviews by Gino Sassani on May 14th, 2014
"I was cast into being in the winter of 1795 a living corpse with a soul, stitched, jolted, bludgeoned back to life by a madman. Horrified by his creation, he tried to destroy me..."
We all know the story told by the young teen wife of a poet: Mary Shelley. Told to entertain guests on a stormy night, it has become the stuff of legend. Brought to life by Colin Clive's mad scientist in the shape of Boris Karloff in the Universal Golden Age of horror, the monster has had a face. Since that time studios from Hammer to Paramount have left their own marks and scars on the creature that often mistakenly bears the name of his mythic creator. The name of Frankenstein.
Posted in: Disc Reviews by J C on May 1st, 2014
It’s easy to envision the elevator pitch for Devil’s Due. You only need five words: “Rosemary’s Baby meets Paranormal Activity.” The upside is obvious. The idea of a demonic pregnancy has terrified and unsettled expectant mothers since Ira Levin published Rosemary’s Baby in 1967 and Roman Polanski adapted it for the big screen the following year. Meanwhile, the Paranormal Activity films made low-budget/found-footage domestic horror hugely profitable. The downside? You’re probably not topping Rosemary’s Baby, and horror audiences seem to be suffering from an acute case of found-footage fatigue.
“Children, it is the last hour. And as you have heard that the antichrist is coming, so now many antichrists will come. Therefore we know is the last hour.”
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2014
It’s movies like Big Bad Wolves that keep me excited about cinema. After all, who would guess that Israel would produce this savagely dark fairy tale revenge film that is also one of the darkest comedies I’ve seen in some time with a visual aesthetic you’d expect from a Coen brothers film, but the violence and humor you’d expect from a film by Tarantino. My first time viewing this film was via On Demand a few months ago; more and more I feel the cable companies are onto something by acquiring these little films and releasing them pay-per-view so that those not in New York and Los Angeles can experience these films before having to wait months longer for their DVD or Blu-ray release. Now I get the chance to revisit a film that upon my first viewing was a punch to the gut; does it hold its own on its second viewing? You bet it does.
The film starts up with a group of kids playing a game in the middle of the woods. While the kids search the property for one of their friends, all they discover is one lone shoe. Jumping ahead, we meet Micki (Lior Ashkenazi) with a group of fellow vigilantes dragging Dror (Rotem Keinan) into an abandoned building to beat a confession out of him. Little does anyone know, someone is in the building with them and is filming the brutal interrogation. Is Dror responsible for the missing girl? At this point who knows, and anyone could be a suspect. But when the video hits the internet, opinions are formed, and Dror becomes the focus of scrutiny by his students as well as their families. After all, this is the time of social media, and we all know it spreads faster than the time it takes for an investigation to be completed.
Posted in: No Huddle Reviews by J C on April 21st, 2014
“Bad things happen in the woods, especially to pretty girls like you.”
Stop me if you’ve heard this one before: a smallish group of friends head to a remote location for what they think will be a sex-and-booze-fueled romp. Instead, they find themselves getting picked off by a mysterious killer. If you’ve ever seen a slasher movie, you’re painfully familiar with this scenario. Thankfully, it seems like the people who made the low-budget Death Do Us Part are also well-acquainted with the way this sort of movie is supposed to work. And they’ve decided to have some fun with it.
