1.78:1 Widescreen

It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.

The television landscape has been flooded with shows about the supernatural. Vampires have been particularly hot topics in recent years, but werewolves are starting to get their own sub-genre going. MTV's Teen Wolf manages to pull the theme off quite well. It's no surprise that pretty much every network out there wants to throw their own hats into the supernatural ring. It's getting quite crowded, but the popularity appears to have no end. Of course, with such a crowded field you have to find a way to stand out from the rest.

"Hi, little guys."

There was a time, decades ago when Walt Disney Studios was doing quality documentaries on a pretty regular schedule. Many of them appeared on the television show The Wonderful World Of Disney, and more than a few were released as feature films. And while that tradition has continued somewhat, it's been a while since I was truly impressed by a Disney documentary. That all changes with the release of Bears.

The Muppets debuted in 1955, and the late great Jim Henson’s creations have been delighting audiences (and fellow entertainers) of all ages ever since. They’ve made their mark on the small screen — most notably with The Muppet Show (1976-81) — and at the movies, starring in eight feature films across four different decades. However, 2011’s The Muppets was their first big-screen outing in a dozen years, and the movie spent most of its time wondering if the Muppets’ old-fashioned, irreverent charm still had a place in a more jaded pop culture landscape.

Don't you ever get tired of vanilla?”

There's a special breed of '80s movie that appears hopelessly dated on the surface yet remains impulsively watchable. (Insert your own, “So you mean *every* '80s movie?!” joke.) The Legend of Billie Jean — with its hilarious-in-hindsight fashion and Pat Benatar theme song — certainly fits the “trapped in the '80s” bill. However, the 1985 film — now making its Blu-ray debut courtesy of Mill Creek Entertainment — still manages to entertain by tapping into the timeless spirit of teenage rebellion.

Robin Williams is one of those actors that I just wonder what happened to them.  Through the 80’s and 90’s Williams was simply box office gold with his comedic timing and great impressions, but I’ve always been more drawn to the more serious roles Williams delivered.  Awakenings, The Fisher King, Dead Poets Society, One Hour Photo, these are just a few of his roles that have stuck with me over the years that made it easy to look past his cinematic missteps.

One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.

Few musicians have enjoyed the career that Elton John has enjoyed. From the release of Your Song in 1969, he hasn't seen many years without hit records. He's had number one songs in every decade since that day, and the hits continue to roll in. When the music industry changed, Elton managed to change enough to keep up with the times, yet hold on to the poignant songwriting that has made his songs stand out. I've been a fan since the Goodbye Yellow Brick Road days of 1973.

It’s hard to believe it was way back in 2001 when Joy Ride was first released.  You can lump me in with the crowd that didn’t expect there to be a sequel, much less a third entry into this series.  The second Joy Ride I seemed to have missed altogether, so when I was given Joy Ride 3, I have to admit I was a little hesitant about checking this film out.  Now that I have checked out the Blu-ray and all its extras, all I can think is that I had a good time with this film.

It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action.  Duck Dynasty comes to Blu-ray on its fifth season, and though I was a little underwhelmed with the previous season, this new release brings the show back to the backwoods charm that gained my appreciation from the start.  Yes, I still have a hard time calling this a reality series, since just about every episode and sequence seems more scripted than most hour-long dramas, but the characters are so likeable and goofy that a lot can be forgiven.