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When it comes to gritty detective films, Seven and Zodiac are two that help define the genre.  It seems like there are so many films that are attempting to piggyback off the style, but so many films fail because they are trying so hard to copycat the films, or they simply pull their punches with the material.  Night Hunter is the newest film to make an attempt but sadly just falls apart.  There is a lot of potential in this film, with Henry Cavill (Man of Steel) taking the top billing; then there are Ben Kingsley, Stanley Tucci, and Nathan Fillion filling out the cast. The cast and the storyline give this the potential to be a great thriller, but unfortunately the delivery ends up being something just a little better than an episode of Law and Order.

"Come and see. Come and see. The death of humanity upon a shore of corpses, broken heads, spilled guts, scorched flesh. Come and see the young tearing each other's throats out. Rivers of poison will flow through the halls. Oath breakers. Philanderers. Murders will wade through those rivers. Come and see. Come and see."

When Vikings started five years ago, I found it to be quite an ambitious task for a network that usually featured documentaries and reality shows about odd jobs. I approached this one with some caution. Now I've thrown caution to the wind for these compelling characters. I was particularly drawn into the lead. Travis Fimmel was outstanding as the Viking leader Ragnor Lothbrook. When his character was killed off after three years, I suspected things would be winding down for this experiment. I could not have been more wrong. Alex Hogh Andersen plays Ivar, his crippled son, who rises to be more powerful and more brutal that Ragnor ever was. The actor shares many of Fimmel's characteristics, both in his physical look and the way he carries himself. It's one of the most perfect father-and-son casting pairs I've ever encountered. Because of Andersen, the show has been reborn, and there's still a lot of life in this series. The release of the first half of Season 5 is another strong contribution to your home entertainment library.

As a kid growing up in the 70's and 80's, I quickly grasped the concept of a good short.  Whether it was a tiny piece before the movie started at my local cinema or a Looney Tunes cartoon on my 13-inch television, I saw how hard it was to capture the audience in the span of such a small frame of time.  However, when those directors are able to capture that lightening in a bottle, it can produce some amazing results.  Today, we are taking a look at Genius Party and Genius Party Beyond and see if a few of these fantastic directors can create a memorable slice of anime.

The novel The Haunting of Hill House by Shirley Jackson is certainly a literary classic, but for the sake of this review you’ll need to ignore the book and the previous film adaptations…I think it’ll be easy to forget the 1999 film The Haunting.  I say this mostly because if you go into this series expecting that story, you will be disappointed. Instead, what creator and director Mike Flanagan has delivered is a masterpiece of horror that is so good that as the season plays out it manages to outdo itself again and again up to its final episode.  When it first aired on Netflix I binged it and instantly fell in love, and when the opportunity arose to return to the series and see extended cuts of the episodes, I was more than happy to oblige.

Ever since I saw High Tension, I’ve been a fan of Alexandre Aja.  The guy simply has a nice visual flair and for the most part puts out quality horror films.  From The Hills Have Eyes remake, to Mirrors, and the beautifully shot Piranha 3D, Aja has made gore look like fine art on the big screen. So to hear he’d be working with Sam Raimi on a horror film, well, that’s simply music to my ears.  It’s been a while since we’ve had a good man vs. nature horror film, and the concept of a family attempting to survive a category 5 hurricane in Florida while being hunted by alligators in their crawlspace, well, if that doesn’t get you excited, then just back away now.  Crawl isn’t a movie attempting to be high art or go for Oscars; it’s a movie that just wants you to have fun for 90 minutes, and it delivers on that.

I wonder how this film would have been received if The Road simply didn’t exist.  It’s just about impossible to watch this film and not see the striking similarities between the films, though Light of My Life definitely isn’t as grim or as brutal as The RoadLight of My Life is the directorial debut from Casey Affleck, who seems to be following in his brother’s footsteps by taking the step behind the camera.  How does he fare behind the camera?  He definitely shows that he has a solid eye when setting up his shots and telling a story, though there is certainly room for him to improve.  It’s a bold move to make a post-apocalyptic film your first feature and decide to star in the film as well, but for me I was glad to see him take such a risk, and I’m impressed he almost nailed it. The film takes us into a world where most of the world’s female population has been killed off by some sort of a disease.  While the world isn’t quite in shambles, we definitely see that society has quickly crumbled as cities struggle to thrive. Rag (Anna Pniowsky) has somehow managed to survive this vicious disease, and with the aid of her Dad (Casey Affleck) he’s kept her alive and has been training her to survive in this hostile environment.  This is pretty much a father’s worst nightmare for his daughter to grow up in, and we get to see how her father deals with everything from suspicious travelers to simply educating her on puberty.

"Did you say Chucky?"

The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Later Chucky would pace the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”. Child’s Play was the brainchild of writer Don Mancini. Mancini’s original story Batteries Not Included was changed because of the impending Spielberg film to Blood Buddies. The title and many aspects of the story would evolve over time. Eventually the title Child’s Play took over, and Chucky was born.

The Conjuring franchise and its spin-offs have been a success at the box office since 2013.  Now with the third Annabelle hitting the big screen, it’s time ask the question: is this the end for the franchise?  We already know there is going to be a third Conjuring film coming out next year, but beyond that, I’m guessing the studio heads are watching to see how this film fares with the summer competition.  I wasn’t a fan of the first Annabelle. The second one was better, but still it seemed to pale in comparison to The Conjuring films, so to be honest, my expectations were not very high for this new installment.  As it turns out, this ended up being my favorite of the spin-off movies, and I have no shame admitting how much fun I had with this one.

When it comes to the DC universe on television, I feel like Warner Bros. knows exactly what they are doing and truly understands the comics as well as their audience. Ever since they launched their streaming service they’ve been putting out new material that is arguably upping the stakes, knowing that soon Disney will be putting out there new streaming service in a matter of weeks.  I was impressed with Season 1 of Titans. I loved how it was a show targeting a more mature audience, but it was Doom Patrol I wasn’t so sure about.  All I had known about the Doom Patrol was from their one episode in Titans, and from what I saw, I really enjoyed the possibilities.  Well, now that I’ve seen all 15 episodes of Season 1, I can honestly say What the F***?, followed by that was certainly a unique experience.

"I mean who knows what kind of creatures are out there wreaking havoc on history?" 

DC's Legends of Tomorrow has become somewhat the odd man out when it comes to the DC Television Universe, or the Arrowverse, as it is most commonly known. Last season it was not part of the annual crossover, and it aired later in the year with fewer episodes. And while it will be a part of the huge crossover coming in December, it still doesn't appear to get the same respect as the other shows. I like the series, but it is my least favorite of the franchise. Warner Brothers Home Entertainment isn't as high on the show either. They crammed extra episodes on the discs so that all 16 episodes of the fourth season end up on just two discs. Ouch. It doesn't help that every year sees a huge shake-up of the cast, and this season was no exception. The crew of the Waverider change over faster than teens at a fast food joint. Of course, you might be left asking yourself what is this Waverider of which you speak? It's hard enough to keep track of the players without a program, but it's a near impossible feat if you are trying to join the festivities in the fourth season. You might want to check out our reviews of the previous years and then rejoin me for the breakdown of the Blu-ray release of DC Legends Of Tomorrow Season 4. Just bang it here to catch up: Legends Of Tomorrow Reviews.