"I made a big mistake.... I wanted a new life. I wanted to start over, and that's what I did. But somehow I made things worse. So I reset everything. I put everything back to the way that it was before, except some things weren't the same any more. Not even a little bit."

That something is called Flashpoint. It's one of the biggest events not only in the Flash comic universe, but it had ramifications across the DC landscape and led to more than a few changes in that world. This season of The Flash uses that story arc to guide Season 3, but like everything else in these comic shows, it is quite different than the printed event. That's going to either excite fans or make some of them a little angry. If you can treat the series as its own thing, you're in for a high-speed adventure with the release of The Flash The Complete Third Season from Warner Brothers. But you had best be caught up. This speedster doesn't slow down for anyone, and if you hope to tag along, you should look into the first two seasons. Of course, we're happy to help with our reviews of both seasons that you can catch Here.

By John Delia, Jr.

"Death is but a doorway to new life. We live today. We shall live again. In many forms shall we return." - Egyptian Prayer Of Resurrection.

The 12th season of Criminal Minds would be one of great change. Some were expected and some were not. There had been incidents behind the scenes that had drawn red flags among the cast. Thomas Gibson was known to have a temper and had been reprimanded for it in the past. But as the Season 12 shooting began, he crossed the line again by allegedly kicking a writer. It was the last straw, and he was quickly fired from the series. So while the season begins with his character, it only lasts a short time. This is also the first season without Shemar Moore as Derek. That exit was planned and dealt with at the end of the previous season. And while everyone else returned, there was an unexpected return to the cast. Paget Brewster returned as Prentiss in what was originally intended as a short run. The sudden loss of Gibson created an opportunity to promote the character into his spot. Of course Brewster isn't the first to leave and return later. Jennifer Jareau had left for a while and returned to the fold. And while Moore does make a cameo this season and could return, don't expect to see Thomas Gibson on the show again.

As some doors close, others open. Adam Rodriquez from CSI: Miami joins the cast as Agent Luke Alves.  The character comes over from a fugitive task force and has a bit more of an aggressive style than the team is used to. He's a loner who lives alone with his dog. So we also get a rather pretty dark German shepherd in a recurring role this season. His addition certainly shakes things up in the character front. Another new face is Damon Gupton, who plays Agent Stephen Walker. He's the direct opposite of Luke. Stephen has a wife and kids and winds down by playing the trombone. To say he jazzes up the cast would be an understatement. But how well do these new characters fit in?

You probably heard that we had a very unwelcome visitor blow through town last week. And while UpcomingDiscs HQ is still standing, we did experience some stressful moments and a power outage that caused us to go off the grid for about a week. Fortunately, things are starting to get back to normal and we appreciate you bearing with us as we play catch up.

One of Irma's casualties was last week's Tuesday Round Up, which is why we are doubling up this week! The slew of Sept. 12 releases we wanted to tell you about includes Universal's The Mummy (4K), which served as the launch of the studio's Dark Universe. Universal also phones home with the UHD release of E.T. (4K), while Film Movement keeps its Soul on a String. Warner Brothers smartens up with Big Bang Theory: Season 10 and CBS with Scorpion: Season 3. HBO makes a profane mockery out of politics with Veep: Season 6 and invests in Silicon Valley: Season 4. Fox mixes music and drama with Empire: Season 3 and combines happy tears with sad tears in the great This is Us: Season 1.

Seems like a new boatload of expatriates gets dumped here every day.”

In The Moderns, “here” happens to be 1926 Paris, a time and place that immediately conjures joie de vivre images of lavish parties and complete artistic freedom. And while both of those things are technically on display in filmmaker Alan Rudolph's 1988 drama, the movie turns down the volume on the Roaring Twenties to explore the tricky and transactional connection between art and commerce...and how it can extend to personal relationships.

What can you tell me about African Americans and science?”

Anyone who even halfway paid attention in their high school science class knows that a polio vaccine was developed in the 1950s. And if you were especially attentive, you even know the vaccine was developed by American researcher Jonas Salk. Unfortunately, the story that is far less commonly told in classrooms is that of Henrietta Lacks, the poor black woman whose “immortalized” HeLa cell line gave birth to the biomedical industry. The Immortal Life of Henrietta Lacks takes a curious approach: instead of merely shining a light on its worthy subject, this powerful (and overstuffed) HBO film is about *the quest* to bring Henrietta back to life.

Upcomingdiscs HQ in Florida was visited by a rather nasty lady who called herself Irma.

She left the place with no power and the staff scattered to the 75 MPH winds to be safe.

In case you’ve been living beneath a rock and out of contact with any and all social media, this weekend the long-awaited film adaption of Stephen King’s It releases. Some of my friends look at the trailer for the new film and instantly reject what they see; they immediately cling to their memories of how the original mini-series scared them. One thing you’ll hear them all saying is how Tim Curry made such an impact on their lives and to this day gave them reason to fear clowns. While I respect their opinions, when you revisit the film, you can’t help but notice how dated the film is, and really, if you’re over the age of 10, it just isn’t scary. I grew up on reading Stephen King, and as a fan, I’ve always been frustrated that it seems no one could ever get his horror stories right. Sure, there is Misery and Carrie, but there are many more miserable failed attempts of his material.  The Mist (especially the black and white version) is perhaps my favorite adaption of his work, that is to say, up until now.

When the film starts up, those of you familiar with the mini-series will perhaps have a sense of déjà vu at first. Without a doubt our first introduction to Pennywise, the dancing clown, is at first a little off-putting, but if you hang in there, you’re going to be happily terrified by this performance. Bill Skarsgard fills the clown shoes this time around, and there is no doubt a new generation of kids are going to be terrified of clowns because of this performance.  There is nothing friendly in this performance, and after our introduction and we get a glimpse at what he’s capable of doing to children, that’s when the unease sets in, and as an audience member you realize from the start that no one in the film is safe.

What happens when a group of friends decide they want to get together and make a horror movie? I’d imagine the result would be something close to Granny of the Dead. I’m not sure what kind of budget they had to make the film, but I’d imagine it wasn’t very much, and the talent on the screen doesn’t really scream the next box office star, but the film has charm, the kind of charm that they did the film not because of the paycheck but instead they just wanted to have fun and make a movie.  I’m hoping that is the case with the film; if so, then I can forgive a lot. For instance, have you ever seen the fan film that is a shot-for-shot remake of Raiders of the Lost Ark? Is it great? No, but it has so much charm, and you can see how much fun they had making it that you want to watch more. That’s the vibe I got from this film, and again, if that’s the case, bravo for simply getting a movie done and into the hands of critics across the pond.

The set up is simple; a strange supernatural force has seemed to take hold of the elderly individuals of the small Welsh town and in the process has created a zombie outbreak. Ed (Marcus Carroll) wakes up to find his grandmother has turned, and is cooking up his cat but turns her hungry eyes onto him.  He escapes to his room and calls up his friend who seems excited by the zombie outbreak and enjoys dispensing his “how to survive the zombie apocalypse” advice.

There have been a lot of changes at NCIS over its 14 season run to date. Over time people have come and gone, but rarely has the series had to deal with so much change going into a new season. The most obvious of these has been the departure of Michael Weatherly as beloved character Tony DiNozzo. Tony was one of the still many remaining characters from the show's premier season a decade and a half ago. He's the kind of character who couldn't be replaced by just one new character. NCIS starts the 14th season with three new characters on board. But Weatherly wasn't the only big loss to the series. The unexpected death of showrunner Gary Glasberg hit the cast and crew pretty hard. He passed without warning or obvious illness just as the season's shooting was beginning. He had been with the series since 2009 and left a pretty big impact on the show. His loss might not be as obvious to the people who watch the show, but it was as big as that of Michael Weatherly. In many ways the 14th season marks a turning point in the long life of the NCIS franchise.

As the season opens, we discover that Gibbs (Harmon) has been going through prospective replacement agents at an alarming pace. It's gotten so bad that the NCIS training officer in charge of sending those agents arrives to find out just what it is Gibbs wants. That training officer is Agent Alex Quinn, played by Jennifer Esposito. He suggests Quinn stick around a bit to find out what he wants. I don't think it's much of a spoiler to reveal that it was Quinn Gibbs was trying to get all along. But she won't be the only new agent. The first episode has the team looking into an undercover agent who has failed to check in for six months and may be in trouble. There's the possibility he's gone "native". That agent turns out to be Agent Nick Torres, played by Wilmer Valderrama. He also ends up being invited to stay with the team. Torres offers a bit of a higher tension wildcard that shakes the team up a bit. He's used to going it alone and has trouble learning to depend on others. With Quinn there is the added element that she trained the other agents, except for Gibbs, and knows things about them that maybe the rest of the team doesn't. But that's not the end. NCIS goes for the hat trick by turning recurring character Clayton Reeves into a part of the team. Reeves is a British liaison agent much the way Ziva was for Israel. He's played by Duane Henry and is a loner but of a different sort than Torres. He doesn't have much in the way of family or friends and volunteers for dangerous assignments as a result.