Tragedy has a way of tearing families apart, and that is the case in Oxenfree, a story about three foster brothers who reunite at their family’s vacation lodge. As expected, their reunion is not a happy one, as old wounds are reopened and differences are brought to the forefront. But beyond that, Oxenfree displays a childlike wonder that you cannot help but enjoy as the three embrace the better parts of their childhoods via the retelling of a ghost story passed down from generation to generation, as well as an epic battle for a makeshift fort. It is definitely a film worth seeing, and a wholesome experience that the entire family can enjoy.

Roy (Paul Vonasek), Benjamin (Timothy R. Lane), and Aaron (Steven Molony) are three foster brothers who reunite following the death of their father. Now this does not start off as a happy reunion, as Roy and Aaron immediately get into an argument regarding Roy taking their father’s old truck without permission. Things come to a head as Aaron attempts to implement several ground rules for the weekend, such as no using their cell phones and no talking about the events that transpired at their father’s funeral (i.e. Roy getting drunk and causing a scene after Benjamin pulled a no-show). Things also become physical when the two discuss their brother Benjamin, and whether he will actually show up for the weekend.

It seems there is no end in sight for comic book properties being bought and turned into movies or television series. Lucifer is one of the newer properties getting the television treatment, and personally this was a title I was looking forward to. With Tom Kapinos (Californication and Dawson’s Creek) at the helm, this seemed like it would be a good fit, though one thing did nag at me. When you have a show called Lucifer and it is about the devil taking a vacation on Earth, is broadcast television really the proper outlet? As a fan of Californication I was excited to see what Kapinos would do with the material and for the most part the show doesn’t disappoint. (Though it would seem with season 2, Kapinos has stepped away from the show to some degree.) Now with the second season hitting DVD shelves, I’m happy to say that show has found its voice and is a helluva lot of fun.

Lucifer Morningstar (Tom Ellis) is indeed the devil and has been vacationing on Earth for a few years with no real desire to go back home. He’s a ladies’ man who runs LUX, one of the hottest nightclubs in Los Angeles. But along with living the playboy lifestyle, he’s also a consultant with the LAPD. Lucifer’s brother, Amenadiel (D.B. Woodside) is an angel that has been tasked by God to not only look after Lucifer but to bring him back to his rightful place in Hell. The rivalry between the two brothers has simmered down this season and that’s actually nice because the pair actually have a good chemistry together.  But then again nothing can unite two people feuding more than a mutual enemy, and for these guys their enemy is their mother. Turns out their mother is the Goddess of all Creation and takes the form of Charlotte Richards (Tricia Helfer), a corrupt defense attorney. Naturally, drama and chaos ensue.

The blues has had a tremendous impact on our contemporary popular culture, as it is largely the foundation of what we have come to understand as “pop music.” Without the blues, cultural phenomena such as Rock N’ Roll, Beatlemania, the British Invasion, heavy metal, hip-hop, gangsta rap, grunge, and contemporary pop would have evolved much differently. Even as I look over that list, I can’t make an argument for any one of those cultural shifts to be as impactful or as lasting as the blues. Perhaps I am a little biased as a rock enthusiast and musician, but every good guitar player knows that most of their stylistic flair can be traced right back to the Deep South.

I Am the Blues takes audiences through some of Louisiana’s bayous and parts of the Mississippi Delta in order to capture what can be described as the spirit of the blues. Daniel Cross managed to film multiple powerful performances and develop a narrative that provides a philosophical cohesion the emulates the blues itself: simple enough to understand, yet complex enough to be just out of reach. With Bobby Rush’s guidance, Cross takes viewers on a pilgrimage to the Chitlin’ Circuit, grabbing interviews and performances of local blues legends along the way.

I used to be a basketball fan back in the '90s when Michael Jordan was a God on the court and you had Larry Johnson as “Grandmama” before Madea was ever a thing. Every year, some sort of inspirational sports story seems to come out. And for the most part it seems, whether it's basketball or another sport, it’s generally the same story. But every once in a while one of the films will break the mold and give us something special. Don’t get to excited: I’m not saying Wolves is one of those films, but it is at least better than most of the other films of its ilk. I can still watch an NBA game and enjoy it, but it’s just not the same for me. I bring this up because, honestly, I was worried my lack of passion for the game could influence my thoughts. But as any good sports film should do, the story manages to transcend the sport and deliver engaging drama off the court. Unfortunately, there is a bit more drama than this film can handle.

Anthony (Taylor John Smith) goes to private school in Manhattan and is the star player on the school’s basketball team. As their season is winding down and the playoffs are in sight, he is being scouted by Cornell University, where Anthony has dreams of attending. Even as a standout, his coaches and family have concerns that he lacks the aggression it takes to be the next level standout he has the potential to be.