Posted in: No Huddle Reviews by John Delia on October 16th, 2017
If you are just starting out your horror month, then you may want to make this terror film your first, as it has all the elements of a gruesome, ghoulish nightmare that you’ll remember beyond the big “H” day. A weird name for a film, Red Christmas certainly wreaks havoc on that holiday. Choosing Christmas for the film setting turns out the best way to get this family together so the goings could get bloody. Now on Blu-ray and DVD, it’s a good choice for your opening season fright party.
Diane McKenzie (Dee Wallace) has invited her family over for the holidays, and the house is buzzing as the last of the guests, her daughter Suzy (Sarah Bishop) and her husband Peter (David Collins), drive up. Already on hand are Diane’s adopted daughter Hope (Deelia Meriel), her pregnant daughter Ginny (Janis McGavin) with significant other Scott (Bjorn Stewart) and her only son Jerry (Gerard O’Dwyer). Also attending is Joe McKenzie, Diane’s brother-in-law, who moved in to help with the family when Diane’s husband died.
Posted in: Disc Reviews by Brent Lorentson on October 16th, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced. When it was announced he was working on an action-comedy named Baby Driver, well, I was excited, but the film’s title had me scared, fears of him doing something along the lines of Baby’s Day Out ran through my mind, but then as the cast started to assemble, I couldn’t help but get excited. Kevin Spacey, Jamie Foxx, Jon Hamm, Jon Bernthal … and these were simply the co-stars. Then when the first trailer dropped, this became the title of the year for me to keep an eye on. While this might not be the kind of film that gets nominated for best picture, for me this had potential to simply be an experience, the kind of fun you hope to have when you see a movie.
So who is Baby? Ansel Elgort heads this film with the title name, and for most he’s a guy who’s come out of nowhere. He’s been in The Divergent series and The Fault in our Stars, but Baby Driver is his first step into the spotlight, and as I mentioned above, he is surrounded by some major talent. The casting of Baby is key. Picking a relative unknown works, because the audience doesn’t know what to expect from this guy, and this works in the film as he’s surrounded by some dangerous heavy hitters in the crime world and they see this kid with his I-pod, they can’t help but wonder what’s up with this guy. Our intro to Baby Driver, wastes no time at showing us just what Baby can do as he is the getaway driver for a bank heist in Atlanta.
Posted in: Podcasts by Gino Sassani on October 15th, 2017
There's no escape from our annual 31 Nights Of Terror. But there is room for plenty of more thrills and chills. Lionsgate has Escape Room on DVD this month. A group of friends celebrate a birthday by visiting one of those trendy escape rooms. There are puzzles and solutions to be found. But is there a way out? I had a chance to talk with the film's director Will Wernick and he gave up a few clues about the new release. Bang it here to listen in on my chat with Will Wernick.
Posted in: Contests by Gino Sassani on October 14th, 2017
This continues to be a crowded 31 Nights Of Terror contest year. Once again it’s thanks to the great folks at Arc Entertainment. This one is for the kids. Maybe not so scary, but a lot of fun. Arc Entertainment has given us a copy of their zany adventure Under Wraps. The animated feature is loaded with mummies, pharaohs, and other things that go bump in the night. It features the voice talents of Brooke Shields, Drake Bell, and Matthew Lillard. Who’s your Mummy? Upcomingdiscs and Arc Entertainment,that’s who.
To win just follow these instructions:
Posted in: The Reel World by John Delia on October 13th, 2017
Up front I’ll tell you that the movie Happy Death Day has so many twists and turns that you would think you were on a wild ride at Universal Studios. The fun but deadly storyline is a cross between Scary Movie and Groundhog Day, and the maze of thrills will have you spooked out until the very end. Or what you think is the end, so don’t get up out of your seat until it’s ALL over. Carrying the perfect movie rating, PG-13, the filmmakers sneak in what most teens are looking for without having to have a parent on hand to watch over them. It’s has some rude stuff woven into the storyline and even some partial nudity that’s nothing more than a rear-end shot. The shockers are the cool part, with the ugly killer popping in without notice. Actually, when you feel the stalker is coming, it’s already there.
Enough of that, as the film actually has a good story and even a moral of sorts. Tree Gelbman (Jessica Rothe) awakens one morning in the dorm bed of Carter Davis (Israel Broussard). He brought her back to his room after a wild party at her sorority house, Kappa Pi Alpha. Groggy and wondering why she ended up in his room, she gets all upset.
Posted in: The Reel World by Gino Sassani on October 13th, 2017
"No one will ever remember that you were here."
Few names ring as powerfully through the halls of legal history as that of Thurgood Marshall. One of the best legal minds of the 20th century, he became the first African-American to be seated on the United States Supreme Court. He participated in landmark decisions both as a lawyer arguing in front of the highest court in the land and as one of its nine justices writing milestone opinions. But the film Marshall isn't really about any of that at all. Sure, there's a postscript that tells us what any reasonably educated person already knew. But the story told here isn't quite ripped from the pages of an American history textbook. It plays out more as if it were ripped directly from the news headlines... in the 1940's. And this struggle for justice and equal protection under the law doesn't happen in the Jim Crowe South. It happens in Bridgeport, Connecticut. It's absolutely not what most of us might have expected, but it might just be a better movie because of it.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2017
At first glance you would not expect 50 year old cartoon television specials to be this high on the UHD 4K list. Honestly, I was a bit surprised myself. But when you really think about the staying power of these cartoons you realize they've made an emotional connection to generations of children of all ages. I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas, A Charlie Brown Thanksgiving and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.
A Charlie Brown Christmas
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2017
When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it. For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.
The film follows a man who is simply credited as the survivor (Martin McCann), and we see him dragging a body away and dumping it into a shallow grave. It’s an ominous opening that has the viewer questioning if this is a guy we should root for or not, but following this scene we go on to see his daily routine in his boring isolated life. Apparently one of his routines is having a little private time with himself, and the camera has no problem shying away from this. This goes up there as one of the most pointless gratuitous nude scenes I’ve seen at least since the opening sequence of Nocturnal Animals. I’m far from a prude, but I’m a believer that everything we see on the screen should have some meaning to drive the story forward. This instead just became a distraction.
Posted in: No Huddle Reviews by Jeremy Butler on October 12th, 2017
When Calls the Heart returns with a six-movie collection that plays out more like a television season. I must confirm my initial concerns that given this was a movie collection, I feared that I would have trouble following the story from movie to movie; however, that is not the case, as each movie picks up exactly where the other left off. With that sigh of relief, I was able to enjoy the wholesome values that are displayed in this frontier drama. Things to appear to looking up for the town of Hope Valley, with the railroad coming to town, looking to build a main route through the town, which would mean more jobs and opportunities for the townsfolk. On the other hand, Mayor Abigail Stanton is tasked with the difficult of job of negotiating with the railroad’s spokesman, Ray Wyatt, as well as keeping her word to townspeople who may be inconvenienced by the rail work. Also, Elizabeth Thatcher has trouble early on. Fortunately, she has Mountie Jack Thornton at her side to help her throughout; he also has a career decision to make that may impact his budding romance with Miss Thatcher.
Heart of Faith picks up where the Season 3 finale left off. It’s Christmas time in Hope Valley (formerly Coal Valley), and Miss Elizabeth Thatcher (Erin Krakow) finds herself heading up the Christmas committee, including organizing the Christmas play. Determined to do a good job, she dives head first into her work, rallying everyone she can to assist with the preparation, as well as trying to teach her class the true meaning of Christmas by assigning roles in a very creative way. Meanwhile, the townspeople are working to build new homes for the settlers who apparently lost their homes as well as their families in the mine collapse that predated this special. Working day and night to complete the project before the holiday, Canadian Mountie Jack Thorton (Daniel Lissing) must overcome many obstacles, all the while serving in his official capacity as the town’s law enforcement officer.
Posted in: Disc Reviews by Brent Lorentson on October 12th, 2017
In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market. I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film. The danger always felt real, and to a point it was a convincing film. It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed. Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.
It’s unfortunate for this film that 47 Meters Down also happens to come out the same year. (You can check out my review of that film on the site as well). With a bigger budget, polished cinematography, and a recognizable cast, it’s no wonder that 47 Meters Down was the one to score at the box office while Open Water 3 managed to sink with barely a whimper. This isn’t the first time films with similar plots have released at the same time, but most often the case there is one that stands out; this isn’t the film to do that.
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