Café Society looks absolutely gorgeous. Every camera setup finds a new authentic location that suggests a time and place long ago. The lighting and cinematography by Vittorio Storaro (Last Tango in Paris, Reds, Apocalypse Now) are sumptuous and delicious. The story is novelistic like an F. Scott Fitzgerald magnum opus. Woody Allen has had a long and very productive career. He is definitely at a stage when he should have slowed down, but he doesn’t. Café Society is not Woody’s magnum opus, but it certainly feels like he is reaching for it. It has depth and complexity. It is funny at times but is generally filled with ache and regret. The film is crammed with story and beautiful moments. When one thread seems resolved, it moves on yet again to another. All of Allen’s themes drift through the conversations of the characters, but they seem to have less conviction than they ever had. There seems to be a consistent lack of solidity to these lives. It seems like things matter, but then you come to accept that they don’t. There are so many characters I can hardly begin to list them.

The main character is Bobby Dorfman (Jessie Eisenberg), and his family is central to the story. Bobby’s mother, Rose (Jeannie Berlin) tries to get him to go to Hollywood to work for Phil Stern (Steve Carell), her brother and a big-shot Hollywood agent. Another important thread to the story is that of Jessie’s brother, Ben (Corey Stoll), who is a gangster who eventually becomes the owner of a fancy night club. Café Society winds its way from New York to Hollywood and back again. The other central thread is the story of Vonnie (Kristen Stewart), who is a sweet and unpretentious girl who becomes an object of desire for more than one man. Stewart, by the way, has never been better. She radiates warmth and charisma, her smoky eyes and shy smile recalling famous Hollywood movie stars of the past. She does not play a movie star here, but a secretary without great ambitions.

"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham"

In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?

I remember…”

On the surface, there's nothing particularly remarkable about Paul Dedalus, the French anthropologist at the center of My Golden Days. As he prepares to return to France after an extended work stint in Tajikstan, Paul reflects on a trio of key moments from his childhood and young adulthood. Much of what Paul recalls — the death of a parent, his first love, and the aching of a long-distance relationship — is completely relatable. Yet filmmaker Arnaud Desplechin aims to present Paul's life as the most romantic, tragic story ever told.

For a film called Joseph and Mary, the titular characters are little more than a footnote in the overall film in my opinion. Jesus has an even smaller role, which is a notable first for film when it comes to films that reference the character. I give it points for it focusing on less notable people rather than the big three. However, that said, execution of the project was a failure to launch due to predictable storyline and lackluster performances.

The first half of the film is underwhelming, merely the setup for the bigger aspect of the story, which is forgiveness. The film does a good job showing the evils that man is capable of, although a bit more gore would have improved getting that point across; however, I understand that is a family-friendly story and understand the necessity to keep matters PG. That said, the largest theme of the movie is the decision between choosing forgiveness or acting on vengeance. That is the dilemma that Elijah finds himself in. Having that as a theme served as more of a crutch for the film than asset if you ask me, especially given that it is a family-friendly story. I’m sure without much provocation you can figure out how things turned out, and that preconceived knowledge and the fact that matters didn’t deviate in the slightest is what diminishes much of the mystery of setup.

Apparently, the multiplex wasn’t quite big enough to contain this year’s momentous clash between Batman and Superman. In fact, the battle between the iconic superheroes has spilled over onto this week’s Round Up. Warner Bros. was kind enough to send us Batman v. Superman: Dawn of Justice — Ultimate Edition, which includes about 30 minutes of extra footage and a bunch of bonus features. But wait…there’s more! We’re also going to bring you reviews for the movie’s 4K and 3D editions. On top of that, Warner also proved they can count to The 100: Season 3. Finally, Lionsgate arranges The Perfect Match, while Entertainment One sinks its teeth into Bitten: The Final Season.

You probably know what I'm going to say in this space by now: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

From the very beginning one can see there was great potential here. The show was based on a collection of books that appear to be quite popular. They're called The Outworld series, written by Canadian author Kelley Armstrong. The show avoided most of the standard clichés. No full moon reference at all here. The werewolves "change" at will or when emotionally charged (“you won't like me when I'm angry”). There are no silver bullets. These guys might be stronger and harder to kill than a human, but severe body trauma or blood loss kills them just like anyone else. No pentagrams or wolfbane to be found in the show. Such potential. After three years, the ride comes to an end with all of that potential unfulfilled. The werewolves might have been hard to kill. Alas, the show was not. 

Bitten told the story of Elena, played by Smallville's standout actress Laura Vandervoort. Elena is a werewolf. Any aspect of her normal life is long gone. The show long ago ceased in any attempts to have the character try to balance the two lives. The show was at its best when it told the story from the point of view of Elena. She's a unique character in this world. She's the only female werewolf known to ever exist. The idea is that women are not physically strong enough to survive the "change", and only boys carry the trait genetically. That puts Elena in a rather unique and clever place for both the show and werewolf mythology. Some might find it a bit sexist, but we won't go there.  Vandervoort is also a good enough actress to be interesting, and even at times compelling, in the role. There wasn't any help here from the writers, cast, or crew. The plot moved at an annoyingly slow pace, and after 10 episodes you look back and see just how little story was actually told. Now after three years the show ends, and I don't feel like the journey took me very far. Vandervoort is also getting frighteningly thin. Her face bones are protruding from her skin these days. She makes Calista Flockhart look like Orson Welles. I kept screaming at the screen, "Eat a burger, for crying out loud." Maybe it's just the Italian in me. 

I have just reviewed The Bible Stories: Jacob in which I may have left people hanging, because I teased the end of the story. Of course that only applies to people who have never read the Bible. The Bible Stories: Joseph will give you some of those answers if you never got to the Good Book. Jacob indeed survives and thrives, so God was good on his word. Jacob had many sons, but in this film he is older and played by Martin Landau, not Matthew Modine. Jacob had 12 sons with two wives and two handmaids who were all involved with the births. Jacob (also known as Israel) entered into a covenant with God to create a new nation of plenty and prosperity.

The Bible Stories: Joseph is the best of this series that I have reviewed. The story is very well told and extremely compelling, moving, and inspirational in real ways. The story starts in the middle by introducing Potiphar (Sir Ben Kingsley), the Pharaoh’s most trusted advisor, as he is looking over a potential new slave. The slave is Joseph (Paul Mercurio) who Potiphar buys in a fairly apathetic fashion, but this new slave becomes enormously profitable in short order. Everything that Joseph becomes involved with generates fantastic bounty and success. This is noticed first and foremost by Potiphar’s wife, Zuleika (Lesley Ann Warren) who gets Joseph more responsibilities, but what Zuleika really wants is more access to Joseph. When Joseph repeatedly refuses her advances, she accuses him of rape. By this time, Potiphar knows Joseph so well and values him so highly that he finds a way to avoid giving the death sentence that Zuleika demands. He sends Joseph to the prison, where his services become even more productive and beneficial. The story then weaves the earlier story of Joseph into the telling, the story of Joseph’s brother’s and their jealousy.

Growing up one of coolest jobs I thought was out there was undercover work. Not to diminish all the threats to one’s well-being associated with that profession, but come on, who didn’t want the opportunity to reinvent themselves as someone else entirely. Undercover affords that opportunity. That said, it does not come without a cost, and that cost is explored thoroughly in The Infiltrator, a based on a true story tale about a U.S. Customs agent who infiltrates the most successful and equally dangerous drug cartel led by the one and only Pablo Escobar. An interesting little tidbit that I was unaware of before the opening credits was that this film was shot right here in the Tampa area, which provided recognizable environment and a chance to pick out familiar territory.  

The Infiltrator follows Robert Mazur (Bryan Cranston) a seasoned agent with the United States Customs Service with a talent for undercover work. After successfully completing operation, he finds himself thrown back into the mix for possibly the biggest operation he has ever every undertaken: infiltrating the money laundering operation used to clean the proceeds for the Medellin Cartel, led by Pablo Escobar.

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.

On top of the high expectations, the group I viewed the film with was restless after having the film delayed as well, so this only seems to be another strike against the film before it’s even had a chance to play.  I mention all this for the simple reason that this film reminded me of the importance of shutting out all expectations and simply letting the film stand on its own merit.  This is important because I feel Saulnier knew the expectations he had, and instead of playing it safe, he did something that very few filmmakers are willing to do anymore; he simply made a movie that is not just gripping and intense, but most importantly, it was fun.

Are you a good guy or are you a bad guy?”

I honestly try to be a good guy whenever I sit down to write a review because the fact is I wouldn't be doing this if I didn't have a deep love for movies. Heck, I can usually even derive enjoyment and find the charm in films that obviously have limited resources. Unfortunately, it's hard to stay positive whenever Steven Seagal pops up on a Blu-ray cover, always with the same neutral expression and always brandishing a firearm. Code of Honor, Seagal's latest offering, is no exception. If the question is, “Is this a good movie or a bad movie?”...I think you know the answer.