Posted in: The Reel World by Brent Lorentson on August 8th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters,but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film? I’ve held off on writing this, because I’ve struggled with the direction I wished to write this. There’s the comic fan in me that has so much to say, then there is the more critical side, and usually I fall somewhere in between. Then I decided the hell with it, I’m just going to come at this full film geek. My reasoning, it seems 90% of critics out there have forgotten how to have fun at the movies, and it’s a shame, because I know at some point all of them were film lovers, but at some point they decided to turn their noses up at the trashy and the cool popcorn flicks. So strap yourself in, and let me give you the real rundown on the film.
After the events of Man of Steel and Dawn of Justice, a government official, Amanda Waller, (Viola Davis) has a plan to get a team of the world’s most dangerous villains to fight the battles the government may find too dangerous to openly confront. Among these villains are “meta-humans” who have special gifts that can be used as weapons against the “Supermans” of the world. It’s a dangerous prospect, but as she is pitching this idea, you can’t help but agree with where she is coming from. This leads us to our roll call to our soon-to-be anti-heroes.
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
Two ruthless assassins come into town, hired to take down members of a gang. In the midst of the gunfight, a little kitten manages to make an escape. The kitten finds his way to the doorstep of Rell’s apartment. Rell (Jordan Peele) has hit some rough times after a breakup, and Keanu (adorable kitten) seems to be what has brought Rell out of his rut. But things turn for the worse when Rell’s home is broken into and he discovers that Keanu has been catnapped. Rell’s cousin Clarence (Keegan-Michael Key) tags along to help Rell find his lost cat. Unfortunately it takes them deep into the street gang underground where they are mistaken for the two assassins. To rescue Keanu and to ensure they both don’t get killed, Rell and Clarence go ahead and pretend to play the role of the assassins.
Posted in: No Huddle Reviews by J C on August 7th, 2016
The setup for Viral is promising enough. Throughout the early part of the film, we get subtle yet effective hints at the escalating catastrophe that is about to infect the story. (We hear about someone's mom coughing uncontrollably, plus a video of a bloody, unexplained elevator attack goes, well, “viral.”) So it's a shame that this sci-fi/horror thriller is limited by both its micro-budget and (more importantly) a filmmaking team that only sporadically delivers the goods.
Teenage sisters Emma (Sofia Black-D'Elia) and Stacey (Analeigh Tipton) have recently moved to a town called Shadow Canyon. Emma is the withdrawn, serious-minded sister who has a crush on a neighbor/classmate named Evan (Travis Tope). Meanwhile, Stacey is the rebellious black sheep in the family. (You can tell she's a rebel because of the purple streak in her hair.)
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2016
“Our planet holds a kind of parallel universe. A place of wonder where giants roam free. For thousands of years, we could only wonder about humpback whales. Now, by exploring their world, we’re getting surprising glimpses into their lives.”
In 1986, Leonard Nimoy led Kirk, Spock and their mates back in time to collect a couple of humpback whales and bring them to the 23rd century where they are extinct. If the whales aren’t there to communicate with a deadly probe, Earth is in deep trouble. Fortunately, thanks to conservation and educational programs, there should be plenty of humpbacks in the 23rd century to answer that long-distance telephone call. The animals have made an incredible comeback, and while the numbers are a long way from pre-whaling populations, they can be found all over the world. Most of us can’t afford the tickets to Alaska, Hawaii, or the Tonga Islands to see them firsthand. Shout has bought us a couple of roundtrip tickets to see these amazing marine mammals. The magic of 4K brings them right into your living room or home theatre. It’s so lifelike that you might just get wet. Enter the splash zone of Humpback Whales.
Posted in: Tuesday Round Up by J C on August 2nd, 2016
This week's Tuesday Round Up has me seeing Red. Don't get me wrong...I'm not mad at anybody. I'm talking about Raymond “Red “Reddington, the criminal mastermind at the center of The Blacklist. And thanks to Sony, we'll be checking off a review of The Blacklist: Season 3 very soon. Anchor Bay goes Viral with a new horror thriller, so it's a good thing Cinemax is letting us check into The Knick: Season 2. Cinedigm saddles up for Traded and keeps the faith with Peter: The Redemption. And while Shout! Factory goes looking for Humpback Whales, Warner Bros. leaves its mark with Blindspot: Season 1 and kitty caper Keanu.
Here's your weekly reminder as we kick off a new month: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Brent Lorentson on August 1st, 2016
Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad. John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him. Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid. Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.
I Am Wrath makes a very conscious decision to open the film with images of violent acts caught on security cameras. Lately you can’t even watch the news without hearing about a shooting or some sort of violent attack that has been caught on film. Though it’s an effective way to start the film, the problem is it doesn’t really tie into the rest of the film except to point out from the beginning that there is a lot of violence occurring in the world. So if you were worried or hoping for some sort of social commentary, well, that isn’t here. Instead what we’ve got here is a by the numbers revenge film. It’s nothing to complain about, but if you were hoping for a story with a little more meat, sorry, but this comes up short in that department.
Posted in: Podcasts by Gino Sassani on August 1st, 2016
We've got to have the cleanest cars in the country here at Upcomingdiscs. That's because we keep going back to the All American Bikini Car Wash. I think we're starting to lose a little of the paint. This time we stopped by to talk to Jason Lockhart who plays Vex in the film. Vex is kind of the free spirit who likely wants to be spending more time with those bikini girls and cars. Actually, Jason is also a writer and director with some impressive credits of his own. It appears he had a great time working on All American Bikini Car Wash and I had the chance to talk to him about that. Bang it here to listen in on my chat with Jason Lockhart.
Posted in: The Reel World by J C on July 29th, 2016
Moviegoers tend to have better memories than amnesiac assassins, but I think it’s fair to say we’ve mostly put The Bourne Legacy out of our minds. Universal’s underwhelming, half-hearted attempt to spin off one of its more lucrative franchises all but guaranteed the eventual return of original star Matt Damon and two-time director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum). The duo has re-teamed for the entertaining yet inessential Jason Bourne, which — for better and worse — will feel extremely familiar for fans of the trilogy.
“I remember…I remember everything.”
Posted in: Disc Reviews by Brent Lorentson on July 29th, 2016
It seems there have been a lot of horror films involving dinner parties that have gone wrong. You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore. Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you. When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films. It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years. The trouble is, although it may lift material from several horror films, I have a hard time considering this a horror film or even a thriller; instead at times I feel this is an execution of tedium that teases horror but never quite delivers.
The film starts off ominous enough with Will (Logan Marshall-Green) accidently hitting a coyote while on his way to a dinner party. It’s a sad and semi-violent scene; you may be thinking that perhaps this is a red herring for what is to come, or as the filmmakers would have you believe that it’s a simple glimpse into Will’s life. Instead I found the scene bothersome, simply because I don’t believe this character would continue on, to go to a party he doesn’t want to be at, when there is already so much emotional baggage awaiting him.
Posted in: Disc Reviews by Gino Sassani on July 28th, 2016
"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."
You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series. The first book had not yet been released when they started filming the series. Series creator Jason Rothenberg had the fortune to preview the book's outline and first few chapters. It dovetailed in with an idea of his own which was quite similar but dealt with the survivors exploring an alien planet for sustainability. I think this is the better idea and certainly has great potential. Now it's all about the planet. Space is no longer a part of the landscape. We've gone away from Lord of the Flies and its do-whatever-you-want slogan. There is organization and unwritten rules now, but there's a certain savagery that is the necessary outcome for the things they’ve seen and done.
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