"Everything just feels so out of control. I don't remember who I am. Who I was. Whatever life I had is gone. Shattered into a million tiny pieces. Sometimes it's hard to breathe."

I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series. Unfortunately, by the time we saw the pilot that image was already ruined by the countless spots used to promote the show's premiere. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time.

In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember.  Sure, we had all the negative talk about Ghostbusters,but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway.  Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around.  I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film?

When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen.  With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples.  But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there).  Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.

The setup for Viral is promising enough. Throughout the early part of the film, we get subtle yet effective hints at the escalating catastrophe that is about to infect the story. (We hear about someone's mom coughing uncontrollably, plus a video of a bloody, unexplained elevator attack goes, well, “viral.”) So it's a shame that this sci-fi/horror thriller is limited by both its micro-budget and (more importantly) a filmmaking team that only sporadically delivers the goods.

“Our planet holds a kind of parallel universe. A place of wonder where giants roam free. For thousands of years, we could only wonder about humpback whales. Now, by exploring their world, we’re getting surprising glimpses into their lives.”

In 1986, Leonard Nimoy led Kirk, Spock and their mates back in time to collect a couple of humpback whales and bring them to the 23rd century where they are extinct. If the whales aren’t there to communicate with a deadly probe, Earth is in deep trouble.

This week's Tuesday Round Up has me seeing Red. Don't get me wrong...I'm not mad at anybody. I'm talking about Raymond “Red “Reddington, the criminal mastermind at the center of The Blacklist. And thanks to Sony, we'll be checking off a review of The Blacklist: Season 3 very soon. Anchor Bay goes Viral with a new horror thriller, so it's a good thing Cinemax is letting us check into The Knick: Season 2. Cinedigm saddles up for Traded and keeps the faith with Peter: The Redemption. And while Shout! Factory goes looking for Humpback Whales, Warner Bros. leaves its mark with Blindspot: Season 1 and kitty caper Keanu.

Here's your weekly reminder as we kick off a new month: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad.  John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him.  Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid.  Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.

We've got to have the cleanest cars in the country here at Upcomingdiscs. That's because we keep going back to the All American Bikini Car Wash. I think we're starting to lose a little of the paint. This time we stopped by to talk to Jason Lockhart who plays Vex in the film. Vex is kind of the free spirit who likely wants to be spending more time with those bikini girls and cars. Actually, Jason is also a writer and director with some impressive credits of his own. It appears he had a great time working on All American Bikini Car Wash and I had the chance to talk to him about that. Bang it here to listen in on my chat with Jason Lockhart.

Moviegoers tend to have better memories than amnesiac assassins, but I think it’s fair to say we’ve mostly put The Bourne Legacy out of our minds. Universal’s underwhelming, half-hearted attempt to spin off one of its more lucrative franchises all but guaranteed the eventual return of original star Matt Damon and two-time director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum). The duo has re-teamed for the entertaining yet inessential Jason Bourne, which — for better and worse — will feel extremely familiar for fans of the trilogy.

It seems there have been a lot of horror films involving dinner parties that have gone wrong.  You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore.  Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you.  When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films.  It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.