Posted in: Disc Reviews by Brent Lorentson on October 27th, 2017
Ever since Birdman was released, it seems many filmmakers have been attempting to pull off the continuous take and outdo all the others. It was impressive when we all saw it the first time, but since then everything just seems like a bad knockoff. The newest film to follow this trend is Bushwick. While the camera work in the film does allow for an immersive experience, honestly it felt like I was in a first-person shooter video game, which was cool, but it seemed like the camera work was a distraction from the story. This is a frustrating film. On the technical side there is a lot to appreciate, but the moment you start looking at the story, the film seems to simply fall apart.
The film opens up with Lucy (Brittany Snow) coming home from college to visit her family. What she comes home to is a city at war. Immediately my question is this: in a time of people being so connected through their cell phones and various social media outlets, how is it Lucy seems to be unaware of what is going on? We’re supposed to believe this battle just broke out, but so many of the people battling on the streets seem to be all too organized for this to have just occurred. Why are the streets not packed with cars full of people trying to leave the city? For a while all we see are people shooting at anyone and everyone as Lucy does her best to avoid gunfire and try to reach her grandmother’s house.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2017
When it comes to hearing the name Loch Ness, just about everyone will think about the giant lake where “Nessie” the mythical monster inhabits. Whether you are a believer or not thousands converge to the Scottish Highlands location in hopes to be one of the lucky ones to catch a peak of the elusive beast. But the Loch Ness I am talking about is a beast of a whole other ilk. Thought the TV series does take place in a small tourist town that thrives on the legend that haunts the cold water, the series instead is about a serial killer that has been unleashed upon the town and given its residents something more to fear other than a giant monster that roams the lake.
A group of friends decide that they want to play a hoax by creating a fake plesiosaur carcass and placing it along the lake shore. While using fake innards that salvaged from the local slaughter house it is later discovered a human heart managed to somehow get mixed up in the remains. With a human heart found and no body, this of course sends an uneasy shock-wave through the town. Detective Annie Redford (Laura Fraser) is tasked with leading her first murder investigation in a town that rarely has experienced its share of violence and it doesn’t take long before a body is found (not one that belongs to the missing heart) and it is understood that they have a serial killer on their hands. Investigator Lauren Quigley (Siobhan Finneran) is called in to take lead of the investigation where she also brings criminal psychologist Blake Albrighton (Don Gilet) to assist.
Posted in: No Huddle Reviews by J C on October 19th, 2017
“How many more people will you sacrifice?”
When it premiered in 2013, Reign was an effective bit of counterprogramming for the CW, which continues to be ruled by superheroes, vampires, and other Supernatural beings. Even as Reign appalled historians, the series quickly established itself as a campy and compulsively watchable take on the saga of Mary, Queen of Scots. Unfortunately as the show progressed through Mary’s tragic life, Reign inevitably lost some key players. The result is a show that got more convoluted and less interesting as it limped toward its fourth and final season.
Posted in: Disc Reviews by Brent Lorentson on October 16th, 2017
For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver. Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced. When it was announced he was working on an action-comedy named Baby Driver, well, I was excited, but the film’s title had me scared, fears of him doing something along the lines of Baby’s Day Out ran through my mind, but then as the cast started to assemble, I couldn’t help but get excited. Kevin Spacey, Jamie Foxx, Jon Hamm, Jon Bernthal … and these were simply the co-stars. Then when the first trailer dropped, this became the title of the year for me to keep an eye on. While this might not be the kind of film that gets nominated for best picture, for me this had potential to simply be an experience, the kind of fun you hope to have when you see a movie.
So who is Baby? Ansel Elgort heads this film with the title name, and for most he’s a guy who’s come out of nowhere. He’s been in The Divergent series and The Fault in our Stars, but Baby Driver is his first step into the spotlight, and as I mentioned above, he is surrounded by some major talent. The casting of Baby is key. Picking a relative unknown works, because the audience doesn’t know what to expect from this guy, and this works in the film as he’s surrounded by some dangerous heavy hitters in the crime world and they see this kid with his I-pod, they can’t help but wonder what’s up with this guy. Our intro to Baby Driver, wastes no time at showing us just what Baby can do as he is the getaway driver for a bank heist in Atlanta.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2017
When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it. For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.
The film follows a man who is simply credited as the survivor (Martin McCann), and we see him dragging a body away and dumping it into a shallow grave. It’s an ominous opening that has the viewer questioning if this is a guy we should root for or not, but following this scene we go on to see his daily routine in his boring isolated life. Apparently one of his routines is having a little private time with himself, and the camera has no problem shying away from this. This goes up there as one of the most pointless gratuitous nude scenes I’ve seen at least since the opening sequence of Nocturnal Animals. I’m far from a prude, but I’m a believer that everything we see on the screen should have some meaning to drive the story forward. This instead just became a distraction.
Posted in: Disc Reviews by J C on October 11th, 2017
“You know, there comes a time when even the greatest leader has gone as far as he can go.”
Winston Churchill was once voted the Greatest Briton Ever, beating out the likes of Princess Diana and William Shakespeare. Although Churchill had a staggering number of accomplishments throughout his long life, he is most closely associated with being Great Britain’s prime minister during World War II. That’s why the notion that Churchill vehemently opposed the D-Day invasion at Normandy in the days leading up to the pivotal battle is a provocative premise for this well-crafted, well-acted movie. The only problem is that it remains unclear whether that was actually true.
Posted in: Disc Reviews by J C on October 6th, 2017
“In our conversation, he seemed relaxed, unfailingly candid, earnest, and trustworthy. That is his talent and his curse.”
You probably know the name Bernie Madoff, the notorious fraudster who used a Ponzi scheme to steal almost $65 billion dollars from his victims. (Yes, that's “billion” with a B!) But if you were hoping to gain some insight into the man and his methods, this HBO film isn't really the place to look. The Wizard of Lies features a fantastic cast, some effective directorial touches, but is too often guilty of telling rather than showing.
Posted in: No Huddle Reviews by J C on October 2nd, 2017
“You love this type of drama.”
When Fox’s Empire premiered in early 2015, it became an instant sensation that re-wrote the ratings record books. The show’s mix of high drama and hip-hop obviously struck a chord with an underserved segment of TV viewers. Of course, that sort of otherworldly buzz and ratings success was never going to be sustainable. So while Empire has inevitably lost some of the sizzle from its unprecedented debut, this unapologetically over-the-top soap rap-era continues to entertain by leaning into its Twitter-shattering craziness.
Posted in: Disc Reviews by Brent Lorentson on September 29th, 2017
With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time. For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act. I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold. In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.
Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2017
When I first heard that the Lethal Weapon franchise was moving to television, I had very mixed reactions. Like most fans of the films, I remained hungry for more. My hopes of future films were dashed around the time Mel Gibson began his career as a Hollywood pariah and was abandoned by many in the industry. I guessed almost immediately that the films were over, at least for a very long time. You go through the usual stages of grief, and about the time I reached the acceptance stage, Matthew Miller comes along and decides to revive the franchise for the small screen. At first I was thinking, yes, this is great. Moments later it was more like Why. Apparently I had a few more stages to get through after all. The final stage was really watching the show on Blu-ray from Warner Brothers. And no matter what I say here, that might just be the only way you're going to be able to figure this out for yourself. All I can do is act a bit like a guide.
Lethal Weapon has been and still is about the two main leads. We're talking about Martin Riggs, who was played by Mel Gibson in the films and is now played by Clayne Crawford, and Roger Murtaugh, originated by Danny Glover in the films and now portrayed by Damon Wayans. At the heart of things these are the characters you have come to know and love in the films. But they are different in many ways. The pilot episode introduces us to each of them in their "native" element before bringing them together for their 18-episode first season adventure.
