Posted in: Disc Reviews by J C on August 27th, 2014
Adam Sandler took a bit of a beating with Blended. His previous, non-Grown Ups outing (That’s My Boy) was Sandler’s first comedy in a while to severely underperform at the box office, suggesting audiences might be tiring of the comic’s (critic-proof) brand of humor. Then came Sandler’s pre-release admission that he makes movies based on where he’d like to get paid to vacation. Blended went on to underwhelm at the box office, at least by the reliable standards of Sandler comedies. (It brought in $123 million worldwide on a reported $40 million budget, though only $46 million of that came from the U.S.) Maybe it was the lowered expectations, but I kinda liked Blended.
Posted in: Disc Reviews by J C on August 26th, 2014
“Could you please reduce your level of hysteria?”
There is a lot of yelling and a lot of outrage in The Normal Heart. The film chronicles the confusing, terrifying onset of the HIV-AIDS crisis in the early 1980s and how a group of gay men (and one intrepid doctor) in New York fought to draw attention to the deadly disease. Their efforts are alternately frustrating and futile, which leads to a higher decibel level for much of the movie’s second half. Thankfully, The Normal Heart is shrewd enough to note that there’s more than one way to make a point.
Posted in: Tribute by J C on August 25th, 2014
“I wanted to show them something that wasn't an illusion. Something that was real, something that they could see and touch. An aim not devoid of merit.”
Those words were spoken by John Hammond, the man who (in)famously brought dinosaurs back to life in Jurassic Park. However, they also applied to the acclaimed actor/filmmaker who played him. Sir Richard Attenborough died Sunday, leaving behind an indelible mark on movie history thanks to his work in front of and behind the camera.
In addition to directing a dozen films — and winning a pair of Oscars for producing and directing Gandhi — Attenborough earned more than 70 screen credits as an actor. His most widely-seen role came in Steven Spielberg’s blockbuster (and a couple of months shy of Attenborough’s 70th birthday), but Attenborough also stood out in films like The Great Escape and the 1994 remake of Miracle on 34th Street. Join us in celebrating Sir Richard’s work with a trip through the UpcomingDiscs archives.
Posted in: Disc Reviews by J C on August 25th, 2014
One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.
Now, Smithsonian Channel and Inception Media Group have released another batch of episodes on Blu-ray.
Posted in: No Huddle Reviews by J C on August 20th, 2014
“The generational shift to an indoor existence has been strongly linked to a sharp decline in children’s well-being.”
That’s just a fancier, more eloquent version of the familiar lament that (these darn) “kids today just don’t play outside anymore!” It’s also the jumping-off point for Project Wild Thing, an inventive and engaging documentary that explores the apparent disconnect between today’s youth and the natural world they seem intent on ignoring.
Posted in: Disc Reviews by J C on August 19th, 2014
It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.
Posted in: The Reel World by J C on August 15th, 2014
“Welcome to the 21st century!”
Sylvester Stallone has dedicated the better part of the last decade to giving moviegoers what they wanted 20 years ago. It started with 2006's Rocky Balboa, which closed out Stallone's signature franchise in the satisfying manner fans have been craving since 1990's Rocky V debacle. We’ve also gotten another Rambo sequel, as well as long-awaited team ups with icons both real (Schwarzenegger in Escape Plan) and cinematic (Grudge Match was “Rocky vs. Raging Bull”). But Stallone's biggest recent success is the veritable fantasy team of action stars he's assembled for the Expendables films.
Posted in: Disc Reviews by J C on August 14th, 2014
At this point in his alternately mocked and celebrated career, Nicolas Cage starring in a movie called Rage seems redundant. (Especially since “Rage” would be a much more eloquent title for this classic YouTube video.) Yet here he is starring in what looks like a Taken ripoff…until you realize he already starred in a Taken ripoff two years earlier. To its credit, Rage does appear to want to say some interesting things about the way secrets refuse to stay buried and the perils of resorting to violence. Unfortunately, the film often takes the most misguided and clichéd avenues to get there.
Posted in: Disc Reviews by J C on August 11th, 2014
The Muppets debuted in 1955, and the late great Jim Henson’s creations have been delighting audiences (and fellow entertainers) of all ages ever since. They’ve made their mark on the small screen — most notably with The Muppet Show (1976-81) — and at the movies, starring in eight feature films across four different decades. However, 2011’s The Muppets was their first big-screen outing in a dozen years, and the movie spent most of its time wondering if the Muppets’ old-fashioned, irreverent charm still had a place in a more jaded pop culture landscape.
Posted in: No Huddle Reviews by J C on August 7th, 2014
It seems to me, if your ultimate goal is to get on television, there’s never been a better time to be a sketch comedian. Thanks to sites like YouTube — which thrive on the sort of bite-size videos that line up nicely with the rhythms of sketch comedy — funny folks can hone their craft online while building a big enough fan base to maybe compel a network to offer them a show. Comedy Central is the most obvious basic cable landing spot, but IFC has emerged in recent years as a haven for offbeat humor. That includes The Birthday Boys, which is characteristically uneven, but boasts an impeccable TV sketch comedy pedigree.
