How about a new review this morning? C’mon, it’ll be fun. I brought doughnuts and a crappy movie.. OK, OK I ate the doughnuts, but at least you didn’t have to sit through Stir of Echoes 2: The Homecoming. Rob Lowe stars in this “thriller” and, like his predecessor Kevin Bacon (from the first film if you didn’t catch that), he too can see dead people. At this point I’m wondering if they’re isn’t anyone who can’t see dead people anymore. Seriously, if you work in Hollywood and haven’t seen any dead people in one of your films, call your agent because apparently this bandwagon is still being pulled by that long dead horse. Anyway, this time around instead of a guy losing his mind digging up his yard and basement to solve a plaguing mystery, Lowe is a soldier who comes home (it’s in the title, get it), drinks alot of orange juice, listens to rap music, and drives to a dumpster. Interested???
So here we are again with a second collection of episodes from The Young Indiana Jones Chronicles television series. This is the middle of a three volume set and concentrates the stories around World War I and II. It can hardly be a surprise that Young Indy kept himself quite busy during these war years in Europe. He was a pilot, secret agent, and even ballet dancer all for the cause. The set has as an appropriate subtitle: The War Years.
For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities.
2004 brought moviegoers two big-budget historical epics in Oliver Stone’s Alexander and Wolfgang Petersen’s Troy. One bombed. The other performed well, but was by no means heralded as a critical success. No, Troy was praised for slick production values and exciting battles, but derided for a lack of emotional depth.
Can it all be blamed on running-time constraints and compromises made for the ratings board? The answer is here, with the unrated Troy: Director’s Cut, Petersen’s second shot at eternal glory, this time with more than 30 minutes of additional footage.
Based on a popular 1957 novel by Alistair MacLean, The Guns of Navarone was a smash hit in 1961, and the highest grossing film of that year. It’s a World War II movie, and for its time was considered to be packed with excitement. While it definitely has some great action sequences, for modern standards the film has nowhere near the fast pace or high action-to-dialogue ratio we’ve come to expect from the genre.
So many years later, can a slow, talky action movie still excite audiences? And is The Guns of Navarone – 2-disc Collector’s Edition a worthy upgrade over the 2000 special edition release? Read on to find out.
As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?
Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.
The Rat Patrol completely took me by surprise, mostly by virtue of the fact that I had no idea what I was in for. Before watching even one episode, I was already underestimating it in my head, imagining a program only slightly more serious than Hogan’s Heroes and confusing the title with the stupendously unrelated Rat Pack.
Boy, was I wrong. This series is tough-as-nails. The first episode of the second season opens with an action sequence that, in 1966, may have been comparable with Spielberg’s opening salvo in Saving Private Ryan.
Produced under the auspices of the Imperial War Museum, Stuart Cooper’s unusual film tells the story of a young private (Brian Stirner) undergoing basic training and experiencing premonitions of his death in the days and weeks leading up to the D-Day invasion. This narrative is intercut with extensive archival war footage.
In the “Mining the Archive” featurette, the remark is made that the film is an excellent showcase for the museum’s collection. This is very true, and is both the…
Robert Francis is a wet-behind-the-ears naval officer whose first posting is aboard the Caine, a ramshackle minesweeper. He is dismayed by the rough-looking crew and captain, and when that captain is replaced by Bogart, a by-the-book commander, Francis is initially relieved. But Bogart’s fixations on minutiae are tyrannical and obsessive, his refusal to admit error dangerous, and his behaviour increasingly erratic and paranoid. Francis and fellow officers Fred MacMurray and Van Johnson reali…
Comments on the supplemental material on this edition have been ported over from Brendan Surpless’ excellent (and recent) review of the Blu-Ray disc, which also can be enjoyed on this site.
Now onto the review…
I was listening to a “mini” commentary track from South Park creators Trey Parker and Matt Stone the other day as they were talking about the overall silliness of a film like The Day After Tomorrow and that basically the film was done by a bunch of “hacks”.
Of all the recent multi-film director stories that have been told in recent years, not too many have been as, well, historical, as Clint Eastwood’s two part telling of the battle at the Japanese island of Iwo Jima. The battle over a key stretch of property in World War II cost thousands of lives, but never seemed to get a proper cinematic treatment as many of the European theater battles have. Regardless, in Letters From Iwo Jima and Flags of our Fathers, Eastwood has given the world …
Christmas, 1914. In the trenches, we see the Scots, French and Germans beginning to celebrate in their own way. Singing in one trench inspires more in the opposing one, and before long, an unauthorized truce has broken out, and the enemy combatants are marking Christmas together. The film concentrates on a handful of characters who play a pivotal role in the truce in this particular section of the trenches, in particular the local commanding officers.
(Portions of this review have been pulled from the original one-disc version of Platoon, which can also be found in the reviews portion of the site)Synopsis
There are a good number of people who have labeled Oliver Stone as a fan of conspiracy theories, out to destroy foundations of conservative ideology, while at the same time re-visiting 60’s nostalgic icons. Despite the jokes and the stereotyping, one has to admit that, as a filmmaker, he has helped bring to screen some of the most talk…
We Were Soldiers unfortunately, was a film that didn’t really find its audience, and was also a casualty of the 9/11 attacks. Whereas Black Hawk Down was released in late December 2001/early January 2002 and made almost $110 million, We Were Soldiers was released six months later, and made $30 million less. Figure in the then-recent surge of big studio films of that genre in recent years, notably Saving Private Ryan and Band of Brothers, perhaps We Were Soldiers was the film …
Not being a big fan of Black Hawk Down, I can’t really tell you how many releases of the feature this makes from Sony. I know it’s a title, which has seen at least two prior offerings. There is nothing new here to recommend the extended cut over the previous three-disc monster edition; however, it may be the way to go if you’ve yet to add this Ridley Scott war film to your collection. I’ll be the first to admit that Scott does some of his finest work as director in this gritty combat picture; but his style is …
War movies, in my opinion, are one of the rarities in film, where the most recent pics are usually the best ones. I need only cite films such as Full Metal Jacket, We Were Soldiers, and Saving Private Ryan to argue my cause effectively. But that doesn’t mean all of the older ones were bad. Most were because they took more of a silly ra-ra viewpoint in relation to the reality of war. They didn’t show the nasty details because, in many ways, they were recruiting tools. But Decision Before Dawn> was one earlier work, which took chances with its dramatization.
It is exceedingly strange to me that in this unprecedented age of media availability, movies on demand and theaters in our very own homes, more and more men have not seen those movies that were a staple of manhood for so many years. Movies like Bullitt, The Good, The Bad and The Ugly and even The Godfather are less and less familiar to male audiences than ever. There is a reason that these films were so popular amongst men. They are movies about tough guys who weren’t afraid to rearrange some fac…
Henry Fonda plays Colin Spence, a diffident, self-effacing Canadian (but of course!) corporal in the British infantry based in Tunisia. Led by the crusty but supremely competent Sergeant Kelly (Irish of course), Spence’s squad is sent out on a recon mission that goes badly awry, and the men are forced to engage in a terrible trek across the burning desert. Spence is forced to assume a leadership role, and along the way has flashbacks to his relationship with Maureen O’Hara, and how his unwil…
Monte Hellman filmed Back Door To Hell back to back with his better known Flight To Fury. This early Jack Nicholson film plays out very much like the throwaway it seems to have been. It’s certainly a brief affair, clocking in at just 69 minutes. Low budget films can often be impressive masterpieces. I have never seen a war film where that’s been true. After watching Back Door To Hell, nothing’s changed. The location and supporting cast make this at times feel more like Mexico than the Philippines. The settings are strictly back lot looking affairs, even when they are not.
The attack on Pearl Harbor and the days leading up to that fateful event are the subject of the 1970 effort. The narrative jumps back and forth between the Japanese and American perspectives as just enough things go both wrong and right and both sides (the ascendancy of the militant army faction over the reluctant navy in Japan, crucial intelligence always arriving just a bit too late to the right people in States) to make the surprise attack inevitable.
Hollywood can sometimes be so enthused to cash in on a certain type of film many decent projects looking to explore a worthwhile subject topple under the weight of the cash-grabbing, money-hungry throng. Such is the case with Director John Woo’s Windtalkers, coming to DVD a third time on April 25 in this director’s cut. Though it’s sometimes overly melodramatic, this Nicolas Cage vehicle makes good use of its characters to forge an intriguing story about Navajo code talkers, and the presumed military practice …
Mel Gibson stars as reluctant guerilla fighter Benjamin Martin in this story of courage, passion, and war, which dramatizes elements from the American Revolution into a gripping fictional narrative that will manipulate every emotion you have until its rousing finale. Martin endures great personal tragedies at the hands of the British - in particular, the despicable Colonel William Tavington (played with the vile gusto of a demon from Hell by Jason Isaacs). Tavington has already killed one of Martin’s sons, and it is …
The Academy Awards ceremony continues to devalue itself by giving honors to films, which are mediocre at best, or films that try desperately to force a political agenda down the American people’s throats, while gems such as 2004’s Downfall linger in relative obscurity, and certainly do not receive the recognition they deserve. Director Oliver Hirschbiegel’s study of Hitler’s final days transcends the triviality of being considered a film and instead functions as a window into the past. And for a little more th…
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Stir of Echoes 2: The Homecoming 
The Adventures of Young Indiana Jones, Vol. Two - The War Years 
Red Dawn (Collector’s Edition) 
Troy - Director’s Cut (Special Edition) 
College Essentials: History 101 (Platoon, Windtalkers, Dances With Wolves) 
Overlord 
