Jeremy Butler

Alibi gives you quite a bit of storytelling, which is surprising given that it is only comprised of three hour-length episodes. I will give it to British shows that have somehow found the key to making that work, because that would not work in the U.S. It would feel rushed, and a lot of key nutrients would have to be removed due to time constraints. Alibi manages to have multiple twists and turns in that time span as well as tell a very entertaining and engrossing story with the assistance of its two established leads, Sophie Okonedo and Michael Kitchen. Alibi tells the story of what happens when two people attempt to cover up an accidental death, when one person is a complete neurotic and the other is calculating to the point that you might find yourself question if this is her first “accidental” death.
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It is difficult to become invested in a group of characters in just six episodes, but I can say in the case of The Good Karma Hospital, by the time we reached the season finale, I was definitely invested. The story of a big city doctor who leaves her life behind in favor of a journey of self-discovery in a foreign locale is not precisely a new tale, but it is unfolded in such a charming way that you will find yourself willing to overlook its sometimes predictable nature. With a backdrop in south India, the show takes place in a public and underfunded hospital unofficially run by a strong-willed and surly matriarchal character. Mix that with our fish-out-of-water junior doctor, and you get a dynamic reminiscent of the relationship between J.D. and Dr. Cox. Extremely charming and unafraid, they tackle serious issues that plague an underfunded hospital. The Good Karma Hospital is a worthwhile watch.
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When Calls the Heart returns with a six-movie collection that plays out more like a television season. I must confirm my initial concerns that given this was a movie collection, I feared that I would have trouble following the story from movie to movie; however, that is not the case, as each movie picks up exactly where the other left off. With that sigh of relief, I was able to enjoy the wholesome values that are displayed in this frontier drama. Things to appear to looking up for the town of Hope Valley, with the railroad coming to town, looking to build a main route through the town, which would mean more jobs and opportunities for the townsfolk.
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Like normal folks, when I’m hard up for money I may attempt to come up with a quick scheme or two or generate a significant income: may play the lottery (attempt to claim that 700 million dollar jackpot), perhaps sell miscellaneous  items, or cash in some bonds. However, this is the first time I heard of attempting to kill a celebrity to collect the payout of a death pool. Killing Hasselhoff tells the story of Chris, a club owner who finds himself in a desperate spot and in need of money. His only recourse appears to be attempting to facilitate the death of Baywatch star David Hasselhoff. Strange, right? I mean, most people would try to get a loan before contemplating murder.
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Tragedy has a way of tearing families apart, and that is the case in Oxenfree, a story about three foster brothers who reunite at their family’s vacation lodge. As expected, their reunion is not a happy one, as old wounds are reopened and differences are brought to the forefront. But beyond that, Oxenfree displays a childlike wonder that you cannot help but enjoy as the three embrace the better parts of their childhoods via the retelling of a ghost story passed down from generation to generation, as well as an epic battle for a makeshift fort. It is definitely a film worth seeing, and a wholesome experience that the entire family can enjoy.
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In times of war it is very easy to think of your enemy as the embodiment of evil. Sometimes it is necessary to do so. However, more often than not, the person on the other side of the line is just like you, a patriot doing their duty for their country, with mild to moderate understanding of the overall big picture. 1944 helps to illuminate this point, as the audience gets to experience the war from both sides of the battle. In this case it was Estonians fighting on both sides, further complicating the morality of the situation.
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One of the reasons that I love reviewing movies is that it allows me the opportunity to see things that I wouldn’t normally watch. In most cases, it is a film that has been newly released, whether it be a theatrical release or a straight-to-DVD release. However, in other cases it is an older film that is being re-released. Such is the case for Cheech and Chong’s Next Movie. Though I have never seen any of the films, the names Cheech and Chong are synonymous with stoner comedy. Ideally, I would have liked to have seen the first film before diving into the middle of the franchise.
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“Time-traveling terrorist, what’s scary about that?”

I’d say there is a lot scary about that. Fortunately, the character that said it was being sarcastic. Can you imagine, how do you battle an enemy that already knows what is going to happen? Prisoner X is a psychological thriller, which attempts to solve this question when a terrorist from the future and the Central Intelligence Agency’s top agent match wits to prevent a dystopian future.
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A New York city homicide detective is haunted by the night when her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night, she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other. The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.
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