Posted in: Contests, Tuesday Round Up by J C on January 5th, 2016
Happy 2016, everybody! We closed last year with a bang — and I’m not just talking about the fireworks above UpcomingDiscs headquarters on New Year’s Eve — and we’re hitting the ground running for our first Tuesday Round Up of 2016. HBO is on the case with True Detective: Season 2. Cinedigm is Full of Grace, plays a Kill Game, offers a horror twist with Little Dead Rotting Hood, and is en pointe with ballet drama Flesh and Bone. Shout! Factory cops to Hill Street Blues: The Final Season, and the studio’s Scream Factory chills us to the bone with The House Where Evil Dwells/Ghost Warrior double feature. Meanwhile, A&E examines more evidence of Ancient Aliens: Season 8.
You can already read our takes on Universal’s The Visit and Green Inferno, along with RLJ Entertainment’s Adulterers and XLrator’s Wrecker. RLJ is also playing fetch with Robo-Dog, while XLrator keeps us at Close Range. Magnolia enters the lab with Experimenter, Green Apple Entertainment shares Susie’s Hope, and Comedy Central gives us a tour of Broad City: Season 2. Finally, Lionsgate takes a trip to Mercury Plains and dives into the Battle for Skyark, while Paramount holds us Captive.
Posted in: Contests by Gino Sassani on January 5th, 2016
1001 Movies To See Before You Die 2015 Edition. This book is huge and contains tons of photos and facts. We reviewed the book earlier and I’m not parting with my copy for anything. Lucky for you, our friends over at Barron's have decided to give a copy to one lucky reader. We saved one of the best for last. I hope you enjoyed our 12 Days Of Christmas Giveaways.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Gino Sassani on January 4th, 2016
If you were a child in the 1960's or 1970's, you were around at the golden age of the Christmas television special. We just celebrated the 50th anniversary of A Charlie Brown Christmas, and there were a ton of holiday charms that came and went each year. But there were a handful that became classics and found their way to the airwaves every year in December. Of course, A Charlie Brown Christmas became one of these, and it is indeed among the best. It was not the only special to become beloved by generations of viewers. Now Dreamworks has brought together seven of the most memorable of these classics. This was a wonderful trip down memory lane for me, as it will be for millions of children of all ages who looked forward to these event broadcasts each and every year. Now you can watch them whenever you want. And they might not be just for Christmas anymore.
Rudolph The Red-Nosed Reindeer (1964)
Posted in: No Huddle Reviews by Brent Lorentson on January 4th, 2016
Over the years it’s become a bit of a trend to read headlines discussing a pit-bull attack. Sure, it’s been known to be an aggressive breed, but I tend to be in the camp that believes it’s the owner who truly reflects a dog’s behavior. Another unsettling trend that has been in the news lately is the abuse inflicted upon these animals, whether it is to “toughen” the dog up for fighting or simply that the dog was an unfortunate object that a person decided to unleash their cruelty upon. I note this not to attempt to make any social commentary, but instead to set up this film that tackles both sides of the coin when it comes to pit bulls, and it just so happens to be based upon a true story.
Donna (Emmanuelle Vaugier) and Roy (Burgess Jenkins) Lawrence are a happy married couple with a newborn on the way. Life couldn’t get better for the Lawrence family as they are preparing the bedroom for what is expected to be their first child. In the neighborhood there is a dog that is barking, so Donna and her neighbor go to investigate; they find a pit bull that has been tied to a tree with no food and water and owners that are unaccounted for. In an act of kindness, Donna goes to feed the dog the next day and is viciously attacked. Not only does she lose the baby, but complications make it impossible for Donna to ever have children again. The recovery alone is enough drama to fill a movie as Donna struggles with depression and Roy is overcome with anger issues of his own.
Posted in: No Huddle Reviews by Gino Sassani on January 4th, 2016
"Let's be careful out there!"
The final season of Hill Street Blues arrives from Shout Factory. I think it's likely you already have the full series collection. If not, this isn't really the place to start. Over the course of seven years you really get a chance to get to know these characters. You see them evolve both as actors and characters. Yes, it all comes together with one of the better season finale episodes in television history. You just can't deny yourself a chance to see it all. Last year I took that journey once again and binged the entire seven seasons, and I'm up for it again. In case you missed what there was to say about the show...read on.
Posted in: Contests by Gino Sassani on January 4th, 2016
Hill Street Blues: The Final Season. It just might be one of the greatest shows in television history. It certainly changed the face of television drama. Shout Factory brings the season on home. Now we want to send the final season to your home.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by J C on January 4th, 2016
At this point, the most shocking M. Night Shyamalan-related twist would be for the director to make a movie that people actually enjoyed. (The “M.” stands for “maligned,” right?) Hopes weren't exactly high when it was announced Shyamalan — who was once fated to become either “the next Hitchcock” or “the next Spielberg” — would be dabbling in the fading found footage genre. So imagine my surprise to find that The Visit — a broad, nutty mix of comedy and horror — is the director's loosest, most playful effort since Signs. It's also his first (subjectively) non-terrible flick in about a decade.
We meet a harried single Mom (Kathryn Hahn) as she prepares to send her two children on a week-long trip to meet her estranged parents. Becca (Olivia DeJonge) is a 15-year-old aspiring filmmaker who decides to document the experience of meeting her grandparents on camera; she also wants to find out the reason Mom had a falling out with them. Tyler (Ex Oxenbould) is a 13-year-old freestyle-rapping, germophobic goofball who enjoys undercutting his older sister's self-seriousness. The pair take a train to the rural Pennsylvania town where their mother grew up and are met at the station by Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), who take the kids back to their dilapidated farmhouse.
Posted in: Disc Reviews by Brent Lorentson on January 4th, 2016
It’s been a long wait for those of us wanting to see Eli Roth’s return behind the camera since Hostel 2 hit the screens. I’ve been more than a little excited since hearing about Roth’s plans to bring the cannibal genre to its jungle roots. It’s been long enough since audiences have been shocked by the ferocity we haven’t seen from the genre since Cannibal Holocaust and Cannibal Ferox. Sadly, the intentions were there, but the execution just fell short. Instead of getting the shock and gore we’ve come to expect since Cabin Fever and Hostel 1&2, this time around we get a film that feels a little restrained.
Justine (Lorenza Izzo) is a college freshman who desperately feels the need to protest against the injustices in the world but hasn’t quite found a cause worth fighting about. That is, until in one of her classes the subject of female circumcision is brought up. It’s a subject that offends and disgusts, and it’s one of Roth’s moments to interject his “agenda” upon the audience. Though for most viewers they will simply pick up on this scene as being a way to foreshadow some of the brutality to come.
Posted in: No Huddle Reviews by J C on January 4th, 2016
“This road is like a magnet for serial killers.”
There's a difference between paying tribute and ripping somebody off. Wrecker — a high-speed, low-budget actioner — bills itself as “an homage to road classics like Duel.” Unfortunately, that's far from the only nod to Steven Spielberg's 1971 thriller. Wrecker rehashes every significant story beat from Duel, except with a lot less filmmaking skill and a pair of infinitely more annoying protagonists.
Posted in: No Huddle Reviews by Dan Holland on January 3rd, 2016
It is not very often that I am able to say that a film revolving around an extramarital affair keeps me engaged. While the writing in Adulterers became rather unfavorable towards the end, the strength of the conflict and the pacing of the editing and cinematography combine to make a significant force. That being said, I was pleasantly surprised by the intensity of the drama that unfolds among the disturbed trio, but there were many moments that distracted me from that pleasure. Through this review, I aim to be as fair and as spoiler-free as possible. I believe this film is definitely worth the watch, regardless of what does not “work” for me.
Adulterers tells the story of Samuel Deuprey (Sean Ferris), a hardworking man, who comes home to find his wife (Danielle Savre) in bed with her lover (Mehcad Brooks). The events and scenes that follow are rooted in humiliation, depravity, and violence, as Samuel decides to resolve the situation in his own way. The way in which Adulterers heightens the tension is through adding details such as: the events transpire on the couple’s anniversary, Samuel works long hours to provide for his wife, money may or may not be involved, etc. While each of the details introduced into the film’s story may be cliché for dramatic films about affairs, they are absolutely necessary in order to understand Samuel’s rage and mania.








