Jeremy Butler

When it comes to dystopian-type films, it is very difficult to break ground. In the span of cinematic history, we have seemed some good ones (Mad Max, Snowpiercer), and we seen some bad ones (Chaos Walking, Battlefield Earth). Unfortunately, I would have to rate The Colony (a.k.a. Tides) in the latter group rather than the former. Simply put, there just wasn’t anything about the film that resonated with me. Many of the plot themes felt recycled and predictable. The story follows an astronaut returning to Earth to determine whether it is habitable following years of climate change, pandemics, and war that have decimated the planet. Upon arrival, she immediately finds herself captured by those left behind on the planet. So apparently the planet was not that inhabitable to begin with. Around this time the film started to give me The 100 vibes
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Justin Long chose an interesting film for his directorial debut. Lady of the Manor is Casper meets For a Good Time Call …, which is not a dig, as I found both those films enjoyable. The best way to categorize the movie is as a raunchy ghost story, which is an interesting combination. My skepticism was high going into the film, and while I did enjoy the film, I will say that it ran a little long. There are several scenes that could have been cut out, and I feel like for the most part it wouldn’t have sacrificed quality. Melanie Lynskey of Two And A Half Men fame played to her niche, embodying another quirky character, but this time a rated-R version. Rounding out the cast, Judy Greer as the aforementioned lady of the manor, Ryan Phillippe, Luis Guzman, Patrick Duffy (Dallas), and of course, the director himself, Justin Long. Interesting tidbit I learned: principal photography and filming for the movie took place in the Tampa and Saint Petersburg area. I thought certain areas looked familiar.
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For a movie with a main character who has professed such a love for the man upstairs, this may very well be the most blasphemous movie I’ve ever seen. I mean, talk about being led astray. That said, Habit is not without its entertainment, as long as you are able to not take what you are observing too seriously. I don’t imagine that the film is going to sit well with the devout, but those able to see this film just as it was intended (as a film) may find something to enjoy. Bella Thorne leads a cast that includes Gavin Rossdale, Paris Jackson, and even the co-writer of the film, Libby Mintz has a starring role. As a bit of a disclaimer, I should mentioned that the film is very sexually charged, though I wouldn’t call it explicit. The film relies more on the innuendo of sex and other depravities more than anything else. However, even then I wouldn’t recommend it for family movie night.
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No good deed goes unpunished, I suppose, especially when it comes to great white sharks. In Great White, an unsuspecting group on a blissful tourist trip find themselves at the mercy of a bloodthirsty shark as it stalks them on the open seas. The film delivers some decent scenes of suspense, but for the most part, the action is a bit on the predictable side as it follows the blueprint for a movie of this genre: there is going to be one character who is completely unlikeable, several members of the cast are fated to fall victim to the sharks, and out of the original group only maybe one or two will survive to tell the tale. While there are several moments of predictability, that isn’t to say that the film does not have its areas of excitement.. I’m not sure it is a movie that I would feel compelled to see again, but not bad for a one-time watch.
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Have you ever wondered what the Jurassic Park franchise would have looked like if instead of a amusement park, it was a hunting preserve? Yeah, me either, but someone must have, because that is essentially the embodiment of the film Jurassic Hunt. After watching the film, I’ve come to the conclusion that some films just don’t need to be made. Especially if they are going to be done with cheesy special effects and sub-par storytelling. To put it mildly, this was not a movie for me, and if you are a fan of high-quality content, I’m pretty sure you will feel the same. I suppose the film reaches the level of a sci-fi made-for-TV movie, but other than that, I can see no higher aspirations for it. The film kind of puts you right into the thick of things; no real back story or anything like that. We are just kind of launched right into the hunt. On this type of film, I would have expected background information to be paramount.
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“By 2014, hundreds of young women had left Europe to join ISIS. Their journeys began on social media platforms where they found new friends and chose new names.”

Based on the non-fiction novel, In The Skin of a Jihadist, this film tells the story about one reporters journey to create a groundbreaking story and how she nearly lost herself in the process. Valene Kane (The Fall) plays Amy Whittaker, a freelance reporter struggling to make ends meet when she decides to investigate the recruitment of young European women by ISIS. As part of her investigation, Amy creates a fake Facebook profile of a young woman who has recently converted to Islam. Before long, she is contacted by Bilel (Shazad Latif, Star Trek: Discovery), an ISIS fighter from Syria. On the surface, he is charming and he speaks of his chosen cause with great passion and conviction.
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Not bad for a B-movie alien invasion dystopian film. That was a nice surprise, as I was all prepared to endure a bunch of cliches and basic character archetypes. However Occupation: Rainfall delivers a moderately decent movie experience. There were some obvious timing issues towards the film’s conclusion, but we’ll get into that later. Speaking of surprises, I was surprised to discover that this film is actually a direct sequel of a film that was released in 2018. Granted, there were some changes, such as Jet Tranter replacing Stephanie Jacobson as Amelia Chambers, or Amelia the human as she is referred to more frequently than by her real name. The film also features the addition of The Originals’ Daniel Gilles and Jason Isaac as a hilarious character. All in all, minus that timing issue I mentioned earlier, Occupation Rainfall delivered a surprising and overall enjoyable experience.
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“The time for apologies is behind us.”

While the dubbing of this film leaves something to be desired at times, all in all I’d categorize this as a moderately entertaining thriller. Tailgate can serve as a cautionary tale for us all regarding being careful who you cut off in traffic. You never know; that person could very well be a homicidal maniac with a penchant for using pesticide on his victims. Or at least that is what the killer in this film was all about. Granted, this antagonist doesn’t quite rise to the level of Michael Myers or say Candyman (you got me, I chose those two characters because they both have movies due out in the immediate future), there is something to be said for a killer who believes that he has the moral high ground. And to think all of this could have been resolved with a simple and well-timed apology.
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“By 2014, hundreds of young women had left Europe to join ISIS. Their journeys began on social media platforms where they found new friends and chose new names.”

Based on the non-fiction novel, In The Skin of a Jihadist, this film tells the story about one reporters journey to create a groundbreaking story and how she nearly lost herself in the process. Valene Kane (The Fall) plays Amy Whittaker, a freelance reporter struggling to make ends meet when she decides to investigate the recruitment of young European women by ISIS. As part of her investigation, Amy creates a fake Facebook profile of a young woman who has recently converted to Islam. Before long, she is contacted by Bilel (Shazad Latif, Star Trek: Discovery), an ISIS fighter from Syria.
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