Posted in: Disc Reviews by J C on August 24th, 2015
Today, the term “blue collar comedy” is likely to conjure images of rednecks and Larry the Cable Guy. However, this new double feature from Shout! Factory reminds us that wasn't always the case. The heroes of Easy Money and Men at Work are, respectively, a sleazy children's photographer and a pair of rebellious garbage men, so the label certainly applies. Let's see how these two blue collar comedies hold up in their Blu-ray debuts.
Rodney Dangerfield stars as Monty Capuletti, a charismatic slob of a children's photographer who loves to drink, smoke, and gamble. This puts him at odds with his rich, domineering mother-in-law Mrs. Monahan (Geraldine Fitzgerald), who never approved of Monty marrying her daughter Rose (Candy Azzara). When Monty and Rose are notified that Mrs. Monahan has died in a plane crash, they get an extra shock. The old lady has left Rose her $10 million fortune on one condition: Monty has to whip himself into shape and abstain from all his bad habits for an entire year. With support (sort of) from his best friend Nicky (Joe Pesci), Monty begrudgingly embarks on a healthier lifestyle. But is all that money really worth giving up who Monty really is?
Posted in: No Huddle Reviews by J C on August 20th, 2015
In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. When the Checks Stop Coming In is easily the best out of the recent trio of Moguldom offerings I’ve gotten a chance to review. The film understands that going broke is not a problem unique to the African American community, but is insightful enough to show some of the factors that uniquely affect that segment of the population.
When the Checks Stop Coming In focuses on black celebrities while conceding that plenty of rich famous white people (Gary Busey, Tori Spelling, The Osbournes) squander their fortunes. We get some quick clips and a rundown of athletes (Dennis Rodman, Warren Sapp, Allen Iverson) and entertainers (50 Cent, Lionel Ritchie, MC Hammer) whose financial troubles have been well documented. The doc spends a little extra time on a few of those more famous names, including soundbites from singer Toni Braxton (apparently the various people who tended to her were better compensated) former NBA star Antoine Walker (he advises active athletes to wait until they’re retired or not as busy to invest money), and Mike Tyson (if he ever shares the same space with Don King again, I don’t imagine it would end well for Don King).
Posted in: No Huddle Reviews by J C on August 20th, 2015
In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Knifed Up is one of two largely superficial plastic surgery docs released by the production company this week. The film’s subtitle is The Evolution of Cosmetic Surgery, so it operates from the premise that women have gone from wanting to look like Barbie to wanting to look like Nicki Minaj or a Kardashian.
Of course, what that really means is that physical features more closely associated with African American women — fuller hips, bigger busts/butts — have become more desirable in recent years. Knifed Up reveals that white people still account for 70 percent of plastic surgeries, but the number of black people opting to get cosmetic work is absolutely on the rise.
Posted in: No Huddle Reviews by J C on August 20th, 2015
In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Bottoms Up: Rise of the Backside is one of two largely superficial plastic surgery docs released by the production company this week. The cheeky (ha!) title was my first clue that this wouldn’t be a totally serious examination of the subject.
“Ass opens doors…literally.”
Posted in: No Huddle Reviews by J C on August 19th, 2015
Discovery Channel’s annual Shark Week extravaganza is billed as “cable’s longest-running programming event.” The summertime ritual premiered in 1988, and its longevity is a testament to viewers’ enduring fascination with the majestic, sharp-toothed creatures. Of course, the flip side of that longevity is that coming up with new material each year is increasingly difficult. As a result, this new Dominating the Deep DVD set features some legitimately thrilling moments alongside a few too many episodes that rely on flimsy science, and myth-making sensationalism to entertain audiences.
Then again, what the heck do I know? Dominating the Deep includes Shark Week episodes from 2013, which kicked off with what was probably the most controversial piece of programming in the series’ history. Not surprisingly, “Megalodon: The Monster Shark Lives” was also the most popular. The two-hour “documentary” supposedly tells the story of a fishing vessel that was attacked by an unknown predator off the coast of South Africa. We follow a marine biologist named Collin Drake as he and his team try to identify the culprit. Eventually, Drake settles on the notion that the perpetrator was the prehistoric megalodon shark.
Posted in: Tuesday Round Up by J C on August 18th, 2015
Busy times here at UpcomingDiscs. We've got our hands full with a grand total of 21(!) titles that release today — and who knows how many more flying in during the week — so keep checking our site for a barn full of reviews over the next week or so. But enough jibber jabber: let's get to this week's Round Up! CBS/Paramount is giving fans a triple of dose of NCIS with Season 12 of the original series, Season 6 of NCIS: Los Angeles, and Season 1 of NCIS: New Orleans. ABC/Disney's offers magic and medicine with Once Upon a Time: Season 4 and Grey's Anatomy: Season 11. Fox revives The Killing: Season 4, Lionsgate lets us live among The Royals: Season 1, Discovery Channel revs up for Fast N' Loud: Speed Demons, and Entertainment One goes on patrol with Rookie Blue: Season 5, Volume One.
And we're just getting started. Shout! Factory releases a quintet of titles: Nomads, Welcome Back, Kotter: The Final Season, The Rebel: Season 1, and a pair of double features with Easy Money/Men at Work and Metamorphosis/Beyond Darkness. Speaking of good things coming in fives: Mill Creek Entertainment will release the Hammer Film Collection and William Castle Horror Collection, each of which feature five spook-tastic films. Moguldom Studios offers a quick nip and tuck with plastic surgery docs Knifed Up and Bottoms Up, while Docurama explores sexual assault on college campuses with It Happened Here. Finally, MPI Home Video goes from 5 to 7, while A&E Home Video uncovers The Secret Life of Marilyn Monroe.
Posted in: No Huddle Reviews by J C on August 17th, 2015
The Killing will leave behind two lasting legacies: it's the show that wouldn't die, and it could never quite stick the landing. The bleak crime drama drew intense criticism after failing to resolve its central mystery at the end of season 1, and was canceled by AMC after wrapping up the Rosie Larsen case in the season 2 finale. The show got a last-minute reprieve when AMC ordered a third season that I personally considered to be show's strongest. But instead of leaving well enough alone, The Killing returned for a six-episode fourth season on Netflix.
“Everybody has a secret.”
Posted in: No Huddle Reviews by J C on August 17th, 2015
Everyone on TV has nicer clothes and a bigger home than you do. And I’m not just talking about fictional doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. Need proof? The 2 Broke Girls in CBS’s hit sitcom have an apartment that is literally big enough to fit a horse. (Hi, Chestnut.) Season 4 even manages to squeeze in a gaggle of Victoria's Secret models (Ep. 6/“And the Model Apartment”), and the girls' building gets a new tenant when lewd line cook Oleg (Jonathan Kite) moves in with larger-than-life upstairs neighbor Sophie (Jennifer Coolidge), leading to the one-liner “the booty call is coming from inside the house.”
“You two are a combination of sugar and spice...and things not so nice.”
Posted in: Disc Reviews by J C on August 14th, 2015
“You will remain my prisoners until you've told me what really happened in Masada.”
Those words are spoken by Flavius Josephus, the real-life historian for the Romans who chronicled the Siege of Masada. In The Dovekeepers, Josephus is talking to two iron-willed female prisoners who also happen to be among the few people who survived the attack. Their story is told in flashback, and this two-part miniseries brushes up against some interesting points about who gets to write humanity's history. But in telling the story from a female perspective — an admirable, out-of-the-box idea — this miniseries reduces a complex, fascinating historical event into a stiff, protracted soap opera.
Posted in: No Huddle Reviews by J C on August 11th, 2015
“Everybody in the world knows who Big Bird is.”
This documentary exists because many fewer people know Caroll Spinney, the man who has inhabited the iconic Sesame Street character for 46 years and counting. (Spinney is also the man behind my personal favorite Sesame Street character, Oscar the Grouch, but working that into the movie’s title would’ve made it truly unwieldy.) The film takes us behind the feathers and works best as a loving tribute to a man who has entertained millions of children across the globe.
