HBO

“I don’t want to be just guys in a house.”

Since its debut, Silicon Valley has brilliantly lampooned the tech industry by showing us both the proverbial “guys in a garage” and the self-important, aggressively eccentric billionaires obsessed with staying ahead of the curve. The show’s central tension (and cruel joke) is that the ultimate endgame for the scrappy underdogs is to become…self-important, aggressively eccentric billionaires obsessed with staying ahead of the curve. Season 4 pushes the limit of the immoral behavior our alleged  heroes will justify while continuing to deliver the best mix of brainy and bawdy laughs on television.
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“It’s not all it’s cut out to be…it’s not about being on stage all the time. It’s about the killing of time.”

There certainly hasn’t been a shortage of sitcoms starring stand-up comedians. Many of them (Roseanne, Home Improvement, Everybody Loves Raymond) have grafted the comic’s persona onto a family-friendly format. Even the shows that have depicted the life of a comic tend to take a surreal approach (Louie) or fast-forward to the part where the star is an established comedian (Seinfeld). HBO’s Crashing stands out because it honestly (and painfully) depicts the struggle of an aspiring stand-up…and makes it look very, very funny.
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“My persona’s very, like, witty yet narcissistic.”

These self-aware words are spoken by Hannah Horvath, the on-screen alter ego of Girls star/creator Lena Dunham during the premiere of the show’s final season. Of course, anyone who’s watched Girls knows the “witty yet narcissistic” label applies to practically every character in Dunham’s often flawed (and even-more-often brilliant) HBO dramedy. So while this final batch of episodes includes some superb moments, it’s not a total surprise that this polarizing series concludes its run with a frustrating finale that is more satisfying for the show’s creators than it is for its fans.
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“Look, as lousy as the marriage is, the divorce is going to be much, much worse.”

The subject of divorce isn’t exactly a laugh riot in real life, so the makers of HBO’s comedy series tracking the dissolution of a decade-long marriage had their work cut out for them. Divorce (not surprisingly) takes a darkly comic approach to the hostile material; the problem is the show seemingly forgot about the part where we’re supposed to want to spend time with these people every week. The series also marks the HBO return of star/executive producer Sarah Jessica Parker…call this new show No Sex in the Suburbs.
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“As it turns out, there’s a virtually unprecedented tie in the Electoral College.”

If you thought the latest U.S. presidential election cycle was a soul-crushing and unpredictable mess, you should take a peek at what’s happening on Veep. (At least we got a definitive real-life result…eventually.) The show’s outstanding fifth season begins with President Selina Meyer — who assumed the office after her predecessor resigned — locked in a frustrating Electoral College tie as she seeks to become the first woman to be *elected* to the highest office in the land. President Meyer sums up her predicament in a manner befitting HBO’s caustic, constantly-cussing comedy: “didn’t those Founding F—ers ever hear of an odd number?!”
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“Think inside the box.”

One of the major through lines in season 3 of Silicon Valley is that our heroes at Pied Piper have created a product so ahead of its time that it is failing to connect with consumers, which puts the start-up company in peril. Fortunately, HBO’s brainy and bawdy tech comedy hasn’t had any problems connecting with its audience: the show’s confident and hilarious third season seamlessly mixes talk of “compression algorithms” with outrageous sight gags involving horses getting, um, familiar with each other.
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“Black women aren’t bitter. We’re just tired of being expected to settle for less.”

When people talk about racial and gender equality, they typically point to notions like everyone having the right to vote or the same opportunity to pursue their personal or professional passion without fear of discrimination. The premise of Insecure — HBO’s funny and insightful comedy series about modern relationships — is not quite that lofty, but no less worthy: black women reserve the right to be just as neurotic and lead love lives that are every bit as messy as their white counterparts.
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Danny McBride managed to inhabit the role of Kenny Powers to such an extent that I do appear to have trouble keeping them separate. I thought that the arrival of a new series would finally put that issue to rest. I’m discovering there was a reason I had trouble telling them apart. They are indeed the same person. Add to the situation that Vice Principals uses the same writing and production team headed by McBride and Jody Hill, and there are moments when you will think that you’re still watching Eastbound And Out. The wild card that changes things up enough happens to be Walter Goggins. Goggins came to notice as the cold Shane in The Shield and the quirky Boyd Crowder in Justified.
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“I don’t want to be in this relationship anymore, and I don’t know how to get out.”

A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.
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