“We like to believe that it’s false reporting because we just, in general, don’t want to believe that rape happens at the level that it does.”

These words are spoken by Diane Rosenfeld, and are probably some of the most poignant words spoken in this documentary. Lisa Jackson’s film It Happened Here tells the story of young women who have been raped during their stay at college. Each one of the girls recount their traumatic experiences and each one do everything in their power to make this horrifying reality known to the public. Having been active in some of America’s universities over the past seven years (both as student and faculty), the message being conveyed in this film is one that hits close to home.

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. When the Checks Stop Coming In is easily the best out of the recent trio of Moguldom offerings I’ve gotten a chance to review. The film understands that going broke is not a problem unique to the African American community, but is insightful enough to show some of the factors that uniquely affect that segment of the population.

When the Checks Stop Coming In focuses on black celebrities while conceding that plenty of rich famous white people (Gary Busey, Tori Spelling, The Osbournes) squander their fortunes. We get some quick clips and a rundown of athletes (Dennis Rodman, Warren Sapp, Allen Iverson) and entertainers (50 Cent, Lionel Ritchie, MC Hammer) whose financial troubles have been well documented. The doc spends a little extra time on a few of those more famous names, including soundbites from singer Toni Braxton (apparently the various people who tended to her were better compensated) former NBA star Antoine Walker (he advises active athletes to wait until they’re retired or not as busy to invest money), and Mike Tyson (if he ever shares the same space with Don King again, I don’t imagine it would end well for Don King).

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Knifed Up is one of two largely superficial plastic surgery docs released by the production company this week. The film’s subtitle is The Evolution of Cosmetic Surgery, so it operates from the premise that women have gone from wanting to look like Barbie to wanting to look like Nicki Minaj or a Kardashian.

Of course, what that really means is that physical features more closely associated with African American women — fuller hips, bigger busts/butts — have become more desirable in recent years. Knifed Up reveals that white people still account for 70 percent of plastic surgeries, but the number of black people opting to get cosmetic work is absolutely on the rise.

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Bottoms Up: Rise of the Backside is one of two largely superficial plastic surgery docs released by the production company this week. The cheeky (ha!) title was my first clue that this wouldn’t be a totally serious examination of the subject.

“Ass opens doors…literally.”

CBS has finally decided to release the number-one-rated show in the world on high-definition Blu-ray. It's a milestone event for the network and for fans of the show, and it only took 12 years to get it done. To be fair, Blu-ray hasn't quite been around for 12 years, but many networks have gotten us caught up with popular shows in high definition by this time. It's remarkable that it did take this long to get a season of NCIS on Blu-ray. Let's hope the numbers warrant that future seasons be given the same treatment and that we'll then be able to get the previous 11. It's an experiment CBS has tried with both CSI and NCIS: LA. Unfortunately, numbers must not have supported that move. But if ever a series deserved to live a long life in high definition, this is the one.

Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show. Sean Murray plays Tim McGee, who we've seen go from a young man with little self-confidence to a strong agent in the field. That doesn't mean he still doesn't suffer the barbs of Tony's sarcasm. Last season we were introduced to Emily Wickersham as Agent Ellie Bishop. She comes with a little history. She had applied for the job years ago, and something about her stayed with Gibbs. She's not a copy of Ziva by any means. She's a fresh face who also brings a lot of odd quirks. She loves to sit on the floor or often on desks or tabletops. She's a bit bouncy and likely will bond well with Abby. She rubs the old-school guys the wrong way a little at first, but they quickly respect her unique perspective. She's a good fit, and I don't think it will take long for you to warm up to her. She's settled in and already feels like a part of the team dynamic.

“I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations, some of the physical reactions which the actors on the screen will feel, will also be experienced for the first time in motion picture history, by certain members of this audience. I say certain members, because some people are more sensitive than others. These unfortunate sensitive people will, at times, feel a strange tingling sensation. Others will feel it less strongly…”

Horror fans feel very strongly about William Castle. Now Mill Creek has put together five of his films on two DVDs. It's a bare-bones collection, to be sure. But there are always a few extra chills when you're talking about William Castle.

Discovery Channel’s annual Shark Week extravaganza is billed as “cable’s longest-running programming event.” The summertime ritual premiered in 1988, and its longevity is a testament to viewers’ enduring fascination with the majestic, sharp-toothed creatures. Of course, the flip side of that longevity is that coming up with new material each year is increasingly difficult. As a result, this new Dominating the Deep DVD set features some legitimately thrilling moments alongside a few too many episodes that rely on flimsy science, and myth-making sensationalism to entertain audiences.

Then again, what the heck do I know? Dominating the Deep includes Shark Week episodes from 2013, which kicked off with what was probably the most controversial piece of programming in the series’ history. Not surprisingly, “Megalodon: The Monster Shark Lives” was also the most popular. The two-hour “documentary” supposedly tells the story of a fishing vessel that was attacked by an unknown predator off the coast of South Africa. We follow a marine biologist named Collin Drake as he and his team try to identify the culprit. Eventually, Drake settles on the notion that the perpetrator was the prehistoric megalodon shark.

"It's 1945 and World War II is over. Hitler is defeated. But over eight million Nazis remain. Now Allies must conduct interrogations to identify Nazi offenders, from war criminals to the girl next door. What emerges is a startling history of the rise and fall of the Third Reich from a unique perspective: the Nazis themselves. What you are about to see and hear is based on their real interrogations. This is what they told us." 

It's always been true that history is written by the victors. Usually theirs is the only voice remaining, and in the time before such inventions as audio recordings and film, that was surely the case. World War II would be an early example of the exception. Hitler is remembered as much for the endless footage we have as much as he is for the atrocities he delivered upon the earth. The war crimes trials in Nuremburg give us a unique look into the minds of these fanatics. This is the first documentary I have encountered that is dedicated exclusively to the material that came from the investigations for those trials. Consider these as depositions to that procedure. It's a rather unique idea with some powerful potential. Certainly there are lessons to be learned here. Unfortunately, A&E didn't quite live up to their own standards and expectations with the six-part Last Days Of The Nazis.

Busy times here at UpcomingDiscs. We've got our hands full with a grand total of 21(!) titles that release today — and who knows how many more flying in during the week — so keep checking our site for a barn full of reviews over the next week or so. But enough jibber jabber: let's get to this week's Round Up! CBS/Paramount is giving fans a triple of dose of NCIS with Season 12 of the original series, Season 6 of NCIS: Los Angeles, and Season 1 of NCIS: New Orleans. ABC/Disney's offers magic and medicine with Once Upon a Time: Season 4 and Grey's Anatomy: Season 11. Fox revives The Killing: Season 4, Lionsgate lets us live among The Royals: Season 1, Discovery Channel revs up for Fast N' Loud: Speed Demons, and Entertainment One goes on patrol with Rookie Blue: Season 5, Volume One.

And we're just getting started. Shout! Factory releases a quintet of titles: Nomads, Welcome Back, Kotter: The Final Season, The Rebel: Season 1, and a pair of double features with Easy Money/Men at Work and Metamorphosis/Beyond Darkness. Speaking of good things coming in fives: Mill Creek Entertainment will release the Hammer Film Collection and William Castle Horror Collection, each of which feature five spook-tastic films. Moguldom Studios offers a quick nip and tuck with plastic surgery docs Knifed Up and Bottoms Up, while Docurama explores sexual assault on college campuses with It Happened Here. Finally, MPI Home Video goes from 5 to 7, while A&E Home Video uncovers The Secret Life of Marilyn Monroe.

"Welcome to The Knick."

The Knick is the fictional Knickerbocker hotel in 1900 New York. It's a hospital that was once part of an affluent neighborhood but now finds itself in an area falling to poverty. Still it's a place where innovations are being made on a daily basis, thanks to an inspired group of doctors led by Dr. J.M. Christiansen (Frewer) and his relentless search to find ways to decrease the mortality rate in surgery patients. So the hospital continues to have a great reputation, even if the local poverty is now causing The Knick to lose money, something the board of directors is looking to turn around.