James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets, along with their own skills at trickery, to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.
This is the first half of the third season of Rawhide. Long before Clint Eastwood was making our day as Dirty Harry or even roaming the badlands without a name for Sergio Leone, he was working the cattle drive on Rawhide. Rawhide was created to take advantage of the huge Western film and television wave that Hollywood had been riding for nearly a decade. With huge ratings for Gunsmoke and Bonanza among others, Rawhide was a bit of an unlikely success.
The set comprises the second half of the second season of Gunsmoke. The show was still in black and white and in the half hour format. Some of the best episodes of the set included Bloody Hands. For once a western dealt with conscience. When Dillon begins to have haunting dreams and pangs of guilt over killing three bad guys, he tries to back down from a fight. Has Dillon gone yellow? Arness does a better than average job on this rather thought provoking episode.
A tough-as-nails cowboy (James Denton) unwillingly hooks up with a naive greenhorn (Chris Kattan) when they have a run-in with a bent sheriff. They may think they have some problems now, but things are much worse than they think, as the town and the surrounding countryside are in the initial stages of a zombie plague.
I am a sucker for a good biopic. Walk the Line, Ray, Man on the Moon, Cinderella Man… all these films and many more like them feature prominently in my DVD collection. With this release, I am now excited to be able to add this fine film to my collection. Brad Pitt’s James is not the one of fables and adventure books, but one grounded in reality. While charismatic criminals are frequently glorified in these types of films, it is often times hard to remember that in real life these are often times people with severe social problems. The result is a film that is more open and honest than the vast majority of the biopics that have come along in the past decade.
Gunsmoke is the longest running scripted live action television show in history. The series ran from 1955 to 1975. At first it was a half hour black and white show that evolved into a color hour by 1967. It actually started before the days of television, premiering on radio in 1952. Then it was William Conrad as the tough as nails Marshall Matt Dillon. When television came into its own, Gunsmoke made the jump to the bright living room box and made history. Westerns would ride across our small square screens for the next 3 decades, making it the most successful genre of that time, and it was Gunsmoke that started it all. The television version of Gunsmoke was originally conceived as a vehicle for John Wayne
Long before Clint Eastwood was making our day as Dirty Harry or even roaming the badlands without a name for Sergio Leone, he was working the cattle drive on Rawhide. Rawhide was created to take advantage of the huge Western film and television wave that Hollywood had been riding for nearly a decade. With huge ratings for Gunsmoke and Bonanza among others, Rawhide was a bit of an unlikely success. Here the show explored the West on an endless cattle drive to get a few thousand steer to market.
James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets along with their own skills at trickery to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.
When I picked up Rio Bravo – Ultimate Collector’s Edition to review, I realized I had never seen a John Wayne movie. “The Duke” starred in well over 100 films, so I was more than a little surprised at this gaping hole in my viewing repertoire. Then I looked up director Howard Hawks (The Big Sleep) and discovered another long list of films I’ve overlooked. Defensively, I asked myself whether I was really missing out. Could their old movies be worth my time so many years later?
If Rio Bravo is any indication, their films are absolutely worth watching, though they’re perhaps not as masterful as they’re reputed to be. No matter your opinion, this Ultimate Collector’s Edition is one fine DVD set.
After the fantastic high-def restoration we received of The Searchers, Warner Bros. has brought us another John Wayne classic, and one of my favorites: Rio Bravo. Rio Bravo was directed by the very prolific Howard Hawks (Scarface) after a self-imposed exile from Hollywood. During his break from filmmaking, he grew fond of television westerns and was inspired to bring one to the big screen.
Synopsis
Rio Bravo is light on story, but a classic nonetheless. John W…
Seraphim Falls was a sparsely released film released early in 2007, recently finding its way to DVD. In addition to being the first film where two Irish stars - Pierce Brosnan & Liam Neeson - share screen time together, it also marks the directorial debut of David Von Ancken who also happened to be a co-writer. After watching this movie I can definitely tell you that I am looking forward to any future projects of Von Ancken’s. But that’s aside from the point, how was this film?
When all his cowhands desert him to take part in a gold rush, John Wayne is left with no alternative but hire a group of schoolboys, between the ages of 9 and 15, to work for him on a long and dangerous cattle drive. Along with all the usual hazards of such a journey, they are also being stalked by Bruce Dern and his band of rustlers.
What a peculiar concoction. All the expected western conventions are present, but most of the cast is a half or a third of the age one would generall…
I should have known I was in trouble from the opening credits. The graphics are accompanied by some really cheap sounding synthesizer music. It sounds like they sprung for the $39 Casio. Beyond the crappy sound, the melody, if you can call it that, didn’t fit the western I was unfortunately about to see. Let’s keep this simple, shall we? If you pick this baby up at your local video store, I’m going to advise you to put it down and back away from the shelf. Now you owe me. I gave you back 2 hours of your life you we…
Louis L’Amour has been synonymous with the modern Western novel for decades. His stylized depictions of the Old West are always populated with colorful characters. Foremost of these characters would have to be The Sackett Brothers. Two of L’Amour’s Sackett adventures contributed to this 1979 mini-series. “The Daybreakers” and “Sackett” combine to form this 3 hour presentation.
Fresh off the enormous success of such Western shows as Bonanza and Gunsmoke, his mini-series has all the earmarks of that traditional television western.
The career transformation that Clint Eastwood has endured over the last several generations can be called nothing short of extraordinary. After all, we are talking about a guy who made a steady name for himself in action films of the late ’60s and ’70s, first appearing in the spaghetti western films of Sergio Leone, then moving onto the Dirty Harry films of director Don Siegel, before moving on again to more of a directing role. Some of his works were hits and others were plain misses.
The Culpepper Cattle Company was a surprise for me, and one that I looked forward to immensely. I love a good western, and I’m particularly fond of anything post-Leone. A western doesn’t have to be spaghetti, however, for me to like it. I just feel that, for all Sergio’s overblown proportions, he did instill an accurate degree of nastiness in his films, which I’m sure was prevalent in that time of American history. Once Sergio came, westerns grew up, even if they were playing closer to the American style of fi…
Yellow Sky is one of those near classic Westerns from 1949. For decades the film has flown under the mainstream radar, only to finally be rediscovered on DVD. Gregory Peck is an unlikely choice to play the lead role. Stretch heads a band of thieves that strike from town to town hitting usually banks. The film wastes very little time getting started. We see the gang set up, and soon pull off, one of these heists in the first five minutes. The gang is quickly chased out into the unforgiving desert sun of the Western badlands.
G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money in fact, the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce.
Those hostilities are put aside when their daughter Becky (Stefanie Powers, Hart to Hart) returns hom…
Missouri Breaks starring Marlon Brando and Jack Nicholson is an overlooked, under-appreciated western, which succeeds where most films fail — as first a character study, and last an action piece. Set in Montana, Missouri Breaks tells the story of a fun-loving outlaw (Nicholson) and his comrades (including a much younger Randy Quaid and good old Harry Dean Stanton), who set out on a crime spree as a means of payback against an evil land baron responsible for the death of one of their friends.
Hondo is something of an oddity among John Wayne films. For starters, it was a western not directed by Howard Hawks or John Ford, but by John Farrow, a director Wayne only teamed up with one other time in his career (a WWII film called The Sea Chase). This is also a very tightly edited film, clocking in at just 83 minutes, including an intermission! Though he had certainly performed in his fair share of westerns by this time, Hondo came a couple of years before the release of the long series of w…
The film begins with the gunfight at the OK corral, making this something of a sequel to director John Sturges’ earlier film that ended with that famous battle. Here we see the aftermath, as the vengeful Ike Clanton (Robert Ryan, doing the Robert Ryan Villain thing) arranges for the shooting of the brothers of Wyatt Earp (James Garner). When legal means of redress prove fruitless, Earp progressively becomes more and more of a vigilante in his quest for vengeance, just as his best friend and …
During the crippling drought of the 1930s, con man Burt Lancaster arrives in a small town, promising to make it rain (for, of course, a small remuneration). Present here too is Katharine Hepburn, apparently doomed to spinsterhood. She will blossom under the care of Lancaster’s charming rogue.
Though very open and energetic, the film’s stage origins are apparent in the lengthy monologues and frequently artificial construction of the scenes. But Lancaster and Hepburn attack their rol…
Lee Van Cleef, often a villain, incarnates a sneering hero in Sabata (1969). He uncovers skullduggery at the highest levels in a small town, and proceeds to blackmail the crooked, sadistic, and rather effeminate Colonel at the head of the criminal racket. Plenty of gadgety gun battles are involved.
Yul Brynner steps into the role for Adios, Sabata (1970), and this time he defends Mexican villagers against their tyrannical Austrian masters. Brynner cuts a fine figure i…
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