Jeremy Butler

I fear our acceptance of A Haunted House has opened a door that we may never be able to close, as it would cause the disaster that is Meet the Blacks to be born. Parody films have the potential to be extraordinarily funny or incredibly bad. Can you guess what side of the scale this film falls on? Whether it be through overacting or jokes that attempted to play on every stereotype known to man, Meet the Blacks never really manages to get off the ground and make me laugh, which is equally disappointing given the sheer talent pool of comedians in the film: Mike Epps, Charlie Murphy, DeRay Davis, Lavell Crawford, Michael Blackson, Lil Duval, Paul Mooney, and the list goes on. As I said, this was a clear waste of talent.
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For a film called Joseph and Mary, the titular characters are little more than a footnote in the overall film in my opinion. Jesus has an even smaller role, which is a notable first for film when it comes to films that reference the character. I give it points for it focusing on less notable people rather than the big three. However, that said, execution of the project was a failure to launch due to predictable storyline and lackluster performances.
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“I’m too young and too pretty to die in the f*&$ing woods.”

Those sound like famous last words if I ever heard them. The Levenger Tapes is without a doubt one of the more intriguing thriller films that I have seen this season, featuring not only a found-footage technique but a subplot involving the authorities investigating a kidnapping case simultaneously. The thing that ties it all the together, the discovered footage, is the only tangible link to solving the other crime.
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I laughed more than I expected to. That best summarizes my experience with Casual Encounters, a modern day depiction of what the dating world has essentially become these days. Trust me, I have witnessed it firsthand, and the days of positive connection are nearly gone. Tragic but true; however, there remains hope that people can find true love in some of the most low-tech ways, which is another good addition to the B movie.
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Out of the shadows and into the light. That’s where we find Catherine and Vincent at the beginning of Season 3 of Beauty and the Beast. After successfully bringing down Muirfield, Vincent is no longer relegated to the shadows and can now reenter the world as a free man, allowing Catherine and himself to be together. However, just because he no longer has to hide doesn’t mean that the danger for the lovers is over, as a dangerous new foes resurfaces, hell-bent to keep the two apart. Admittedly, when the series first was announced, I was intrigued and endeavored to get it a change. Not out of nostalgia for the original series for which this based, but for Mrs. Kristin Kreuk. Come now, I couldn’t have been the only one who was drawn to the show because of the woman who put a face to Lana Lang for several years for another (now retired) CW series.
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In my experience there are three types of comedians: 1.) Ones that are good at standup but bad at a series 2.) Those that are good in a series but not so great at stand up. 3.) Those who can do both. Want to guess which one Jim Gaffigan is? The standup comedian, known for his clean brand of comedy, gets his own series loosely based on his life. He’s a bit of a slob, he’s occasionally lazy, and he is without a doubt addicted to junk food. Rounding out the season are a group of instantly recognizable stars like Chris Rock, Steve Buscemi, Hannibal Burress, and Macaulay Culkin…or is he Macaulay Culkin? (Inside joke, you’ll get it once you watch).
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What are you willing to do to save the life of someone you love? Would you sail across an ocean? Battle a cyclops or fire-breathing dragon? Or maybe smuggle a substantial amount of drugs across the United States-Mexican border. In Crossing Point, one man is pitted across immeasurable odds to accomplish such a task. Young lovers Michael and Olivia are enjoying a vacation in Baja with close friends. A clear romantic, Michael is ready to leave behind his club days and commit to the love of his life. Their happily ever after is derailed after Olivia is abducted by a drug cartel, and Michael is tasked with smuggling their product across the border into the United States in 12 hours.
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From the opening credits I knew this was movie intended to be a hard-hitting examination on how drugs could compromise a promising future. In most respects Curveball hits the mark; even the inclusion of the unorthodox methods which the lead character’s mother utilizes in order to help him is a welcome addition. However, there is a disconnect between the film’s introduction and conclusion that does some pretty considerable damage to the story overall.
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In season 1, The Royals showed us that depravity and royalty went hand in hand. This time around, it’s all about anarchy in the monarchy. When we last looked in on the ruling family of Britain, King Simon was assassinated, and within seconds of his death, his opportunistic brother literally pried the royal seal off his fingers. I mean, his body wasn’t even cold yet, and there is Cyrus grave-robbing.  Liam had the opportunity to walk away from the all the pressures of being the heir apparent and be with the girl of his dreams, but chose duty and familial obligations (yeah, because that always ends well). Helena’s reputation was in ruins; however, there was light at the end of the tunnel after a powerful interview. Finally, Eleanor discovered that her older brother, like her father, was assassinated. Needless to say, their entire world turned upside down. I was excited to see what came next.
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Prayer in school, oh boy, I can’t think of another high-tension issue that surpasses this one. Although God’s Club is not necessarily about this particular subject, its premise is bound to have some big arguments on both sides of the fence. I’m sure most of us know them already, but for the sake of my word count, let’s run them down. On the one hand, this great nation of ours was founded on the ideal of religious freedom; however, the separation of church and state has much to say about the matter as well. Needless to say, this is a topic that garners a lot of attention and must be handled with care. Fortunately, I believe that to be the case with God’s Club.
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A spaghetti western with a bit of supernatural tone. I not exactly sure that those two go together, but they give their best shot in Killed or Be Killed. This film shows how far man will come in pursuit of a fortune, as the group sacrifice almost everything including their lives. A band of outlaws, after breaking one of their number free from a chain gang, set about a long trek across the great state of Texas in order to claim a fortune that will allow them to retire from their outlaw ways. Not long after beginning their trek, misfortune strikes the gang in the form or several situations which will decrease their number and create dissent among the gang.
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“I fought for the sport of it, never to kick someone’s ass. It started in the ring and ended in the ring. Fighting should be a last resort, not a first.”

Before this quote, I must I was mildly concerned about the message this film was sending to the public. I wholeheartedly agree with the statement; however, before the words were uttered, I was mildly confused by the behavior of some of the characters in Fight to the Finish. Fortunately, the confusion did not last long, as I was quickly brought up to speed about the characters’ actions.
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With a few slight changes and additions, Sin Seer could have been quite something. As is, it is far from the worst film that I have ever seen, but there were a few areas that upon examination did not make much sense, such as in what world would we ever allow a convicted felon to carry a weapon? There are a few other things; however, I will let you marinate on that question, as it is one that plagued me for much of the movie’s duration. Our story opens up at a prison; convicted felon Grant Summit (Isaiah Washington) is released after serving an undetermined amount of time for the death of at least three people. OK, let’s just pause there.
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Any time I get a double feature, the first thing that comes to mind is that these two movies don’t know it, but they are now in competition with one another in my eyes. It was that way for Grindhouse as well as originals subsequent sequels. This time was no different in my eyes, and after screening both features there is a clear victor. Which one, you ask? Well, I’m not telling at this moment. (Don’t worry, I will, but I can’t just give it up that easy, because if I do, what assurance do I have that you will watch both films?) However, I’m sure my preference will become quite clear once you start reading.
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Battle for Skyark is a hero’s journey tale without question, as the main character finds himself thrust into the said role of protecting a ragtag group of kids from perceived monsters. Sounds like a lot of responsibility for a kid, if you ask me. The type of thing that sends a person into a dark corner and makes them ball up in the fetal position. You don’t get that, exactly, but you get something similar. Rags witnesses the murders of his father and faces his exile from Skyark, the city created above the Earth following an invasion by an alien race. Upon his arrival on the abandoned planet, he finds himself thrown into the role of savior due to a prophecy which states that the boy who bears thirteen shadows (cuts on the arm sustained during the expulsion process) will lead a group of resistance fighters and take control of Skyark.
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