Disc Type

Bombshell is a dramatization of the real-life scandal that occurred at broadcast news giant Fox News in 2016, where multiple women came forward to report incidents of sexual harassment, many of which involving the chairman and CEO of the company, Roger Ailes. This is an event that I’m sure everyone had some awareness of back then, and if you didn’t, you know about the events involving Weinstein. In regards to this film, it is told from the prospective of three women who were employed at Fox News: Megyn Kelly, played by Charlize Theron, Gretchen Carlson, played by Nicole Kidman, and Kayla Pospisil, played by Margot Robbie. Unlike Theron’s and Kidman’s characters, Robbie’s character is actually a composite character based on accounts of multiple women. In addition to these talented women, this film has someone recognizable names that it would take me the length of this entire review for me to record them all, but I will give you a few of the most prominent cast members: John Lithgow, who portrayed Ailes, Malcolm McDowell as Rupert Murdoch, and Kate McKinnon, who played a friend and confidant to Robbie’s character. The list literally does go on and on.
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A sure sign that Easter is just around the corner is yet another home video release of perennial seasonal favorite The Ten Commandments. In years past, we got the multi-disc edition, complete with original silent version of the film. This particular version is rather more stripped down, as far as features go, but it does mark the film’s re-release on Blu-ray. It’s a collector’s item kind of package with the discs arriving in a book form that isn’t quite that full of info but looks kind of nice. The set includes the exact same discs and extras as the original Blu-ray release offered. On the surface this looks like one to avoid if you already have the previous release. But they baited the hook with more than fancy packaging. You get the original DeMille 1923 version of the film, and that’s quite a good reason to pick this up. I’m disappointed that there’s no 4K version of the film. It was originally shot in 70mm, and a restored 4K disc could look incredible. Maybe next Easter.
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The notion that there are two sides to every story is at the center of The Affair. Almost every episode depicts the same events related to the titular adulterous relationship from two different perspectives. It’s an ingenious and inclusive storytelling tool, because TV viewers are encouraged to spot the differences in each character’s account of events. (Along with inconsistencies in hairstyles, wardrobe, wallpaper, etc.) That’s why I was somewhat disheartened by the latter portion of the season veering away from what made the show great.

– “Marriage means different things to different people.”

– “What does it mean to you?”

We first meet schoolteacher/struggling author Noah Solloway (Dominic West) as he prepares to head to Montauk, Long Island
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So at what point is enough is enough? The Dragonheart franchise has been around since 1996 when Dennis Quaid and Sean Connery brought the first film to life, becoming a box office success. Since that first film, sequels have continued to tell the tale of how a dragon has the power to share part of its heart with a human if it chooses. This is clearly evidence of the law of diminishing returns, as only the first film made it to the box office, with the others relegated to home media. While home media is a legitimate platform for films, I cannot fathom the reason to keep this franchise going. Dragonheart: Vengeance marks the fifth return to this universe, with the events of this film occurring before the events of the fourth film (Dragonheart: Battle for the Heartfire). Each film exists within the same universe, but with a new crop of characters and sometimes with a new dragon, usually voiced by an acting authority; examples include Patrick Stewart, Ben Kingsley, and of course, Sean Connery. In regards to this universe, I have not ventured back to this world since the events of the first film, and based on what I witnessed in this incarnation, there is little substance to warrant continued trips back.
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“You’re traveling through another dimension. A dimension not only of sight and sound, but of the mind. It is the middle ground between light and shadow, between science and superstition. And it lies between the pit of one’s fears and the summit of one’s knowledge. You are now traveling through a dimension of imagination. You’ve just crossed over into The Twilight Zone.”

It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind. When Rod Serling brought his landmark series to CBS in October of 1959, television was still very new. No one was quite sure what the future held for that magical box. But that box was part of an invasion. The television set would change the face of the world. It would become the social center of our homes. It would influence who we choose as our leaders. In 1959 those fortunate enough to already have television sets in their homes would become the first to see that future.
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I’m always cautious when I approach a low-budget independent film. It’s not that I don’t expect them to be good. I have found countless gems over the years that not only exceeded my expectations but have been placed on a must-watch-again list. The thing I’m most cautious about is the level of ambition a limited experience director might shoot for. Obviously there has to be a great amount of drive and ambition to even try to make a movie. I know many filmmakers think reviewers are frustrated and failed filmmakers. I’m not one of them. I have a great deal of respect for anyone who puts together a story and a crew and often risks their own resources to make a film. I’m talking about the ambition in the film itself. As I was watching Cicada Song for the first time, I started to worry about just that. This is a very ambitious film that tries to tackle a lot of things at one time. Yet writer/director managed to pull it off and deliver a film far more compelling than I was expecting.
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The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake). While there were certainly a few romantic undercurrents, the romance never came to fruition. Miss Kitty was a prostitute on the radio and was likely one here as well, but CBS chose to underplay that aspect of her character as a “saloon girl”. Finally Dillon’s faithful sidekick deputy was Chester (Weaver). Chester often found himself in trouble and was the naïve son figure to Dillon.
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