Disc Type

“Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?”

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA.
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In life, we all fall down; it’s a fundamental fact of life. This is a story about how we get back up. 100 Yards is about Rich Porter, an NFL prospect who loses his way after suffering tragedy. With a potentially great opportunity in front of him, he cuts himself off from the world. The hits just keep on coming as he is diagnosed with cancer. Instead of battling his disease, he is resigned to his fate until his meets a young boy with the same condition as well as a compassionate nurse that try their best to bring Rich back to the light and get him to hope again. 100 Yards is a story about regaining faith that no situation is completely lost, and it is about how we approach it.
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It’s been a while since there has been a good invisible man film.  It’s one of the original Universal horror monsters that just doesn’t seem to get the fanfare that I feel it deserves.  Some of the greats in Hollywood have tackled incarnations of the character. John Carpenter with Memoirs of an Invisible Man (1992); then there was Hollow Man (2000), but neither of these films are what you would consider classics, though they are films I had fun with.  So when The Unseen crossed my path, I was looking forward to this. After all, it has been a while since this type of character has been tackled; then factor in that it is being helmed by Geoff Redknap, who previously worked as a special effects artist on Cabin in the Woods, Watchmen, and numerous other projects.  This just seemed like it would be a good match.  The result is a bit of a mixed bag.
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The city morgue on the graveyard shift? Well, you can’t ask for a better setting for a horror film, can you? Shay Mitchell has been making a decent run in horror/suspense with her role of Peach on the stalker thriller You, as well as her newest role in this horror film The Possession of Hannah Grace. Horror films have become a new obsession for me in recent years, so I was very excited for this addition. Though given how saturated the market has become in recent years, my expectation was on the lower side of the spectrum. In its favor, there are several other familiar faces, including Stana Katic of Castle fame and Grey Damon. Additionally, the story unfolds in a suspenseful manner, which is half the battle right there. Though no possession film will ever top The Exorcist, The Possession of Hannah Grace is a worthwhile addition to the genre. I mean, it scared my wife out the room. 
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“For the record, I am a better Dorothy Parker than Dorothy Parker.”

Looks like Melissa McCarthy is attempting to branch out from her usual branch of raunchy comedy. Or at least she is dipping her toe in the water of such an idea, as Can You Ever Forgive Me is not without its raunch. Based on  the novel by Lee Israel, a known literary forger said to have forged over 400 false letters from notable writers, McCarthy plays the character and brings the comical quips that she has became famous for. Paired with Richard E Grant, the two work off one another with positive results. Probably one of the best examples of a non-romantic pairing I’ve seen this year. 
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It was 1985 when The Key to Rebecca first aired. It was a made-for-TV film based on the novel by Ken Follett.  I had never heard of the film until a couple of days ago and had no knowledge of the book, so I was pretty much going into this with nothing more than the blurb you can read off the back of the DVD box.  The one thing that jumped out at me was the running time on the film: 3 hours and 14 minutes, so one thing I knew was it would be a film I’d be spending a decent amount of time with.  I have nothing against long film. I don’t care what the runtime is on a film, just so long as the film is good, and unfortunately The Key to Rebecca didn’t turn out to be the suspense-filled spy film I had hoped it would be.
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American Vandal is a mockumentary series that premiered on Netflix back in 2017. For those unfamiliar with the term “mockumentary,” it is a parody film or television series in the format of a documentary. This particular series is a parody of the Netflix series Making a Murderer and a investigative podcast called Serial. American Vandal has been on my radar for quite some time thanks to a friend of mine that sang its praise for weeks, trying to convince me of the show’s merit. My buddy’s recommendation had me intrigued, but as you can imagine my queue of media content is a long one, and I was waiting for inspiration to strike to push the series to the front of the queue (thank you, Upcomingdiscs). First thing I did after watching the series is call up my friend and let him deliver his “I told you so” speech.
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Shout Factory is at it again, releasing yet another cool and unappreciated film from the past, so hopefully a new audience can possibly embrace this fun, punk-rock, exploitation gem.  Writer and director Penelope Spheeris, who created the brilliant documentary The Decline of Western Civilization (1981), followed her documentary with the 1984 film Suburbia.  It’s no surprise that she would follow her punk documentary with a low-budget film that delves into the lives of kids who are entwined in the punk scene.  Seeing how Roger Corman is listed as a producer on the film, it should come as no surprise that this is shot on a low budget; this is one of those times where cheap goes a long way in setting the tone for a film and keeps the look of the film honest.  But is it worth taking a trip through Suburbia?
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“When telling our story, it’s impossible to separate the truth from the myth.” 

Isn’t that always the way? The Golem attempts to reach back deep into Hebrew history and update one of the world’s oldest monster stories. It’s a myth very much steeped in tradition and cinema history. A golem is a creature made from clay/dirt and animated as a means of revenge. Think of it as Pumpkinhead without all of the claws and teeth. The creature has been the subject of a few films going all the way back to the classic 1915 silent film of the same name. One of the more underappreciated versions of the story appears in the 1967 Roddy McDowall film It. Of course, the original story is a cautionary tale akin to the old saying that a man intent on revenge should begin by digging two graves.
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