Disc Type

American Vandal is a mockumentary series that premiered on Netflix back in 2017. For those unfamiliar with the term “mockumentary,” it is a parody film or television series in the format of a documentary. This particular series is a parody of the Netflix series Making a Murderer and a investigative podcast called Serial. American Vandal has been on my radar for quite some time thanks to a friend of mine that sang its praise for weeks, trying to convince me of the show’s merit. My buddy’s recommendation had me intrigued, but as you can imagine my queue of media content is a long one, and I was waiting for inspiration to strike to push the series to the front of the queue (thank you, Upcomingdiscs). First thing I did after watching the series is call up my friend and let him deliver his “I told you so” speech.
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Shout Factory is at it again, releasing yet another cool and unappreciated film from the past, so hopefully a new audience can possibly embrace this fun, punk-rock, exploitation gem.  Writer and director Penelope Spheeris, who created the brilliant documentary The Decline of Western Civilization (1981), followed her documentary with the 1984 film Suburbia.  It’s no surprise that she would follow her punk documentary with a low-budget film that delves into the lives of kids who are entwined in the punk scene.  Seeing how Roger Corman is listed as a producer on the film, it should come as no surprise that this is shot on a low budget; this is one of those times where cheap goes a long way in setting the tone for a film and keeps the look of the film honest.  But is it worth taking a trip through Suburbia?
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“When telling our story, it’s impossible to separate the truth from the myth.” 

Isn’t that always the way? The Golem attempts to reach back deep into Hebrew history and update one of the world’s oldest monster stories. It’s a myth very much steeped in tradition and cinema history. A golem is a creature made from clay/dirt and animated as a means of revenge. Think of it as Pumpkinhead without all of the claws and teeth. The creature has been the subject of a few films going all the way back to the classic 1915 silent film of the same name. One of the more underappreciated versions of the story appears in the 1967 Roddy McDowall film It. Of course, the original story is a cautionary tale akin to the old saying that a man intent on revenge should begin by digging two graves.
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“Every pain needs a name.”

Despite taking several cues from Mister Rogers’ Neighborhood, the new Showtime series Kidding couldn’t be any further from the children’s TV show millions of kids grew up with.  Instead, what Kidding offers is a front row seat where we see a man who embodies all that is wholesome, kind and optimistic dissolve into something that is emotionally broken as his sanity and life crumble around him.  Kidding isn’t simply a dark comedy, but instead is the start of a man’s journey when he is confronted by tragedy and shown just how cruel the world around him is.  While the show isn’t a complete romp of doom and gloom over its ten-episode first season, it still should be made clear this show is not for kids.
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Stemming from a backdoor pilot episode within the series Girlfriends, The Game is a comedy series about a woman (played by Tia Mowry Hardict) who gave up her career as a doctor in light of the success of her boyfriend’s being a star athlete (this is the first pang of misogyny, with more to come). The CW cancelled the series after the third season, and it was picked up by BET for it’s remaining years. The show was an absolute hit for a while and managed to score well with fans of Girlfriends. It was like getting an extra nine seasons of that show.
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The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice.
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“If the human features of Hitler are lacking in the image of him that is passed on to posterity, if he is dehumanized and shown only as the devil, any future Hitler may not be recognized simply because he is a human being.”

We have become so removed in time and experience from the evils of Nazi Germany that the entire experience has been cheapened. When politicians call another politician a Nazi or compare them with Hitler, it’s absolute proof that they have no idea of what they’re talking about.
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“They are working. They have been working for us for over 10,000 years. They have been called man’s best friend. Soft fur and wet nose. Smart and loyal. Aiding us in transportation, hunting, companionship, protection, and many more ways. They share a bond with us like no other animal. They are career dogs, and this is a look into the history, training, and duties: jobs that can only be filled by our four-legged friends.”

Dogs on the Job is a seven-part series that takes a closer look at the various breeds of dog and the kinds of jobs they were bred to perform. The first episode gives us a pretty good lesson on how dogs became to be associated with humans and why those early wolves would become so cooperative with humans.
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Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction.  Is there anyone really that doesn’t recognize Stewie? After all, he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats.  Where The Flintstones, then later The Simpsons were at one time the dominating animated family on the television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family.
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“I have no motive, my friends, to deceive you. I am sincerely desirous to promote your welfare. Listen to me, therefore, when I tell you that you cannot remain where you now are. Circumstances that cannot be controlled which are beyond the reach of human law and render it impossible that you can flourish in the midst of a civilized community. You have but one remedy in your reach, and that is to remove to the West. The choice now is before you. May the great spirit teach you how to change. Your friend, Andrew Jackson”

With friends like that, who needs enemies, or so the saying goes.
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I was quite reluctant to attend the screening for The Oath. My reluctance wasn’t based on my willingness to see the film. People like us will go to any kind of a movie. I love films. My issue was the impression I received from the trailer. The film appears to be ripped from today’s political climate and quite possibly to be a close parody of the actual present political situation. No matter on what side of that issue I might personally happen to fall, we here at Upcomingdiscs try our best to keep our politics out of our work. It’s not fair to fellow writers for them to be brushed with any other writer’s ideals, and it’s simply unnecessary to create a hostile environment here for any of our readers or staff. So I approached the screening with the caveat that I might not actually review the film. When the studio agreed to those terms, I set out to experience The Oath. I’ll give you a little “inside baseball” into the movie review business.
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“So dark. You sure you’re not from the DC universe?” 

What if you took out the darkness and made the film a little more family-friendly? Could that work? My initial reaction was that it was a mistake to try. But this film actually has some charm going for it, and I was a bit surprised at how seamless it was. This is essentially Deadpool 2 with the hard-core stuff removed. Gone are the sword fights that used to start the film. And Fred Savage is the key to making the entire idea work.
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